Urgent! On the ancient folk culture of stepping on songs reflected in Li Bai's "To Wang Lun" and Liu Yuxi's "Zhi Zhu Ci".

Tapping is a traditional dance of the Han nationality. This ancient dance form originated from the folk, rose in the Han Dynasty more than two thousand years ago, and became more popular in the Tang Dynasty. The motif of the so-called "everyone is happy in a good year, walking on the dragon" is the folk consciousness of "reaching happiness" Although the classical dance "Zou Ge" accurately inherits the folk customs, it is still "classical". How can such a group of women who "talk about cherries and talk about jade" get on the dragon? The purpose of "Ta Ge" is to outline the scene of an ancient couple's spring outing and sympathize with the troubled modern existence with a long-lost beautiful image. "Tapping songs" is a fusion of folk forms, classical forms and folk self-entertainment dance forms recorded from the Han Dynasty. "Riverside Moon-out levee is flat, and the girl's levee is flat. When you sing all the new words, you can't see them, and the rosy clouds are singing in the shadow trees. New words are handed down from generation to generation, and the sleeves are swaying. The moon is falling and the rain is scattered, and the wanderer picks up the flowers. " Even Liu Yuxi, a native of the Tang Dynasty, couldn't help but write a poem "Trekking" in the face of a beautiful woman from the South who was "smiling with fragrance and competing for beauty". Tapping songs, from folk to court, from court to folk, has always been a dance form of stepping on the ground for the festival, singing and dancing, which is also a main feature of self-entertainment dance. The dance "Tap Song" not only takes various dance steps as the mainstream, but also develops some highly mobile dance steps. In the overall "pause", there are moments of "flow", and through the contrast between flow and pause, a visual contrast is formed. For example, there is a set of complex action segments that appear in the rhythm after the second singing and in the rhythm after the fourth singing. The dancer twisted her waist to the left, throwing her sleeves all over her feet, and the straight sleeve front showed the trend of "arrow leaving the string". Just as he was about to leave, he suddenly turned to the right, his sleeve fell to the right through the upper arc, his body suddenly turned to the left, and his sleeve was pulled horizontally to the left. In this way, back and forth from left to right, like flowing clouds, all the movements are in one go in the lyrics of "I hope to be with your husband", so that the audience can taste a little gentleness and elegance in the freshness and beauty under their feet, just like "I" is the sleeve that you are willing to follow. Basic posture: Shoulders closed, including chin, arms covered, back swing, knees relaxed, waist twisted and hips raised are the basic postures required by Taco. In the flowing movement, the dancer forms a two-dimensional or three-dimensional "three-way bending" posture by swinging left and right, twisting the waist and loosening the hips, showing the graceful girl. The posture of loosening knees and tilting hips will inevitably lower the center of gravity, and the specific steps of walking forward will make the whole trunk show a "pro-ground" posture. This is the conclusion after analysis, but the dance "Step Song" has never seen the slightest sense of "falling" visually, and the reason for this situation is that the sleeves are not too long or too short, just right. The sleeves in "Ta Ge" play a connecting role in the whole movement, and the choreographer combines the "upturned sleeves" in the Han Dynasty, the "swinging sleeves" in the Tang Dynasty, the "beating sleeves" in the Song Dynasty and the "taking sleeves" in the Qing Dynasty. This eclectic and selfish creative idea has undoubtedly made the classical dance "Ta Ge" Gu Zhuo and. The aesthetic concept of the trinity of poetry, music and dance is everywhere in the works. The rich style of Han and Wei dynasties shows a poetic side from the stage composition. For example, the scene of 12 women holding sleeves and shoulders obliquely is exactly "singing and dancing tactfully, just like a beautiful warbler". What is more poetic is the feeling of infiltration and spread everywhere in the works. The word says: "If you are a cloud in the sky, if you are a bird in the cloud, you will depend on each other and reflect the wind of the sun bath. If you are in the water in the lake, you are like a flower in your heart, and you are in love with me. Why do people get together and leave? How can there be joys and sorrows in the world? I hope to be with you, not a flash in the pan "(Tago). In this soft language of Wu Nong, the most beautiful scenery of "outing" is the talented person and beautiful woman who come from leisurely. Love is closely related; Poetry is catchy. History and Culture First of all, the movement mode of "Ta Ge" has a reverse starting point and a solitary trajectory, which is deeply rooted in our nation's sports space-time view of "taking retreat as progress, starting point as end point, doing nothing and constructing a ball with an arc". The dancer's body leaning forward and leaning back in "Treading" is also a combination of yin and yang, and the footsteps are virtual and real. He should first turn left and then right, first rise and then restrain, then choose to retreat and turn around tactfully. Its law is consistent with Laozi's Tao Te Ching Resurrection, that is, the movement of the universe does not need to look for external motivation, but its internal "opposition" and "recovery". Secondly, the dance form of "Ta Ge" has a kind of body aesthetics of "getting carried away". As the book Dance Morphology says, "Dance is not only a form of' movement', but also an aesthetic form, and the aesthetics of this movement is based on the aesthetics of the human body on the one hand, and the aesthetics of transforming the human body on the other." We have noticed that in its long historical evolution, China classical dance does not aim at the presentation of human body lines, but constructs an aesthetic image of "flowing clouds and flowing water" through cultural restrictions on the human body. In Mr. Sun Ying's words, it is called "a characteristic of China classical dance, which is soft and relaxed in appearance, full of vigor and vitality, like a bone stalk, the dragon tends to return to the phoenix, and the flowing water is hidden in the rhyme potential". In fact, the formation of this feature is related to the aesthetics of human body in China cultural tradition. The so-called "getting carried away" means not paying attention to people's appearance and posture, but emphasizing people's inner character, because most of China people's thoughts start from themselves, from internal cultivation to external behavior, and develop outward; Retreat to the good, and then kill two birds with one stone. The so-called "sincerity, righteousness, self-cultivation, keeping the family in order, governing the country and leveling the world" is the procedure of moral cultivation. Westerners gradually realize their moral cultivation through external requirements. Most western moral concepts come from external regulations, not from their own formation. China people pay more attention to artificial beauty in the cultivation of beauty, especially to artificial clothes and internal moral cultivation in the concept of human body; Westerners tend to natural beauty, especially the appreciation of human beauty has a lofty realm. The body aesthetics of "getting carried away" leads to the cultural restriction of clothing on the human body to a certain extent, and finally determines the action form of dance. This restriction is mainly manifested in four aspects: holding hands, binding waist, carrying bun and binding feet. Tage's hands made the dance of "If it's lighter than Yun Zheyue", Tage's "girding waist" made the dance of "Clouds want to live when the clouds are oblique", and Tage's "bun" made the dance of "Rainbow skirt, summer robe and shaking crown". Although the "Tage" dancers did not bind their feet, it is conceivable that foot binding is more serious. Due to the limitation of human body shape, "Ta", as the development of China classical dance, pays more attention to the connotation of "meaning" and makes its performance pursue the realm of "meaning gives birth to images". The "image" created by this dance form is abstract and its "meaning" is meaningful. We should talk about the psychological influence of historical times on people and understand the China culture produced in special times. The history of China is a history of "the general trend of the world, which must be combined after a long time, and it must be combined after a long time". Especially in the late Han Dynasty and Wei and Jin Dynasties, the Central Plains region became a battleground for each other. Countries fought against each other, taking turns to replace black powder, and rulers were suspicious of each other, killing each other, destroying walls and buildings, and turning thorns into forests. In real life, full of suffering and danger, there is no future and hope; In order to avoid disasters, intellectuals advocate metaphysics, believe in religion, and have no rules in troubled times, which is the great boundary of China's rise and fall. Chaos has changed the concept of life. Life is difficult, death is abrupt, life is comfortable and death is magnificent. Even if you leave your name, you might as well have a glass of wine before you die. Therefore, people fax love and cherish life. They don't care about shackles, they live by singing. The art of the times is more similar to life. The more experience it contains, the greater its capacity. Then came the colorful, amazing, heartfelt and direct art of Wei and Jin Dynasties. "Tage" experienced this era and reached its climax in the prosperous Tang Dynasty. The history of China is shared with honor and disgrace, which has created China culture and China people's thorough understanding of life. Today's society is also in a turning point, people's ideas are changing, social mechanisms are changing, history is continuing, and culture is in the same strain. The origin of "Tage" came from the turbulent dynasty in China and experienced prosperity. Today, it is the voice of the choreographers who are well versed in China culture in this era. It embodies an "image" in the form of dancing and freehand brushwork, which is fascinating. Everything comes from the heart, arbitrary, and caused by human nature. Long sleeves are an extension of my inner feelings, and the dynamics are triggered by my inner beauty; The harmonious natural rhythm of human body is based on the profound China culture, which makes people admire that human nature should be so beautiful and life should be so lovely. Only China people who have experienced many vicissitudes can make such a sigh. Only the 5,000-year-old China culture can praise the beauty of life so elegantly, seductively, implicitly, freely, naturally and rhythmically, beautifully decorated, cadently and freely. Image "is the pursuit and praise of life;" "It is the true meaning of life realized after suffering; This is a profound China culture. The theme of the performance "Treading Songs" shows that in the spring of March, the green willows are weeping, the green skirts are mopping the floor, and the figure is graceful. A group of girls walking in the green are singing and dancing together, stepping on Chun Lv, singing this cheerful song, and blending with the sunshine, blue and yellow grass into the beautiful scenery of the south of the Yangtze River. Dance is full of strong cultural atmosphere. Pure, full of spring. The girl's facial expression is cheerful, charming and naive, the seed of love, the inner sadness, enjoying herself, intoxicated with it and forgetting to return. Judging from the style of dance, their dances are simple and unique, and their sleeves are used in a different way. It seems that as the ancient book says, "If you come, if you go, if you lean forward" and "Luo Yi has long sleeves and horizontal arms with the wind", the center of gravity is slightly off, giving birth to new ideas. Sun Ying, the director of "Tapping Songs", devoted himself to studying for decades, and excavated and created this work in the dance history and culture of China. His dance has the morphological characteristics of female music dance in China in the Han Dynasty: female music dancers in the Han Dynasty have the beauty of "slim waist" and "light body", but they have a strong sense of rhythm. As Fu said, "move to the right place, that is, take care of the answer", and dancers are sometimes "graceful and free and easy", "the state of anecdote emerges and the majestic posture rises", with long sleeves crossed and both hands and feet attached equal importance. Snakes shake, clouds float. "The combination of reality and fiction" Tage "combines reality and fiction, dynamic and static, strong and weak in traditional scheduling, and the contrast is just right. A first-class meal is more about the charm of China's classical dance, showing the charm of China's classical culture. The "image" created by the dance form of "Ta Ge" is abstract, and its "meaning" is meaningful. We should talk about the psychological influence of historical times on people and understand the China culture produced in special times. The history of China is a history of "the general trend of the world, which must be combined after a long time, and it must be combined after a long time". Especially in the late Han Dynasty and Wei and Jin Dynasties, the Central Plains region became a battleground for each other. Countries fought against each other, taking turns to replace black powder, and rulers were suspicious of each other, killing each other, destroying walls and buildings, and turning thorns into forests. In real life, full of suffering and danger, there is no future and hope; In order to avoid disasters, intellectuals advocate metaphysics, believe in religion, and have no rules in troubled times, which is the great boundary of China's rise and fall. Chaos has changed the concept of life, living hard, dying abruptly, living comfortably and dying magnificently. " Even if you stay famous, you should have a glass of wine before you die. Therefore, people fax love and cherish life. They don't care about shackles, they live by singing. The art of the times is more similar to life. The more experience it contains, the greater its capacity. Then came the colorful, amazing, heartfelt and direct art of Wei and Jin Dynasties. "Tage" experienced this era and reached its climax in the prosperous Tang Dynasty. The history of China is shared with honor and disgrace, which has created China culture and China people's thorough understanding of life. Today's society is also in a turning point, people's ideas are changing, social mechanisms are changing, history is continuing, and culture is in the same strain.