1. Ancient Chinese sentences about being self-effacing and knowing little about yourself
There are some idioms that have been circulated since ancient times to express self-effacement:
Lack of talent and knowledge (talent and knowledge) and knowledge are not high), have little knowledge, have little knowledge, have little knowledge, have little knowledge, have little knowledge, have little knowledge, have little knowledge The view of a frog in a well, the view of an elm canopy, the view of a gain, the view of a hole, the view of an urn, the view of a mere area, the view of few people, the view of few people, the view of few people And, shallow knowledge and knowledge (describing not having extensive knowledge, not much knowledge, superficial views), shallow knowledge, limited knowledge, limited by knowledge, and poor knowledge (moxue: learning without foundation; poor knowledge: superficial knowledge). Refers to the knowledge that one has not worked hard on the fundamentals and has only learned a little bit.) 2. Self-effacing verses
"People in the world write plum poems and write in a vulgar way. If I try to write one, I know that the preface is not unreasonable." "This is a small preface before Li Qingzhao's poem about plum blossoms, "Lonely Goose". It tells the story of people who want to write poems about plum blossoms, but the words become vulgar as soon as they are written. So the author also tried to write, but only then did he realize what he said earlier. It's not a lie. I am smiling to the sky with my sword across my face, leaving my liver and gallbladder intact.
——Tan Sitong's "Inscription on the Wall in Prison" tolerated the false reputation and sang in a low voice. ——Liu Yong's "Crane Soaring to the Sky" If life is not satisfactory, the Ming Dynasty will ruin the boat.
——Li Bai's "Farewell to the School Secretary Shu Yun at Xie Tiao Tower in Xuanzhou" Talented people have emerged from generation to generation, and each has been leading the way for hundreds of years. ——Zhao Yi's "On Poetry" A crane lining the clouds in the clear sky brings poetic sentiment to the blue sky.
——Liu Yuxi's "Autumn Poems" will be at the top of the mountain, and you can see all the mountains and small ones at a glance. ——Du Fu's "Wang Yue" asked you, "How can you do this?" The mind is far away from itself.
——Tao Yuanming, "Drinking (Part 5)". 3. Verses describing self-effacement
There was a sense of humility when it was not unearthed, but it is still modest when it reaches the peak.
The modest bamboo has lower-headed leaves, while the proud plum has no upward-facing flowers. One after another, thousands of branches hold thousands of leaves. If I don’t bloom, I don’t want to provoke bees and butterflies. - Zheng Banqiao asked you, what can you do? The heart is far away and the land is biased. - Tao Yuanming's "Drinking (Part 5)" tolerates the false reputation and sings in a low voice instead of pouring a cup. - Liu Yong's "Crane Soaring to the Sky" A humble person is as good as ten, and a proud person is as good as ten. . Modesty benefits, fullness incurs losses.
Those who don’t know enough are eager to learn, and those who are ashamed to ask are complacent. To know is to know, and to not know is to know. This is knowledge.
The peach and plum trees do not speak, and they create their own mistakes. Although this statement is small, it can be a big statement.
——Sima Qian, the three of us, must be my teacher. ——Confucius: The ruler is shorter and the inch is longer.
Everything can be accomplished with an open mind; all things will be empty if you are complacent. If you want to conquer the three thousand realms of the earth, you must go to the peak of eight hundred mountains.
The sparrows don’t know how high the heaven and the earth are, and the wells don’t know the vastness of the rivers and seas. He who knows others is wise, and he who knows himself is wise. 4. What are the self-effacing sentences of the author in "Preface to Prince Teng's Pavilion"
1. Bo, three feet of micro life, a scholar.
2. If you have no way to ask for a tassel, you will wait for the weak crown of the final army; if you have a heart, you will cast a pen, and you will admire the emperor's long wind.
3. Give up your hairpin and wat for a hundred years, and serve it for thousands of miles at dawn and dusk.
4. It is not the treasure tree of the Xie family, but the neighbor of the Meng family.
5. He is getting closer to the court day by day, and he would like to accompany the carp; today I am holding my arm in my arms, and I am happy to support him at the dragon gate.
6. When Yang Yi doesn’t meet, he touches Ling Yun and feels sorry for himself; when Zhong Qi meets him, why should he be ashamed to play Liu Shui?
Translation
1. I have a humble status, just a scholar.
2. Although he is twenty-one years old like Zhong Jun, he has nowhere to go to kill the enemy; I envy Zong Tie’s heroic spirit of "riding the wind and breaking thousands of miles of waves", and I also have the ambition to join the army. .
3. Now I have abandoned my lifelong fame and traveled thousands of miles to serve my father day and night.
4. Although he cannot be called the "treasure tree" of the Xie family, he can associate with virtuous people. Soon I will meet my father and listen to his teachings. Today I am lucky enough to accompany all the elders, and I am happy to board the Dragon Gate.
5. If you don’t meet anyone recommended by Yang Deyi, you can only pat your own articles and feel sorry for yourself.
6. Now that you have met Zhong Ziqi, what's the shame in playing "Flowing Water"?
Author
Wang Bo (649 or 650~676 or 675), a poet of the Tang Dynasty. Han nationality, named Zi'an. A native of Longmen, Jiangzhou (now Hejin, Shanxi). Wang Bo is as famous as Yang Jiong, Lu Zhaolin, and King Luo Bin, and is known as the "Four Heroes of the Early Tang Dynasty". Wang Bo is the first of the "Four Heroes of the Early Tang Dynasty".
Appreciation
"The Preface to Prince Teng's Pavilion" is unique in its conception, with careful writing and careful questioning of topics. Each paragraph is connected scientifically and the ideas are clear. It progresses step by step from place to people, from people to scenery, from scenery to emotion. The full text gives full play to the characteristics of parallel prose, integrating parallelism, rhyme and allusion, expressing relatively rich content, revealing the author's true feelings, and has a strong artistic appeal.