Ancient poems about weeds! !

Bai Juyi's Farewell to Ancient Grass: The endless grass on the grassland comes and goes with the seasons, and the wildfire never completely devours them. They grow tall again in the spring breeze. Sweet they pressed on the ancient highway and reached the crumbling gate. Oh, my friend's prince, you left again, and I heard them sigh behind you. Explain the poem "Grass". Writing poems with ancient poems or idioms is a way for the ancients to learn to write poems, or to get together to write poems on different topics, or to write poems on imperial examinations. Generally, the title of a poem is preceded by "Fu De", which is similar to the "Yong" of a poem about objects. This poem is the first time that Bai Juyi went to Chang 'an to take the exam, and it is also his famous work. According to Tang Zhanggu's leisure and comments on the Tang Dynasty by the kings of the Five Dynasties, Bai Juyi went to Chang 'an to pay a visit to Gu Kuang with his own poems for appreciation. Gu Kuang was a famous poet at that time and a close friend of Prime Minister Li Mi. At that time, he was a writer, writing epitaphs, blessings and tributes. Many people visit him, but few people can get his praise. At first, Gu Kuang was very disapproving of this fledgling boy. Seeing the word "Juyi" in his name, he joked: "Chang 'an is expensive, and it's not easy to live! "But when I read the first two couplets in Farewell to Cao Yuan, I couldn't help admiring them greatly, and immediately changed my mind and said," Talented people are easy to live! "This is a widely circulated anecdote, which may not be true, but it is conceivable that this poem was said by people at that time. The endless grass on the plain, the grass on the ancient plain comes and goes with each season, clumps after clumps, wither once a year and flourish once a year. At the beginning, the word' ancient grass' was broken. " "Parting", with its dense appearance and prosperous appearance, is described as grass everywhere here. Come and go with the four seasons "shows the growth law of grass in autumn, the withering of spring and the endless cycle of years." The author does not say "glory and decline", but "decline and decline", emphasizing the strong vitality of grass. Wildfire never completely burned them, and they grew taller in the spring breeze. Wildfire started a prairie fire and the hay turned to ashes, but it could not be burned. Spring breeze blows, the grass revives, and the earth turns green again. In the Qing Dynasty, Tian Wen's Collection of Ancient Tang Huanji (Volume 18) said: "Sister Liu Xiaochuo's poem:' The fallen flowers are more suitable for sweeping, and the jungle is resurrected.' Meng Haoran's' flowers in the forest are swept away, but the grass is still alive'. Is this couplet written by Wei Liu? Bai Letian chanted the poem "The mountain fire is not over, the spring breeze is blowing high" on the grass that bid farewell to Fujian. The meaning of one sentence is divided into two sentences, and the wind has not diminished. Ancient people wrote poems with their own roots, but they were infinite, not imitated. "White Poetry" is a combination of dry and glory, with concise and fluent meaning, natural and ingenious antithesis and thought-provoking philosophy, so it has become an unforgettable famous sentence. In Song Dynasty, Wu Zeng's "Notes on Remnant Gaizhai" said that these two sentences were not as concise as Liu Changqing's "Burning Green in Spring", and the acceptance history of this poem proved that this view was without vision. In the sweetness, they pressed on the ancient highway and reached the crumbling gate. The spring breeze was blowing gently, and the spreading grass hid the ancient road leading to the distance. Sunny, full of green, connected to the barren city. Running water is natural for the final combination; And this combination is right, and the beauty lies in precision work. "Ancient Road" and "Desert City" are closely related to the topic of "Ancient Plain", which just meets the requirements of writing poetry. These two words contain the concepts of time and space, and have a static and dignified atmosphere; The comparison between Yuanxiang and Bright Eyes shows the strong competitiveness of survival. A word "invasion" and a word "connection" further enhance the infinite vitality of Spring Grass through narrative methods. The poetic and vibrant spring grass, combined with the ancient road and the desolate city, not only has a unique artistic conception, but also provides an environment for the farewell of couplets. Oh, my friend's prince, you're gone again. I hear their sighs after you want to send you away again. The lush grass seems to be full of parting feelings. Combine the whole article at the end, define the meaning of the topic, and point out other meanings. "Wang Sun", son Wang Sun, refers to the sender. "Long" refers to the lush and chaotic appearance of grass. "Chu ci? Recruiting a hermit, "Wang Sun wanders away, spring grass grows luxuriantly", is about seeing lush grass and thinking about wandering. Here, it is used to change its meaning. It is said that seeing lush grass adds to the sadness of parting. Comment on this is an ode to weeds and an ode to life. " Grass, as the central word, constitutes the main image of the whole poem. The whole poem is profound and vivid, with natural and fluent language and complete artistic conception. Although it is a propositional poem, it can be integrated into certain life feelings, so the words between the lines are full of emotion and the language is delicious, which is not only appropriate, but also unique. In "Yi", it is a swan song. According to the standard of "appropriateness", the structure of this poem can also be called rigorous and decent: the first four sentences are written as "grass on the original" and the last four sentences are written as "farewell on the ancient road" However, the beauty of this poem goes far beyond this. It is a masterpiece, and it really wins because of its significance, that is, it praises a tenacious and upward life spirit. Some people say that this poem has a different meaning, that is, it is an endless metaphor for the villain, or it is a cycle of Yu Shidao's rebellion. This is completely wishful thinking. This poem, as Qu Fu said in the Formation of Tang Poetry in Qing Dynasty, "does not necessarily have profound meaning. A space with a broad atmosphere is different from whispering, which is the difference between a big family and a small family. "