Luo yin
The prince of Wu has been drunk for more than ten miles, and today there are so many clothes.
Don't go with the birds after the rain, but rely on the wind to doubt passers-by.
Sorrow, pity, pink, gorgeous songs, quiet love, Leng Xiang, and wine.
There is no good letter to send what you want, and you are disappointed at dusk.
Throughout the ages, there are the most people who take Mei as the topic in poems and songs. On the whole, the plum he recited was either "a thin shadow across the window", "a thin shadow on the window screen", "a branch", "a tree" or "several trees". Luo Yin's Yongmei poems, which focus on Dameiyuan, are rare.
"The prince of Wu has been drunk for more than ten miles, and his clothes are very complicated today." This plum garden in Fiona Fang for more than ten miles should refer to Meilin in Gushan. According to legend, the Spring Night Palace was built on the Gusu terrace, and Wu Wang and his wife often drank all night in the Spring Night Palace, so the drunken state of Wu Wang was often used to refer to Suzhou or Wudi in poetry. Suzhou and Hangzhou were both places of Wu in ancient times, and Meilin, a lonely mountain in Hangzhou, was famous for a long time in the Tang Dynasty. "Wu Wang is drunk for more than ten miles" refers to the plum in the lonely mountain of West Lake. The clever use of the word "drunk" not only objectively reveals the location of Merlin, but also contains the poet's subjective feelings. Shan Ye is reflected in the bustling Shili Plum Garden, surrounded by faint fragrance and various shapes of plum branches, and the poet can't help but revel in a sea of plum flowers.
"Don't scatter with the birds after the rain, it's windy." These two sentences vividly describe the character of plum blossom. The wind and rain in the early spring in the mountains are chilly. The mountain bird was too cold to bear, and coaxed it to find a shelter from the rain. However, Plum Blossom stood upright and was baptized by Shan Yu, regardless of the cold. The word "unbreakable" vividly depicts the majestic posture of Shan Yu plum blossom standing proudly. A cold wind blew through the branches, rustling, and the plum blossoms were still there gracefully, as if whispering to the cold wind. Here, the author uses the methods of setting off and personification to set off Mei's perseverance with the coaxing of mountain birds, and vividly shows the beauty of Mei's appearance with "leaning against the wind" and "talking", which is different from the "thin shadow" and "horizontal branches" in the courtyard.
"I cherish pastel songs and love cold and fragrant wine." The next three or four sentences compare Leng Xiang's plum blossoms with rich peaches and plums, revealing the poet's own feelings. Peach and plum powder is very popular, and it is very attractive on the song and dance table, and there are many appreciators. The poet is deeply worried and sorry about this. Worry and regret are not envy, but what poets envy is dignified, light and fragrant Shan Mei. The word "ah" is the antonym of "gone with the wind", which describes the poet's neglect and unmoved moral integrity. "Leng Xiang" and "Pujiu" show that the poet and the smell of "Leng Xiang" blend together, which is a portrayal of the poet's character. Many poems describing objects have the author's emotional sustenance, and this one is no exception. Luo Yin had the ambition to help the world in his early years, and he was "arrogant, especially hated by officials" (supplement to the History of the Five Dynasties), so he tried ten times. However, he still refuses to follow the trend of the times. "In the forest of ice and snow, peaches and plums are mixed with dust", Han Mei's noble character of being proud, cold and unyielding, and not striving for spring is the sustenance of the poet's feelings and character, and also the main theme of Yongmei's poem.
"There is no good letter to send what you want. It is dusk for you." These two sentences mean that I want to tell those people in different ways how I feel. Unfortunately, there was no messenger to convey them, and I spent another evening worrying about Gone with the Wind. "Melancholy" corresponds to "sadness" in May and June, which shows the poet's concern about this situation. This kind of worry also implies the firmness of the poet's own character.
This is a poem that eulogizes things and expresses one's heart. The poet described what he saw and felt for the second time with a unique idea. In contrast, the use of anthropomorphic brushwork and the portrayal of the image show Mei's majestic posture and personality and express the poet's feelings.