1. About the poems written by Liu Dabai
About the poems written by Liu Dabai 1. Please appreciate Liu Dabai’s two poems
The five most teaching things Drunk: Bar, let’s be young; but it’s not as good as the moonlight that looks like glass in the middle of the night. Flowers in the heart can bloom no matter where they are, in a sacred place, because they are irrigated by warm blood.
Twenty-five The stars, who were greedy for bathing in the sea, were drunk by the wild water, embracing the naked moon, and suddenly started dancing. 26 The heaviest beat, the one that touches my heart, is the sound of a lone goose in the dark night with low moonlight and clouds.
Thirty-six Youth is about art, creating piece by piece; manhood is about engineering, building things one by one; old age is about history, reading leaf by leaf. 53 The silence of nature has the power to make people understand, which is stronger than all words and words.
90 The lover’s little shadow, only the lover’s eyes, is the most appropriate frame.
2. Liu Dabai’s representative poems
It’s not that I can’t tear it apart with my fingers,
It’s not that I can’t cut it open with scissors, just slowly
p>Gently
Carefully opened the purple letter lips;
I know that there is her inside the letter lips
A secret kiss.
From her solemn fold,
I unfolded the pink letterhead
solemnly.
I wrote her very solemnly
word by line,
line by line
very solemnly Read it.
I don’t love the blurry stamp in the corner,
I don’t love the delicate pattern,
Just slowly
Gently
Very carefully lift up the green stamp;
I know that behind the stamp,
there is her secret kiss . The birds returning to their nests,
even though they are tired,
are still carrying the setting sun back.
When the wings are turned,
the setting sun falls on the river;
The white-headed reeds,
also turn into a flash of beauty. . Aroused by the autumn light, I went out in my boat alone, and sat on the railing at the pavilion in the middle of the lake.
At the third watch, countless cruise ships dispersed,
There was only one month left in Tianxin,
I was alone in the middle of the lake.
At this moment,
I miss each other closely,
no one can see through this meaning;──
Except for this. What time are the stars,
how many residual lamps are twinkling,
how many fireflies are flying.
There was a sudden whistle,
holding the dew against the smoke,
flying head-on.
Touch the heart of the lake,
From the heart of the lake,
A gust of wind and a wave rise.
It was like a whisper in the ear, saying, "I have deep concerns,
I can't hide them from others.
I don't believe it,
Seeing it as bright as the moon,
I see that she is in your heart."
1921 From the low voice,
The short song left her lips.
p>
Fly to my ears.
But my ears never stopped.
After all, it vibrated my heartstrings.
From the glimpse,
a smile left her lips,
and flew to my eyes.
But the eyes never stopped.
After all, my heart flashed.
A portrait of the sound of a short song on the heartstrings,
often repeated after covering one’s ears;
A portrait of the shadow of a smile on the state of mind,
It often reappears when I close my eyes.
1922
Who planted the love in his heart
into red beans?
Wait for me to grind the beans into dust,
Do you still have lovesickness?
Who twisted the bright moon in the sky like a hook?
Let me make a hook into a mirror,
Let’s see if we can be reunited forever?
3. What kind of scenery does Liu Dabai's poem "On the River in Autumn Evening" describe?
"On the River in Autumn Evening" is a 1923 work by the modern poet Liu Dabai, which is included in Kaiming Bookstore 1926 edition of "Postal Kisses" poetry collection.
The overall framework of this poem adopts the popular short verse style at that time, with small descriptions, concise outlines, prose sentence patterns, and impromptu expressions, depicting an autumn dusk by the river. scene.
"On the River in Autumn Evening"
The returning birds,
even though they are tired,
still carry the setting sun back. .
When the wings are turned,
the setting sun falls on the river;
The white-headed reeds,
also turn into a flash of beauty. .
Appreciation
The overall framework of this poem adopts the popular short verse style at that time. Small descriptions, concise outlines, prose sentence patterns, and impromptu expressions all show the style of Tagore and Japanese haiku. Liu Dabai focuses on the integration of emotion and scenery in the process of describing nature. This is the so-called combination of poetry and painting and the blending of scenes in old poetry.
The poem describes what the poet saw at dusk in autumn. This scene is like a painting, but the things in the painting are moving, not static.
"The returning birds, even though they are tired, still carry the setting sun back with them." The tired birds want to return to their nests. By this time, it was getting late. The afterglow of the setting sun shines on the back and wings of the flying birds, as if it is carrying the setting sun back to the nest. The scenery at dusk, in the poet's writing, has a sad beauty. "Tired" and "tuo" are the two key words. The returning bird is tired, this is the poet's imagination, and it is also the poet's emotion. Bird fatigue is actually also human fatigue. The word "pack", on the one hand, is a further rendering of the scenery and a wonderful imagination, and on the other hand, it also highlights the degree of bird fatigue, because "pack" is a kind of load, and what is carried is the sun. What you see in this way is not just a scenery, but also the poet's experience of life.
"With a flip of the wings, the setting sun falls on the river." The poet originally only paid attention to the birds on the river and the sunset shining on the birds. As the bird's wings flipped, I noticed the reflection of the setting sun on the river. The reflection of the setting sun seems to have fallen from the wings of a bird. Asuka was already tired, but with the setting sun still on his back, he didn't feel it was a heavy burden. In the poet's opinion, it is the birds that carry the setting sun to dye the river surface. The scene is very touching. The second paragraph is the continuation and development of the scene in the first paragraph. Instead of saying that the setting sun sinks to the bottom of the river, it is very expressive to say that the setting sun is flipped over by bird wings and falls into the river. It is an extremely exaggerated yet logical dynamic description. Rather than being a natural extension of the bird carrying the setting sun, it is better seen as a deepening of the poet's imagination. It makes the setting sun sink into the center of the river, making the scene at this moment even more extraordinary. At the same time, the bird flaps its wings and shakes off the setting sun, which is also a kind of emotional development. It shows that the bird cannot bear the heavy burden and hopes for a free life.
"The white-headed reeds also turned into beauty for a moment." The poet shifted his attention from the river to the reeds on the riverside. The afterglow of the setting sun dyes the river surface and the reeds. In an instant, the white-headed reed turned red. From the wings of the birds to the surface of the river and to the reeds, the scenery in front of us is red. It constitutes a beautiful picture on the river at dusk in autumn.
The whole poem is full of the sentiment of old poetry. With just a few strokes, it outlines a beautiful picture of movement in silence and full of sound and color. At the same time, it also has the poet's own style, just like the last line. These two sentences personify the reed through "makeup" and "beautiful face", adding some interest and vitality to the whole poem.