Appreciation of cursive landscape of famous northern calligraphers
Famous calligrapher cursive "Scenery of the North" 1
Famous calligrapher cursive script northland scenery Figure 2
Famous calligrapher cursive northland scenery picture 3
Famous calligrapher cursive northland scenery picture 4
Cursive knowledge literacy
1, learned for use. To truly understand China's calligraphy, it is far from enough to study the techniques and theories of calligraphy itself, but also to have a certain dabbling and foundation in philosophy, literature, aesthetics, philology, phonology, history and even other marginal arts. Applying what you have learned is more reflected in China's calligraphy than in other arts.
First of all, the Chinese characters used in China's calligraphy are comprehensive characters with rich connotations. China's writing began with hieroglyphics, which are rich in form, sound, substance and meaning, forming a unique writing system, and its writing itself contains complex and rich cultural meanings in China. China's calligraphy based on this writing system has the characteristics of cultural integration.
Secondly, the development of China's calligraphy has fully absorbed the comprehensive nutrition of China's traditional culture, which is the comprehensive embodiment of China's traditional culture, or she is the condensation of China's traditional culture. China's calligraphy thoughts, such as form, content, style, artistic conception, temperament, verve and style, actually integrated China's thoughts of Taoism, Confucianism, Buddhism, the art of war, martial arts, literature, writing and phonology. This can be clearly seen from the traditional theory of China's calligraphy. China's traditional calligraphy theory often uses images, analogies and knowledge to explain calligraphy, while the descriptions by analogy and knowledge cover almost all disciplines of China culture.
Thirdly, China's calligraphy has a special appreciation process, which is highly unified with the creation (writing) process. This makes calligraphy appreciation not only spatial, but also temporal. In other words, to create and appreciate China's calligraphy requires not only the aesthetic ability of space art, but also the aesthetic ability of time art.
2. Temperament development. The rise and development of China's calligraphy is closely related to China's literati characteristics. It can be said that China's calligraphy itself is the art of literati.
There is a strange phenomenon in the cultural development of China: languages are divided into two categories: written language and spoken language, which are quite different in terms of expression, language characteristics and development track. Spoken language is the language people use in daily communication and oral communication. It is nonverbal and has great regional differences. Written language is used for the communication, recording and dissemination of the literati class. China's calligraphy is an art based on China's written language, so it has the characteristics of typical China's written language. Literati? Temperament. This temperament is actually? Learning spirit? And then what? Bookish? .