& ampnbsp; From the beginning of the first film of The Word, the author mobilized the readers' vision and hearing, let people see the weeping willows, and heard the cold wave beating against the empty city and retreating. It seems that the author is writing a scene, but in fact, just like the sensing system, the author is very keenly aware of the desolation and cold from the "weeping willow" and the cold wave, and reveals and conveys his deep feelings to the readers.
Then, the author looked up and said, "The small long stem is followed by the big long stem. The flag of the Song Dynasty is scattered, and there are fishing rods left. " Looking around, the streets are still the same, but the songs are so scattered that the children can't hear them; The wine curtain is sparse and invisible. Only lonely fishermen fish in the Han River. Writing about streets and lanes is not about city eagles, pavements and people, but about "singing boards and wine flags". It seems that the author is handy, but in fact it is extracted from a lot of things and forged from the poems of the predecessors. Zhu Yizun condensed "Matsuzaka's Nine Spirits", which was first described as "falling" and then described as "doing": a few strokes erased the old songs and dances of Jinling, the ancient capital, and created a gloomy and secluded realm. How simple and natural this technology is.
The next paragraph of the word begins with "autumn grass", pointing out the time sequence, and also echoes the "weeping willow" in the previous paragraph, forming a withered picture. The author looks back on the past of Jinling from what he saw in front of him. The prosperity of the Six Dynasties ceased to exist, just like autumn grass withered. "Cold in Six Dynasties" concisely summarizes the long history of rise and fall, and the word "cold" connects vision with feeling, revealing the author's feelings of mourning the past and drawing lessons from the present. Write the Yuhuatai as "empty", and then write "empty" as "nobody". In other words, there is no one here except myself. However, in this specific environment, the author leaned against the railing and looked out alone.
Then, with a sharp turn, the "swallow" suddenly flew in the "leftover", which made people feel refreshed and seemed to have vitality. However, it's a pity that this swallow "came and left". It seems that even swallows feel that the Yuhuatai is in decline, desolate and living, not to mention unbearable. This is really a wonderful pen without words. Finally, the author uses "such a country" to express his feelings and puts all his feelings on these four words.
Every word of the word contains deep feelings of ups and downs, and every sentence reveals the sigh of the cold world. The artistic conception of the whole article is profound, and the feelings are sad and touching. It can be said that the whole article describes the scenery as a whole, and it is also lyrical as a whole, with affection in the scene and affection in the scene. The brushwork is vigorous and elegant, following the old sentences of predecessors, natural and harmonious, and no axe marks are seen.