Qin Guan's Walking on the Sand: "Sorrow is drifting away, and the distance is like spring water." "It's the tears that will turn into a spring river, which will never stop flowing." Yi Liu
The relationship between water and sadness is also a common expression in classical poetry.
Because the river flows eastward, time passes, life is short, and the historical development trend is unstoppable. For example, Li Bai's "Into the Wine":
"Have you seen how the water of the Yellow River flows down from the sky and never comes back?
15, ape crying: often symbolizes sadness and sad feelings.
Du Fu's "Ascending the Mountain", the sky is high and the wind is urgent, the apes crow and the birds crow, and the blue lake and white sand return.
In Li Daoyuan's Zhu Xiaojing Jiang Shui, the fisherman sang, "The Three Gorges in Badong are long and the apes cry three times."
16, Qiangdi: a musical instrument from the ancient west, making a sad sound. It is often mentioned in frontier poems in Tang Dynasty.
For example, Wang Zhihuan's "Liangzhou Qu": "Why should a strong enemy blame Liu? The spring breeze is only Yumenguan." Cen Can's "Bai Xuege Farewell to Tian Shuji Wu's Home": "The China army gave a banquet to thank the guests and played the barbarian pipa, guitar and harp for him." Li Yi's "On Listening to the Flute at Night on the Wall of the Country": "I don't know where to play the flute, but I have to find someone all night."
Fan Zhongyan's Fisherman's Pride: "A cup of turbid restaurant Wan Li, Ran Yan is not happy, Qiang Guan is full of frost." The shrill voice of Qiangdi,
Often make recruiters cry. Hu Jia and Lu Guan have the same function, so I won't list them here.
17, Changting: a farewell place on land.
Li Bai Bodhisattva Xia: "Where are you going home? The pavilion is shorter. "
Liu Yong's Yulinling: "Cold and sad, Changting is too late." Li Shutong's Farewell: "Outside the pavilion, beside the ancient road, the grass is green." Obviously, in China's classical poetry, the pavilion has become a farewell place on land.
In poetry, people who express their feelings with scenery often have certain fixity, such as: conveying "homesickness" with "the bright moon of hometown"; Communicate "seclusion" with "pine wind, mountains and moons"; Convey "the poet's sorrow" with "the cold forest and the waning moon"; Communicate "acacia bitterness" with "Mid-Autumn Festival full moon"; Convey "forever in my heart" with "falling flowers in the wind and rain, two swallows flying alone, and a heavy pavilion and jade pillow"; Convey "farewell feelings" with "folding willows in a long pavilion"; Convey "the pain of the poet's journey" with "a boat in the rivers and lakes, tears in the moon"; Convey "sadness and joy" by "waking up from a dream, heartbroken willow, cold rain, setting sun and residual candle crying"; Convey "the sigh of the vicissitudes of life" with "the glory of the past is not in sight, and the sunset glow is a few degrees red"; It conveys "lamenting the decline of the national situation and loving the national conditions" with "empty cities and fallen flowers".
This answer is only recommended by Xiang Jin, an expert in cultural and artistic classification.
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Understanding of image What is image? Simple understanding: it is a concrete image, a creative means to give subjective feelings to objective images; This special noun belongs to China's poetics and aesthetics, and the two words cover two aspects. Namely "meaning" and "image". Meaning, that is, conception, is the central idea that the author wants to express; Image, that is, taking an image, is a "prop" specially selected by the author in order to "arouse feelings". These "props" are very concrete and objective images. The text interpretation of the word "image" is to create an artistic image that is materialized or solidified after the objective image through the unique aesthetic activities of the creative subject; It is the organic integration and unity of subject and object, mind and object, meaning and image; It is an objective image that integrates subjective feelings, or expresses subjective feelings through objective images; It is a portrayal of real life, the crystallization of aesthetic creation and the carrier of emotional thoughts; It is the unity of the external scene of life and the poet's inner feelings; It is a manifestation of the externalization of the poet's feelings; This is an image with special or profound significance. Generally speaking, images are the perfect combination of thoughts, feelings and concrete images. And "meaning" is in the dominant position, which determines "image" and "image" reflects "meaning"; Meaning comes from the heart and is expressed by images. Intention is looming in the image, and it seems that you can come out at any time. The image seems to be sketched bit by bit, but it blooms for meaning. The so-called "implied meaning, agreed image" is the truth. Image is the organic integration and unity of subject and object, mind and object, meaning and image.
The so-called image is the artistic image created by the objective image through the unique emotional activities of the creative subject.
It is a term used in the analysis of poetry and prose, which refers to everything that constitutes artistic conception. This kind of thing often carries the author's subjective feelings, and these images combine to form an artistic conception. For example, in Ma Zhiyuan's Qiu Si, dead vines, old trees, ravens, bridges and running water are all images in the poem. When these images are combined together, they become a sad and sad artistic conception. The image is concrete, and the artistic conception is the combination of the overall environment and feelings composed of concrete things. Feelings are pinned on the scene, and there are also on the scene.
"Image" is an important concept in China's ancient literary theory. The ancients believed that meaning was an internal abstract mind, just like an external concrete object; Meaning originates from the heart and is expressed through images, which are actually the sustenance of meaning. In fact, China's traditional poetics refers to the artistic techniques of expressing feelings in scenery, borrowing scenery to express feelings and blending scenes. The process of poetry creation is a process of observation, feeling, brewing and expression, and a process of reappearing life. The author has a sense of the outside world, so he entrusts it to a specific object, so that it can be integrated into the author's own emotional color and create a specific artistic world, so that readers can make a second creation in their hearts according to this artistic world when reading poems, and infiltrate their emotional color on the basis of restoring what the poet sees and feels.