Appreciation of leisurely poems 1. What poems describe "carefree"
The poem "carefree" is as follows:
1. No vulgar rhyme, naturally love autumn mountain. Tao Yuanming's Return to the Garden (I)
2. Daohuaxiang said that the year is good. Listen to the frogs. Xin Qiji's "Night on the Xijiang River in Huangsha Road"
3. An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer. Wang Wei's Wangchuan Cabin in Wangchuan Village after Rain Clears Up/Autumn Return.
4. After cutting the grain at noon, sweat dripped down the soil. Li Shen's "Two Antique Poems/Two Peasants"
The mountains and fields are green, and it rains like smoke in the regular sound. April in rural Weng Juan.
In the green garden, sunflowers are exposed to the sun. Anonymous "Long song"
7. Plums are golden and apricots are fat, and wheat and white cauliflower are thin. Fan Chengda's "Four Seasons Pastoral Miscellaneous Glory, Part II"
8. Children and grandchildren did not solve the problem of farming and weaving, but also learned to plant melons in the shade of mulberry trees. Fan Chengda's Miscellaneous Seven in Summer Village
9. Peas are planted in Nanshan, and the grass is full of bean seedlings. Tao Yuanming's Works of Returning to the Garden (Ⅲ)
10. Looking at Noda from the front door alone, buckwheat blooms like snow in the moonlight. Bai Juyi's Country Night
1 1. The children in the village are responsible for their own affairs. Fan Chengda's Miscellaneous Seven in Summer Village
12. The road is narrow and the vegetation is long, and the evening dew is stained with clothes. Tao Yuanming's Works of Returning to the Garden (Ⅲ)
13. Xishili ripe fragrant rice, hibiscus fence with long bamboo filaments, drooping green fruit. Shajiangcun Road, Huanxi, Fan Chengda.
14. Farmers starve to death even if there are no idle fields in the four seas. Li Shen's "Two Antique Poems/Two Peasants"
15. Jojo, Fu Tian, cordially greet each other. Wang Wei's "Farmhouse on the Wei River"
16. Reclaim land in the south and return to the garden. Tao Yuanming's Return to the Garden (I)
17. Pigeons outside the rain curtain, a few idle fields, hoes opposite the spring water. Zhang Yan's "Crossing the River with Clouds and Shadows for a Long Time, Recalling the Sorrow of Traveling West to Hangzhou in Spring"
Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night. Tao Yuanming's Works of Returning to the Garden (Ⅲ)
Plums are green, plums are yellow, vegetables are fat, wheat is ripe, and sericulture is busy. Zhu Yunming's The First Summer Mountain
The boat passed through the shallows, and the struggle between grass and grass was scattered around, and the little egret in Shuitian Bay Aha was swept away. Li Zhou and Du Nan.
2. What poems express "carefree attitude towards life"?
1, picking chrysanthemums under the east fence, leisurely see Nanshan.
-"Drinking (5)" Tao Yuanming means: under the east fence of picking chrysanthemums, you are leisurely and carefree, and the Nanshan Mountain in the distance is printed in your eyes. Appreciation: After Tao Yuanming resigned and returned to the field, he picked chrysanthemums under the hedge and occasionally looked up and saw Nanshan leisurely. The harmonious blend of man and nature has reached what Wang Guowei said, "I don't know what I am and what I am."
This natural, peaceful and detached state. Just like a thousand-year-old wine, it can make people taste endless charm, and the cultural pleasure people get from it has been surging in their hearts for more than a thousand years. This is the aesthetics and survival philosophy of China cultural people.
"Picking chrysanthemums under the hedge, leisurely seeing Nanshan" is a wonderful pen, and it is a casual "Miao Yan". It can be said that it is natural, and you get it for nothing. In Wang Guowei's words, it is "I don't know what I am and what I am", and I have achieved the unity of things and me.
2. We open your window and overlook the garden and fields, holding cups and talking about mulberry and hemp. Please come here to see chrysanthemums when the ninth festival comes.
-"Passing through the Old Village" Meng Haoran means: When eating, facing the farmland and the threshing floor, talking about this year's harvest while drinking. When we get together to celebrate the New Year's Double Ninth Festival, we come here to enjoy chrysanthemums.
Appreciation: "We opened your window over the garden and fields, holding cups to talk about mulberry and hemp." As soon as the porch window opened, the beautiful scenery described in the previous sentence entered the room. The word "open porch" seems to have been inadvertently written into the poem, and the subtle movements show the master's heroism. Surrounded by mountains and green trees outside the window, the cup inside the window is changed. This scene is an unparalleled pastoral picture of ancient poetry and wine.
The emptiness of the "nursery" and the topic of "Sang Ma" give people a relaxed feeling. Readers can not only appreciate the stronger local flavor and labor production flavor, but even seem to smell the soil flavor on the nursery and see the growth and harvest of crops.
With the combination of these two sentences and the first two sentences, green trees, green hills, cottages, playgrounds and Sang Ma blend harmoniously, forming a beautiful and quiet pastoral landscape, while the laughter of the host and guest and the words about Sang Ma seem to linger in the readers' ears. This is the realistic color of the prosperous Tang society.
"When I have a holiday in the mountains, I will come back at chrysanthemum time." Meng Haoran was deeply attracted by farm life, so when he left, he told his master frankly that he would come back to see chrysanthemums and drink chrysanthemum wine on the crisp Double Ninth Festival in autumn.
A few simple poems, the enthusiasm of old friends to treat each other, the pleasure of being a guest, and the cordial harmony between the host and the guest are all on the paper. There is a ray of green in the old bottle and a trace of red in the quiet stove.
-"A suggestion for a friend Liu" Bai Juyi means: the newly brewed rice wine is green and fragrant; A small red mud stove is burning crimson. Appreciation: "New wine in old bottles" comes straight to the point and points out new wine. Because the wine is newly brewed and unfiltered, the wine surface is covered with wine residue foam, slightly green and as small as an ant, so it is called "green ant".
The first sentence of the poem describes the light green, turbid and rough home-brewed rice wine, which is easy to arouse readers' association and makes readers seem to see the fragrant and sweet rice wine. The second sentence, "There is a red commotion in a quiet stove", is a simple and warm stove, and the fire is burning red. The poet sat around the fire, and the blazing fire lit up the house at dusk and the home brew with green foam.
"A quiet stove stirs red" plays a role in rendering colors and setting off the atmosphere for the drinking environment. The wine is already very attractive, and the fire adds a warm atmosphere.
The first sentence and the second sentence of the poem use two images of "home wine" and "small stove", which are very germinal and suggestive, and are easy to arouse readers' association with simple and authentic rural life. 4. The breeze blows my belt, and the moon shines on my piano.
-"Answering Zhang Fu Yin" Wang Wei means: undress and enjoy the cool before the wind relaxes, and the mountains and the moon are shining high, just playing the piano. Appreciation: Get rid of all kinds of pressures of real politics, open your heart to the breeze blowing from the pine forest, and sit alone in the mountains and play the piano under the bright moon, which is very comfortable.
"Pine wind" and "mountain moon" both contain noble meanings. Wang Wei pursues this secluded life and leisure, saying that he is escaping from reality or drugging himself. Anyway, it's better than going with the flow.
After the first four sentences are expressed, two typical details of seclusion life are described, showing vivid images, making the Song Feng Shan Yue seem complete. The combination of emotion and scenery, meaning and environment, and the integration of subjectivity and objectivity greatly enhanced the image of poetry.
From the artistic skills of writing poetry, it is also very clever. 5, a boat, a silk hook.
Sing a song, drink a bottle of wine, and catch a river alone. -"Qiu Jiang's solo fishing map" Wang Shizhen means: wearing a hat, tying hemp fiber, sitting in a boat, a foot-long fishing line and an inch-long fishing hook; Sing a fishing song loudly, drink a bottle of wine, and fish on the river alone this autumn.
Appreciation: The whole poem describes a fisherman dressed up to fish by the river: a hemp fiber, a hat, a canoe and a fishing rod. Anglers sing and drink at the same time, and the appearance of natural and unrestrained fishing is vividly portrayed. Although I have caught the autumn of a river by myself, there are some bleak and lonely hidden in my leisure time.
The first two sentences are almost sketchy, but the last twenty years have infinite significance. The seemingly impossible "singing a song and drinking a glass of wine" in the picture is displayed in the author's imagination.
And the last sentence "fishing for a river in Qiu Lai alone" seems to be back to the original picture, but this "fishing" is not another "fishing". Appreciating the autumn scenery of a river and feeling the autumn scenery of a river is a feeling, or the last sentence "reality and reality set each other off." Looking at the whole poem, nine "ones" are cleverly embedded in it, showing the artistic conception of poetry and painting exactly the same, and savoring it carefully. These "ones" are apt and interesting.
In the last sentence, "One person catches a river in autumn alone", what does the fisherman catch? Is it Qiu? Is it a chic and comfortable life? Is it a free mood? In the poet's view, a fisherman like Jiang is the one who really knows the joy of life.
3. Expressed leisurely ancient poems
1, crossing the old village
Author Meng Haoran, Tang Dynasty,
This old friend prepared a delicious meal and invited me to his hospitable farm. Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops. Please come here to see chrysanthemums when the ninth festival comes.
translate
My old friend prepared a sumptuous meal and invited me to his hospitable farmhouse. Green Woods surround the village and green mountains span the city. Open the window to the grain field and vegetable garden and raise a glass to talk about crops. The Double Ninth Festival is here. Please come here to see chrysanthemums.
2. Return to the garden; 3.
Author Tao Yuanming, Wei Jin,
I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas. Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.
The narrow path covered with vegetation, the night dew wet my clothes. It's not a pity to get wet, but I hope it won't be against my will.
translate
I plant beans at the foot of Nanshan, where weeds are flourishing and peas are sparse. Get up early to get rid of weeds, and go home with a hoe in the moonlight at night. The narrow path was covered with vegetation, and the night dew wet my clothes. It's not a pity that my clothes are wet. I just hope it doesn't go against my original intention of returning to my hometown.
3. Wu Xinyi
Author Wang Wei, Tang Dynasty
The branches of the topmost hibiscus flowers are full of scarlet calyx in the mountains.
The mouth of a stream is silent, without a trace. They open and fall.
translate
The magnolia flower buds on the branches bloom bright red flowers in the mountains. There was no one else in the silent ravine. bloom blossomed one after another, and then fell one by one.
The rain has passed through the mountain village.
Author Wang Jian, Tang Dynasty
One or two chickens crow in the rain, and Zhuxicun Road leans against Banqiao.
Mother-in-law called a silkworm bath and watched gardenias in the atrium.
translate
There is a crow in the rain, and one or two families are vaguely in the mountain village. On the village road above Zhuxi, a slab bridge is oblique. Mother-in-law and daughter-in-law call each other and choose silkworm eggs together. Only gardenias are in bloom, swaying in the courtyard alone.
5. Paddy fields
Author Wei Zhuang, Tang Dynasty.
Green waves are full of spring waves, and clouds are as fat as eyes.
It's not just the little egret, flying through the clouds to the painting.
translate
Green water is rippling in the pool, and endless deep fields are in the distance.
What's more, egrets can't see a thousand points, so they wear Yunfei smoke to this painting.
4. Seek poems that reflect leisure feelings.
1) "How can I ask you? The heart is far from being biased. "
How can you live in a crowded place without feeling the noise of horses and chariots? This is because the spirit transcends the secular world and naturally feels that the place to live is secluded. Uh, so. These four sentences describe "living in a bustling city, spotless", and the fundamental reason is "far from the heart". What is the object of "far"? "Far" means to stay away from the officialdom, go further, stay away from the secular and be refined. This sentence affirms the correctness of "telecentricity" from the aspect of sensory effect.
(2) "Under the hedge of picking chrysanthemums, you can see Nanshan leisurely."
I am picking chrysanthemums under the fence in the east, and I am concentrating on leisurely picking. Looking up, I accidentally saw Nanshan in the distance. These two sentences are famous throughout the ages, depicting the poet's own leisurely image. The action of picking chrysanthemums is not an ordinary action, it contains the poet's interest in transcending the world and loving nature. Zhou Dunyi called chrysanthemum a "gentleman in flowers" in "The Theory of Love Lotus", and picking chrysanthemums is actually a manifestation of self-purity.
5. A person's leisure poems
Songxin Grade 7 Qingpingle Villagers' Residence (1)
Mao Yan (2) is low and small, with green grass growing by the stream. Drunk, Wu Shenghao, white-haired boy. The eldest son hoes beans ⑥ Dong Xi, and the second is knitting a chicken coop. I like the death of children. I lie on the stream and peel lotus flowers.
This old friend prepared a delicious meal and invited me to his hospitable farm. Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops. Please come here to see chrysanthemums when the ninth festival comes. Meng Haoran (Tang Dynasty) in Passing the Old Village;
Building a house is human, and there are no horses and chariots. Ask what you can do, your heart is far from self-prejudice. Picking chrysanthemums under the east fence, you can see Nanshan leisurely. The mountains are getting better and better, and the birds are back. This makes sense. I forgot to say it if I wanted to defend myself. -"Drinking"
There are also many idylls describing carefree and unrestrained life.
6. What poems describe carefree and unrestrained life?
1. Passing the village of the old man
Tang Dynasty: Meng Haoran
This old friend prepared a delicious meal and invited me to his hospitable farm.
Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes.
2. "Back to the Garden, Part III"
Wei and Jin Dynasties: Tao Yuanming
I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas.
Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.
The narrow path covered with vegetation, the night dew wet my clothes.
It's not a pity to get wet, but I hope it won't be against my will.
3. "Four Seasons Pastoral Miscellanies Part II"
Song Dynasty: Fan Chengda
Plum golden apricot fat, wheat white, cauliflower thin.
No one has ever crossed the fence, but dragonflies and butterflies can fly (Wei Tongwei)
4. My retreat in Zhongnanshan
Tang Dynasty: Wang Wei
After middle age, I have a strong kind heart, and I didn't settle down at the edge of Mount Zhongnan until my later years.
Interest concentration is often unique to play and have a happy thing to enjoy self-appreciation.
Sometimes go to the end of the water to seek the source, or sit and watch the ever-changing clouds rise.
Occasionally I met a village elder in the Woods, and I chatted with him until I often forgot to go home.
5. Rain in the mountain village
Tang Dynasty: Wang Jian
One or two chickens crow in the rain, and Zhuxicun Road leans against Banqiao.
Mother-in-law called a silkworm bath and watched gardenias in the atrium.
pastoral poet
1. Wang Wei
Wang Wei is a representative of the pastoral poetry school in the prosperous Tang Dynasty. He inherited and carried forward the landscape poems initiated by Xie Lingyun, which was unique and reached the peak of landscape achievements, occupying an important position in the history of China's poetry.
2. Meng Haoran
Meng Haoran's poems are mostly five-character short stories with limited themes. He writes more about landscapes, pastoral areas, seclusion and travel. Although it is not without cynicism, it is more of a poet's self-expression. He and Wang Wei also said that although his poems were not as broad as Wang's, they had unique artistic attainments, and he was the pioneer of the pastoral poetry school in Tang Dynasty after Tao Yuanming, Xie Lingyun and Xie Tiao.
3. Tao Yuanming
Call yourself Mr. Wu Liu, a famous poet. China's first pastoral poet. There is also a recluse poet, and Mr. Jing Jie evaluates him. Later generations called him "the Lord of the eternal pastoral, the eternal hermit."
7. What are Tao Yuanming's leisure poems?
1. (Dong Yuanming moved)
2. Pick chrysanthemums under the east fence and see Nanshan leisurely. (Dong Yinyuan Ming)
The weather is getting better every day, and the birds are back. (Dong Yinyuan Ming)
4. The caged bird loves the old forest, but the pond fish loses its source. (Tao Yuanming of the Eastern Jin Dynasty returned to Tian Yuan as one of them)
If you stay in a cage for a long time, you will return to nature. (Tao Yuanming of the Eastern Jin Dynasty returned to Tian Yuan as one of them)
6. In the morning, I will dispose of the garbage and take the lotus home. (Tao Yuanming, Eastern Jin Dynasty, ranked third in Garden Field)
7. Dance with the sky and aim high. (Dong Yuanming reads Shan Hai Jing)
8. If you don't come back in the prime of life, it will be difficult to get up in the morning. (East Tao Jin Yuanming chores)
9. Don't worry about poverty, don't worry about wealth. (Biography of Mr. Tao Yuanming in the Eastern Jin Dynasty)
10. Trees are flourishing and spring is warm in bloom. (Tao Yuanming, Eastern Jin Dynasty, Coming Back)