1, the swallows don't return to the Spring Festival Evening, and it's a misty rain and apricot blossoms. -Dai Shulun's Su Xi Pavilion.
Appreciation: The writing time of this poem is similar to Lanxi's best. In 780 AD, Dai Shulun served as Dongyang Order from May of the lunar calendar (the first year of Jianzhong) to the following spring. Su was in Suxi Town, Yiwu City, Zhejiang Province, not far from Dongyang City, Zhejiang Province. This poem was written by him during this period. The scenery written in the poem is the scene of late spring, and the feeling is the feeling of resentment.
"Yan Chunwan does not return, a misty rain and apricot blossoms are cold." Swallows haven't returned to their nests, and the beautiful spring scenery is almost over. Although it is a scene in the eyes, it is a metaphor for the feelings in the heart: the wanderer does not return, and the beauty is old.
"A misty rain and apricot blossom cold" is a concrete description of "spring comes late". The misty rain enveloped a sandbar, and the apricot flowers in the chilly spring breeze lost their bright sunshine on sunny days, looking miserable. The scenery is concrete and graceful, conveying the endless frustration and sadness of people leaning against the fence.
2. Sunrise is better than fire, and the riverside is as green as blue. -Bai Juyi's "Recalling Jiangnan".
Appreciation: Bai Juyi once served as the secretariat of Hangzhou, stayed in Hangzhou for two years, and later served as the secretariat of Suzhou for more than a year. When he was young, he roamed the south of the Yangtze River and lived in Suzhou and Hangzhou. It should be said that he knows a lot about Jiangnan, so he was deeply impressed.
Twelve years after he returned to Luoyang from Suzhou, he wrote these three poems recalling Jiangnan at the age of 67, which shows that the scenery of Jiangnan is still vivid in his mind.
3. In the shade of spring, weeds are green, and there are beautiful flowers and trees. —— Su Shunqin's Boating at Mid-night in Huaizhong.
Appreciation: In the autumn and winter of A.D. 1044 (four years in Li Qing, Song Renzong), the poet was trapped by his political opponents, demoted for the people and expelled from Kyoto. He sailed south and arrived in Suzhou in April of the following year. This poem was written when he was traveling in Dutou Town of Huaihe River. The title of this poem is "Stop at night and stop at the calf's head".
The first two sentences highlight the dazzling secluded flower trees on the dark green background in spring, which is full of symbolic significance. The last two sentences, in the impromptu description of watching the high tide alone in the wind and rain in Sichuan, convey the poet's leisurely state of mind towards officialdom, but in the faint peace of mind, he reveals deep indignation.