Rule 1: There are different styles of calligraphy.
The style depends on whether the calligrapher's words and deeds are consistent with China's traditional philosophy, such as the Confucian doctrine of the mean and the Taoist doctrine of nature. This is not only the temperament of life, but also the style of calligraphy. Generally, a person's knowledge, culture, temperament, morality, self-cultivation and so on can be reflected in calligraphy. Of course, you should fully understand the philosophy in China's traditional culture. Without this foundation, it is impossible.
The second trick: the richness of calligraphy technology.
Pen is no longer a simple tool in Wang Xizhi's hands. Many of his words are randomly generated, and none of them are the same. The same word can be found in different copybooks. At first glance, the words of Wang Duo and Fu Shan are full of changes, but some of the same words are easy to have similarities.
Change is the source of beauty. If there is a change, it will create risks. The risks of calligraphy mainly include brushwork risk, composition risk, ink risk and word risk. Among them, the first thing to be solved is the brushwork risk.
1, long-term and short-term comparison. Join several words together to form a long string. The long line is continuous, and the short line is crisp and neat.
2. Contrast between thick and thin lines. Thin lines test technology the most, and it is not easy to write full and round.
3. Comparison between straight lines and curves. There is no absolute straight line in calligraphy, and all lines have a certain radian. There is a bend in the straight, and there is a straight in the bend. A straight line with radian is an advanced straight line, and an arc with a straight line is an advanced arc. Turning a straight line into an arc will be full and the lines will be elastic. An advanced curve is a straight line in a curve. Curves are like steel bars. When you bend them, they bounce back.
4. Comparison between straight line and diagonal line. A work must have a straight contrast, such as the word "Xie" written by Wang Xizhi. Turning a straight line into a diagonal line will have a different relationship. Miffy also mastered this point and showed great exaggeration in his works.
The third measure: technical difficulty coefficient
The quality of words depends on the texture of lines. For example, many people imitate or even fake, but experts can see it at a glance. Especially his thin lines, no one can imitate them exactly, because it is difficult to write. Whether a word is wonderful or not depends on whether there are "words". Every word has words, just like a poem has poetic eyes. "eyesight" lies in that little change.
1, wide and easy to walk, near the needle. For example, the word "Jiang" enlarges the word "inch" and regards "water" as the left dense and the right sparse. That's it.
2. Opening of external space. The font is open and open, and the words should be let go, not loose, but an opening in compactness.
3. Easy to change here. The sides and joints are well done.
4. Changes in words and phrases. A lot of times, it will be very simple without things swinging from side to side.
5. Form and color are important. Form and color are like a person wearing clothes, and good clothes can make up for physical defects. The body defect may not be changed in ten or eight years, but you can choose a suit to make up for it.