First of all, I looked up. I found it was moonlight. I sank again, and I suddenly remembered home. -Li Bai's "Silent Night Thinking".
Appreciation: Thinking about a Quiet Night is a poem by Li Bai, a great poet in the Tang Dynasty. This poem describes the feelings of the lyric hero who lives abroad, looking up at the bright moon in the house on autumn night and missing his hometown.
The first two sentences describe the illusion of the protagonist in a specific foreign environment for an instant; The last two sentences deepen the hero's homesickness through the portrayal of action expressions. The whole poem uses metaphor and contrast to express homesickness. The language is fresh and simple, but the charm is implicit and endless, and it has been widely read.
Second, the night in this life is not long, where to see the bright moon next year. -Su Shi's Mid-Autumn Festival Full Moon.
Appreciation: This poem entitled Mid-Autumn Festival is naturally the joy of writing a full moon. Sticking "Yangguan District" involves other feelings. It describes the reunion of the author and his younger brother Su Zhe after a long separation, enjoying the Mid-Autumn Festival, and also expresses the sadness and emotion of breaking up soon after the reunion.
This night is not long. "It's rare to have a good meeting. When you have fun, you will live up to the meaning of tonight. However, just as the bright moon is still round, life will be difficult. The separation of brothers can't help but make the poet lament the brevity of this life.
Third, the full moon flying mirror returns to the heart to fold the sword. -Du Fu's jathyapple, August 15th.
Appreciation: On the night of Mid-Autumn Festival, the poet faced a full moon flying into the air like a mirror, shining everywhere, and could not help but have the idea of ending his wandering and embarking on his way home. However, thinking about the present reality, I suddenly feel that my heart has been cut off, but it is like a broken broadsword without a ring, which will exist forever, making me feel painful and great. I can only ponder over and over again "When is the year of return?"
The first two sentences of the poem set off the bright full moon and gloomy poet's psychology. The former sets off the latter. Among them, "everywhere" not only shows the moonlight shining, but also shows that the poet has no choice but to look. From this, the poet's modality of staring at the moon at that time can be imagined.
Then the second couplet explains why you want to retreat instead of retreating. It turns out that the poet is like a loose grass flying with the wind, moving farther and farther from east to west and from north to south. At this time, even if Dangui wanted to climb the Guanghan Palace to visit Chang 'an, he could only look at the ocean and sigh.