Source: Song Ren Xin Qiji, "Yulouchun, I want to persuade Chunguang to live in front of the wind"
Original text:
Before the wind blows, I want to persuade Spring to stay. Spring is on Cao Fang Road in the south of the city.
Flowers that don't flow with the water are made into floating mud.
The stars are wrong, and people in spring are not conceited.
Dreaming that people are far away from many troubles, only in the pear flower storm.
Translation:
Before the bleak wind, I tried to persuade the beautiful spring to stop in a hurry Unfortunately, spring is still on the lush grass road in the south of the city, and it is getting farther and farther. At this moment, I want to turn into pieces of fallen flowers and go with the running water, but I can only linger like flowers at the water's edge; I want to become catkins and fly away with the spring breeze, but I can only be as silent as catkins.
Gently brushed away the mirror dust, I was horrified to find that my sideburns had been stained with stars. The world doesn't want to live up to the beautiful spring scenery, but now the spring scenery has been let down by itself. In my dream, I seem to have returned to the front line of resisting gold, and I wake up with new worries. At this time, the pear blossoms outside the window were shrouded in the storm.
Extended data:
Appreciation of poetry and prose:
The first sentence and the second sentence want to keep the spring, but it is the late spring when the grass grows and the warbler flies. Pointing out the meaning of hurting spring at the beginning laid a sentimental tone for the whole word. Then, from the perspective of spring, I said that spring doesn't want to go with the water, just like falling flowers, without a trace, so it has to temporarily become flying flocs stuck to the mud.
Both "fallen flowers" and "flying flocs" are floating things, but in the poet's pen, it seems that the fallen flowers pass faster, and the flying flocs can still be temporarily stored in the mud, vividly writing out the unwillingness and helplessness of not wanting to die in spring. Use metaphors to describe one's youth and express one's feeling of wanting to keep it.
In five or six sentences, when I see Fahua in the mirror, I think that my years have passed, and I am unwilling to live up to my youth, but I am helpless or powerless to express my deep sorrow. I express my old age because my achievements have not been completed and my beautiful ideals of youth have been shattered. "Dream back to people and stay away from many troubles." When I woke up in my dream, I seemed to have eliminated my worries. It seems to be free and easy, but it is actually more painful.
The last sentence, ending with the scenery, condenses a lot of sadness on the pear flower, and symbolizes a person's fate and situation with the wind and rain pear flower, which is subtle and moving.
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