The first two sentences mentioned three place names. Snow Mountain is Qilian Mountain in the south of Hexi Corridor. Qinghai and Guan Yu are thousands of miles apart, but they appear on the same picture, so these two sentences have various interpretations. Some people say that the first sentence is looking forward, and the next sentence is looking back at home. This is very strange. Qinghai and Snow Mountain are in front, and Yumenguan is behind. Then the hometown of the lyric hero should be the Western Regions west of Yumenguan, not the Han soldiers, but Hu Bing. On the other hand, the second sentence is an inverted sentence of "Looking at Yumenguan, an isolated city", and the object of looking at it is "the dark snow mountain in Qinghai". There are two misunderstandings here: one is to interpret "looking from afar" as "looking from afar", and the other is to misunderstand the general description of the northwest border region as what the lyric hero sees. The former misunderstanding is due to the latter misunderstanding. One or two sentences can be imagined as a picture of a vast area: over Qinghai Lake, the clouds are long and warm; To the north of the lake, there are snow-capped mountains thousands of miles across the cotton pavilion; Crossing the snow-capped mountains, it is an isolated city, standing in the desert of Hexi Corridor. Further west, it is the Yumen Pass, a military fortress far away from the lonely city. This long scroll, which condensed things thousands of miles away, was a typical environment for soldiers living and fighting in the northwest frontier at that time. It is a bird's eye view and a summary of the entire northwest border. Why did you specifically mention Qinghai and Guan Yu? This is related to the situation of the war between ethnic groups at that time. The strong enemies of the west and the north in the Tang Dynasty were Tubo and Turkic. Our special envoy's task in Hexi is to cut off the traffic between Tubo and Turkic, and take care of the two powerful enemies in the west and north within one town, mainly to defend Tubo and protect the Hexi Corridor. "Qinghai" area is the place where Tubo and Tang Jun fought many times; Outside Yumenguan, it is the sphere of influence of Turks. Therefore, these two sentences not only describe the scene of the whole northwest border, but also point out the extremely important geographical situation that the "isolated city" rejects Tubo in the south and defends Turks in the west. The strong enemies in these two directions are the heart of the soldiers guarding the "lonely city", so Qinghai and Guan Yu should appear on the screen. This is not so much what the soldiers see, but rather what emerges in their minds. These two sentences are permeated with rich and complex feelings while writing the scenery: the frontier soldiers' concern for the frontier situation, their pride and sense of responsibility for their tasks, and the loneliness and hardship of frontier life are all integrated in the tragic, open and misty scenery.
Three or four sentences changed from environmental description with scenes to direct lyricism. "Yellow sand wears golden armor in hundreds of battles" is a poem with strong generalization. The length of the border defense, the frequency of wars, the hardship of fighting, the toughness of the enemy and the desolation of the border are all summed up in these seven words. Hundreds of battles is more abstract, and the word "yellow sand" highlights the characteristics of the northwest battlefield, making people see the scene of "the ancient battlefield with sunset and sand like clouds"; From "winning every battle" to "wearing golden armor", we can imagine the arduousness and fierceness of the battle, and we can also imagine a series of heroic sacrifices in this long time. However, although the shining golden armor has worn out, the soldiers' ambition to serve the country has not been tempered, but has become more determined in the tempering of desert sand. "Never break the Loulan, never return it" is the heroic oath of the battle-hardened soldiers. The more the last sentence highlights the difficulty of the battle and the frequency of the war, the more forceful it becomes, hitting the floor. In a word or two, the realm is broad and the feelings are tragic and rich; There is an obvious turning point between three or four sentences, and the two sentences are in sharp contrast. Although the phrase "yellow sand" describes the hardships of war, the actual feeling of the whole image is majestic and powerful, not deep and sad. Therefore, the last sentence is not a lament for returning home without a day, but a firmer and deeper oath based on a deep understanding of the hardships and length of the war. An important ideological feature of the excellent frontier poems in the prosperous Tang Dynasty is that while expressing the lofty sentiments and ambitions of the frontier guards, they do not shy away from the hardships of war. This article is an obvious example. It can be said that three or four sentences are not empty and superficial lyricism, but only one or two sentences of rich environmental description are needed. The high unity of typical environment and characters' feelings is a prominent advantage of Wang Changling's quatrains, which is also clearly reflected in this paper.
Entry: Dust in the Wind Editor: Dust in the Wind Joins the Collection Print This article closes the window and the last one: Appreciation of the two dikes in Wang Changling (I)
Appreciation of Wang Changling's Seven Military Poems (Ⅱ)
2. Readers who join the frontier poems written by Wang Changling, the fourth soldier in the army, are often confused by the various geographical names involved in the poems. They suspect that the author is unfamiliar with geography, so some don't ask for a very good understanding, and some use a song to interpret it. This is the case with this poem. The first two sentences mentioned three place names. Snow Mountain is Qilian Mountain in the south of Hexi Corridor. Qinghai and Guan Yu are thousands of miles apart. So these two sentences have different interpretations. Some people say that the first sentence is to look forward, and the second sentence is to look back at home. This is very strange. Qinghai and snow-capped mountains are in front, and jade is behind. Then the hometown of the lyric hero should be the Western Regions west of Yumenguan, not the Han soldiers, but Hu Bing. On the other hand, the second sentence is an inverted sentence of "Looking back at Yumenguan from a lonely city", while the object of looking back is "Qinghai". One or two sentences can be imagined as a picture of the vast area displayed for the second time: over Qinghai Lake, the clouds are long and warm; To the north of the lake, there are snow-capped mountains thousands of miles across the cotton pavilion; Crossing the snow-capped mountains, it is an isolated city, standing in the desert of Hexi Corridor. Further west, it is Yumenguan, a military fortress far away from the lonely city. This long scroll, focusing on a vast area of thousands of miles from east to west, was a typical environment for soldiers stationed in the northwest frontier to live and fight at that time. It is a bird's eye view and a summary of the whole northwest frontier. Why did you specifically mention Qinghai and Guan Yu? This is related to the situation of the war between ethnic groups at that time. The powerful enemies of the west and the north in the Tang Dynasty were Tubo and Turkic. Our envoy's task in Hexi is to cut off the traffic between Tubo and Turkic, and take care of the two powerful enemies in the west and north in one town, mainly to defend Tubo and protect the Hexi Corridor. "Qinghai" area is the place where Tubo and Tang Jun fought many times. Outside Yumenguan, it is the sphere of influence of Turks. Therefore, these two sentences not only describe the scene of the whole northwest border, but also point out the extremely important geographical situation that the "isolated city" rejects Tubo in the south and defends Turks in the west. The strong enemies in these two directions are the heart of the soldiers guarding the "lonely city", so it is more appropriate to appear Qinghai and Yuguan on the screen. This is not so much a picture that emerges in the minds of soldiers. These two sentences are permeated with rich and complicated feelings while writing the scenery: the soldiers' concern for the border defense situation, their pride and sense of responsibility for their tasks, and their loneliness and hardship for frontier life are all integrated in the tragic, open and misty scenery. The third and fourth sentences are transformed from the environmental description of mixed scenes to direct lyricism. "Yellow sand wears golden armor in hundreds of battles" is a poem with strong generalization. The length of the border defense, the frequency of the war, the hardships of the battle, the strength of the enemy and the desolation of the border are all summed up in these seven words. "Hundreds of battles" is abstract, and the word "yellow sand" highlights the characteristics of the northwest battlefield, making people see the scene of "Shayun ancient battlefield at dusk"; From "winning every battle" to "wearing golden armor", we can imagine the arduousness and fierceness of the battle, and we can also imagine a series of heroic sacrifices in this long time. However, although the shining armor has been worn out, the soldiers' ambition to serve the country has not been worn out, but they have become more determined in the desert sand. "Never break Loulan, never return it" is the heroic oath of the battle-hardened soldiers. There is an obvious turning point between three or four sentences, and the two sentences are in sharp contrast. Although the sentence "Yellow Sand" describes the hardships of the war, the actual feeling of the whole image is grand and powerful, not deep and sad. Therefore, the last sentence is not a sigh of returning home without a day, but a firmer and deeper oath issued on the basis of a deep understanding of the hardships and protracted war. An important ideological feature of excellent frontier poems in the prosperous Tang Dynasty is that they do not avoid the suffering of war. This article is an obvious example. It can be said that this lyrical expression of three or four sentences is not empty and superficial, and it is necessary to have one or two sentences of rich environmental description. The high unity of typical environment and characters' emotions is a prominent advantage of Wang Changling's quatrains, which is also clearly reflected in this paper. Entry: Dust in the Wind Editor: Dust in the Wind joins the collection to print this article. An article about closing windows: Wang Changling.
3. The war scene of Mulan Poetry was expanded and written. Joining the army in Wang Changling and Qinghai, the lonely city looks at Yumenguan. Yellow sand wears golden armor in hundreds of battles, but the loulan is not returned. When I was in Wang Changling, the moon set in the Qin Dynasty, but the Long March people didn't return it. But I let Longcheng fly. I didn't teach Huma to cross the Yinshan Mountain ... Yang Jiong went to Xijing with a bonfire, and he was not satisfied. I have a bow and a phoenix que, and an iron horse rides around Longcheng. The snow is dark and the flag is carved, and the wind is ringing. Being a centurion is better than being a scholar. Chen Tao vowed to sweep the Xiongnu in Longxi, and 5,000 minks were taken as brocade. You're still a dream girl. William Wang Peach Blossom Cup, if you want to drink pipa, you should urge it immediately. Drunk in the sand and not laughing, I fought several wars in ancient times. Next song, Wang Changling drinks, my horse, while we cross the autumn waters! When we watch the sunset on the sandy plain, the stream is cold and the wind is like a sword. In a far, far place, the fuzzy old battlefield of Lintao was started by those long walls, which used to be the pride of everyone. The imperial city is full of antiquity and messy bones. After joining the army and marching north to the snow in Liyi Tianshan Mountain, the sea was cold and it was difficult to play the flute all the way.
4. Rewrite the composition of Liangzhou Ci for more than 2 pages; Appreciate this poem "Lonely City" as the center and set it in a broad and magnificent background. Some people think that the first sentence "the Yellow River goes straight up" is very confusing and can easily be changed to "yellow sand". However, how can you see "white clouds" when the yellow sand is straight up and the sky is dark? In fact, it is not difficult to understand "the Yellow River goes straight up". Both Li Bai and Wang Zhihuan wrote about the scenery looking west along the Yellow River. The difference is that Li Bai's vision is far and near, so he created a strange sentence "How does the water of the Yellow River move out of the sky?" Wang Zhihuan's eyes are far and near, so it shows the wonder of "The Yellow River is far above the white clouds". Looking west, the Yellow River extends from east to west and goes straight into the white clouds, which is a vertical description. "Wan Ren Mountain" rises abruptly at the junction of water and sky, and the mountain is connected with the sky, which is a vertical description. It is here that the water and the sky meet, the mountains and the sky are connected, and "an isolated city" is vaguely. The grandeur of the background reflects its desolation, especially the feelings of people in the "lonely city". This "isolated city" is obviously not a residential area, but a garrison. Recruiters who live here come here to guard the border along the Yellow River in Wan Li. Can they stay in the "island city" for a long time without thinking about home? This leads to three or four sentences. Qiangdi plays "broken willow tune", which is "worrying about killing travelers", and homesickness is clearly visible. The wonderful thing is that it is written about "resentment against willow" rather than homesickness. What are you complaining about? Judging from the conclusion, it is because the willow is not green. Li Bai's "Song of the Frontier" "Five In the snow in Tianshan Mountain, no flowers, only cold. I heard the bright future, but I didn't see the spring scenery, which helped to deepen my understanding of the word "resentment" It is poetic and elegant: as soon as I heard the Song of Willow, I naturally remembered the scene of my relatives leaving home that year, which reminded me of my homesickness; From the memory of my relatives folding willows to the present reality, I feel that the willows in my hometown have already brushed the ground. I also saw a little spring scenery in "No Wind" in Lonely City, which reminded me of my homesickness. Poetry is so euphemistic and profound that the poet is still not satisfied, so he prepares a sentence with "unnecessary" and then ends up explaining the reason for "unnecessary". It means: Since Huang Sheng can't play, Excerpts from Tang Poems says: "Wang Longbiao's playing the Qiang flute is more worrying for Wan Li" and Li Junyu's "playing the reed flute somewhere makes people look at their hometown all night" are the same, but not as good as this one. Its meaning is profound, and he only uses the word' why' to see the meaning. " The description is magnificent and the lyrical meaning is profound and eternal. It is the artistic charm of this poem. This poem is implicit and profound, which can be understood in many ways. Yang Shen's Poem of Sheng 'an, Volume II: "This poem is not as generous as the frontier fortress, and the so-called opening of the door is far more than Wan Li." Li E's "A Brief Account of Poetry Changes" further pointed out: "It is not as expensive as expensive, but it is especially appropriate to say that the spring breeze is not too much." From the Tang Dynasty scholar Xue.
5. Wang Changling's Military Tour The dark snow-capped mountains in Changyun, Qinghai, overlooking the isolated city of Yumenguan.
Yellow sand wears golden armor in hundreds of battles, but the loulan is not returned.
The first two sentences describe the scenery, and describe the desolate and empty scenery outside the Great Wall with "Qinghai's long luck" and "lonely city looking from afar", giving people a sense of desolation; The words "darkness", "loneliness" and "faraway" lay the emotional tone of the whole poem: it is a solemn and stirring hymn, a lonely waiting and homesickness.
The last two sentences are very lyrical. "A Hundred Wars in Golden Armor" describes the frequency, fierceness and cruelty of the war, and highlights the hardships of the soldiers' frontier life with exaggerated brushwork; The last sentence is straightforward, which is not only the impassioned rhetoric before the war, but also shows the helplessness and determination of the border guards.