Martial arts flowers were laid on deserted paths, and the number of relatives and friends in the Jin Dynasty has become a famine.
The mountains are shrouded in clouds, such as blue sky, and the river is divided into two. (Two waters and one work: one water)
There is always a traitor in power, like covering the sky, and Chang' an is depressed when he can't see it. There are 300 Tang poems, which are translated with nostalgia and annotations.
There used to be a phoenix swimming on the Phoenix platform, but only when Phoenix went to Taiwan Province, the river was still flowing eastward.
The flowers and plants in the palace of Wu are buried in deserted paths, and many royal families in the Jin Dynasty have become abandoned tombs and ancient hills.
The fog of the three mountains is looming, like falling into the sky, and the river is divided into two by Bailuzhou.
There are always treacherous court officials in power, but Chang 'an can't see the depression in his heart.
The theory of going to the Phoenix Terrace in Nanjing is a famous legal poem in Tang Dynasty. The first two sentences wrote the legend of Phoenix TV. Of the fourteen words, I used three phoenix words, but I didn't feel repetitive. The syllables are smooth, bright and beautiful. "Phoenix Terrace" is located on the Phoenix Mountain in Jinling. According to legend, during the Yongjia period of Liu Song in the Southern Dynasties, there were phoenixes gathering on this mountain, so it was built, hence the name of the mountain and the terrace. In feudal times, the phoenix was an auspicious symbol. Phoenix's visit symbolizes the prosperity of the dynasty; Now, even the prosperity of the Six Dynasties is gone forever. Only the water of the Yangtze River is still flowing, which is natural and eternal. Three or four sentences further develop the meaning of "Phoenix going to Taiwan". Wu and Dong Jin in the Three Kingdoms period were based in Jinling. The poet said with emotion that the once prosperous court of Wu was deserted, and the romantic figures of the Eastern Jin Dynasty had already been buried in the ground. Xuanhe at that time did not leave anything of value in history.
The poet did not immerse his feelings in history, but turned his eyes to nature and endless rivers: "Three mountains and a half fall out of the sky, like this small island where egrets divide the river." The "Three Mountains" are located on the Yangtze River in the southwest of Jinling. The three peaks are juxtaposed and connected with the north and south. According to Lu You's "Entering Shu", "Three mountains are seen from the stone and the Phoenix Tower, and there is no middle ear, only more than 50 miles away from Jinling." Lu You's "nothing happened" only means "half falling into the sky". Li Bai wrote the scene of three mountains half hidden and half appearing just right. "Egret Island", on the west Yangtze River in Jinling, divides the Yangtze River in two, so it is called "the island where egrets divide the river". These two poems are magnificent and neat, and they are rare good sentences.
After all, Li Bai is concerned with reality. He wants to see further, from Jinling, the ancient capital of the Six Dynasties, to Chang 'an, the capital of the Tang Dynasty. However, "a cloud rose between the light of heaven and me, hiding his city from my melancholy heart." These two poems have profound implications. Chang 'an is the seat of the imperial court, and the sun is the symbol of the emperor. Lu Jia's "Shen Xinyu Micro-essay" said: "Evil officials cover up the virtuous, just like clouds cover up the sun and the moon." Li Bai's two poems imply that the emperor is surrounded by evil spirits and he can't serve the country. His mood is very painful. The word "Deng" in the poem "See Chang 'an" is touching and sad, which means fable and has endless aftertaste. According to legend, Li Bai admired Cui Hao's poem The Yellow Crane Tower, and wanted to compete with the winner, so he wrote the poem On Ascending Nanjing to Phoenix Terrace. There are similar records in Tiaoxi Fishing in Conghua and Chronicle of Tang Poetry, which may be credible. This poem is Cui Shi's arch-rival, as Fang Hui said in Ying Kui Fa Jing: "The momentum of rhythm is not easy. "In terms of rhyme, both poems are intended to rhyme in the meantime. The language is also fluent and natural, uncut, chic and beautiful. As a masterpiece, Shi Li has its own characteristics. He wrote his own unique feelings, interwoven with historical allusions, immediate scenery and the poet's own feelings, and expressed his concern for the country and the people, with far-reaching implications.
Li Bai is a talented poet, belonging to a great poet full of creative genius. However, only Li Bai came to the Yellow Crane Tower, but failed to be faithful, and "Chizhi" took Wan Li Road. The reason is also very simple. As the saying goes, "there is a scene in front of you, and Cui Haoshi is on it." Therefore, the "fallen immortal poet" is uncomfortable and unwilling to compete with Cui Haobi; So he "went to Jinling to write poems about the Phoenix Terrace" and didn't stop until he wrote "Climbing the Phoenix Terrace with the same name as the Yellow Crane Tower in Cui Hao in Nanjing".
Although this is a rumor, it is also quite suitable for Li Bai's character. "On Ascending Nanjing to Phoenix Terrace" won the praise of "similar to the Yellow Crane Tower in Cui Hao, but the rhythm is not easy". In fact, Li Bai's "Going to Nanjing and Going to the Phoenix Terrace" and Cui Hao's "Yellow Crane Tower" are both nostalgic Shuang Bao.
The artistic features of Li Bai's "Going to Nanjing to Phoenix Terrace" are first manifested in its bold spirit. Qi, originally a philosophical concept, has been widely used since the pre-Qin period. Cao Pi's articles on Qi in Wei and Jin Dynasties took Qi as an important content and applied it to many artistic categories. Although the theorists have different understandings of alignment, they are consistent in ideological temperament, personality spirit and artistic sentiment. Li Bai's "On Landing in Nanjing to the Phoenix Terrace" is obviously permeated with a vigorous and broad spirit, which makes Li Bai look at the past and read the present, instantly dominating the whole world, detached and free. The profound spirit makes Li Baiyuan's profound thoughts, incisive opinions and broad mind become the core and spiritual connotation of weaving great artistic realm. Just as we can feel the pulse of history and the poet's breath through the huge three-dimensional space-time of "three mountains and a half fall in the sky, so the egrets divide the river", we can also take advantage of his efforts to lift weights lightly and calmly, so as to make the whole poetic realm full of lofty heroism and further feel the artistic characteristics of his whole poetry.
The artistic feature of Li Bai's poems lies in the perfect expression of the concept of time and space. This is not only reflected in his understanding of history and nature, but also in his expression method of constructing the artistic realm of time and space. Li Bai emphasized the immortality of nature, on the one hand, he publicized his world outlook of "the unity of things and me" centered on nature, on the other hand, he exposed the ruling myth in history. Because since ancient times, almost all rulers have preached that their generations are immortal and their spirit is immortal, and they have also instilled such a model into people's ideology, which is convincing. However, Li Bai does not agree with this. He believes that even a very powerful ruler, such as Qin Shihuang, can "wield a sword and set the clouds, and the princes will come to the West." Judging from the apocalypse, it is inevitable that he will finally "see the cold ashes buried in the golden coffin under the three springs" ("Ancient style, Qin Wang sweeps Liuhe"). Therefore, in Li Bai's view, of all things in the universe, only nature can achieve eternal existence. All the prosperity and extravagance will disappear; If they still exist, they seem to exist only as a contrast with nature. In addition, Li Bai chose the most typical thing, that is, the vast mixture of "Three Mountains and Half Falls" and "Two Water Points", to construct a broad realm, and to show the historical changes, that is, the changes of time and the same place, that is, the unchanging space, as a whole, and to inspire people to think deeper.
Li Bai (70 1-762), a romantic poet in the Tang Dynasty, was praised as a "poetic immortal" by later generations. My ancestral home is Ji Cheng in Longxi (to be tested), and I was born in Broken Leaf City in the Western Regions. At the age of 4, he moved to Mianzhou City, Jiannan Province with his father. Li Bai has more than 1000 poems, among which Li Taibai Ji has been handed down from generation to generation. He died in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei. Lipper
Accompanied by leaves and autumn sounds, a little banana and a little sadness, after the third night of dreams. Wine has no entrance, but it turns into bitter tears. It breaks my heart to see geese flying south, and the distant mountains are in the title of a good month. Looking forward to the return of spring, spring is absent. You said you would go back to Zhongnanshan because you were not proud of your life. The door sleepwalks among the flowers, and the sunset is silent and the swallow is sad. A faint fragrance wafted, and her delicate fingers gently pulled open the curtains of Mix. Despite all the gloom, Su E regained his spirits at night. Leaning over, just not in the mood. Disappeared, which broke my heart. No one knows this, and the curtain is full. Looking forward to the Mid-Autumn Festival every year, it is foggy and rainy every year. Loneliness and sadness, but also self-dispatch, self-control sadness. Last year, there was a shortage of rice in the army. This year, rice is cheap and hurts farmers. I would like to ask whether the tree-tree-tree-tree-fragrance-film is also in acacia, 000 points, red flowers have become tears. Look at the white hairs on both sides of the two or three Hunan autumn hairs, especially the moon-gazing disc.