The influence of Qu Yuan's Li Sao on later generations. Li Sao has an important influence on the development of China literature. After the Han Dynasty, later scholars worshipped Qu Yuan. The reason seems to be attributed to Qu Yuan's persistent and maverick integrity and his spirit of daring to uphold the truth and resist the dark rule in adversity. What happened to Qu Yuan was generally experienced by upright literati in feudal China. Therefore, Qu Yuan's spirit can be widely recognized. Jia Yi of the Western Han Dynasty was jealous of his talent, so he moved to Changsha and wrote Qu Yuan Fu, which was written by Qu Yuan himself. Sima Qian encouraged himself with "moral integrity, meritorious service, and making a statement", and "devoted himself to his duties and welcomed the Lord" ("Reporting Ren Shu 'an"), but he was jailed. Sima Qian drew great spiritual strength from the story of Qu Yuan's exile and writing Li Sao, and completed the compilation of Historical Records. Zhong Rong in Liang Dynasty said in Shi Pin that Li Ling's poems originated from Chu Ci. Much more sad, and more people complain. "Tao Yuanming's" Fu for those who have never met ":"No.1 has the sigh of' returning home safely', and San Lv has the sorrow of' gone'. "Although I hold Qionglan, who is bright and clean?" "I feel that there is no spouse of a philosopher, and tears are on the waves." I have always regarded Qu Yuan's purport as my code of conduct. Li Bai, a poet in the Tang Dynasty, declared heroically: "Qu Ping's Ci and Fu hang the sun and the moon, and the king of Chu is empty." Many of Li Bai's works, such as Qu Yuan's Li Sao, often weave many myths and legends, the sun, the moon, the stars and historical figures, forming magnificent pictures with symbolic significance. Du Fu's spirit of worrying about the country and the people is also related to Qu Yuan's "worrying about Li Yuan in poor years and sighing hot in his intestines" ("Singing 500 words from Beijing to Fengxian"). He said in "The Play is the Six Poems": "Today people love the ancients, and clear words and beautiful sentences must be neighbors. I secretly climbed Qusong to drive, afraid to follow in the footsteps of Qi Liang. " It is advocated that we should not only learn the literary talent of Qu Yuan's works, but also learn the ideological content of Qu Yuan's works. Especially at the critical juncture of foreign invasion and national demise, patriots often encourage themselves with Qu Yuan's integrity. Liu Kezhuang, a poet in the Southern Song Dynasty, wrote poems to praise Qu Yuan's patriotic spirit and expressed his firm belief that he would never surrender to the enemy. He said in Qu Yuan: "Mi Zhu was captured by Lu and ran away. You can't talk about Li Sao with a ritual vessel. "
In the history of modern literature, there are more writers influenced by Qu Yuan's spirit. Lu Xun's Outline of the History of China Literature says: "In the Warring States Period ... Qu Yuan originated in Chu and was demoted, which is Li Sao. Escape is a great speech and an outstanding life. Later generations were surprised by their literary talent and imitated the original works of Chu Ci in succession, so they called it' Chu Ci'. Compared with poetry, it is long, its thought is wonderful, its writing is beautiful, its purpose is clear, it comes from the heart, and it doesn't follow the rules. Therefore, the post-Confucianism's obedience to poets is either embarrassing or tight, but its influence on later articles is more than 300. " Around the May 4th Movement, Lu Xun tried to explore the direction of the Chinese nation. When he published Wandering on 1926, he quoted the poem Lisao as an inscription in front of the book: "In the morning, I will be in the county garden in the evening. If you want to stay less energetic, it will be dusk. I told xi that he should be cautious and look forward to it, but don't push it. The road is long, Xiu Yuan, and I will go up and down. " It shows that Qu Yuan's tireless pursuit of truth has a great influence on Lu Xun. It can be said that where there is the misfortune of literati, there is the persistence of moral integrity, and there is Qu Yuan's heroism. Qu Yuan's spirit is not only a home to precipitate the painful hearts of literati in past dynasties, but also a stone to sharpen the loyalty and integrity of people with lofty ideals.
Qu Yuan's artistic creation opened the source of romanticism in China's literature and had a far-reaching influence on the creation of later literati. "Feng" represented by The Book of Songs and "Sao" represented by Chu Ci constitute the cornerstone of China's ancient literature and the two highest standards of classical poetry. After the Han and Wei Dynasties, Qu Yuan's masterpiece Li Sao was generally called Chu Ci, and Guo Pu's Shan Hai Jing quoted Tian Wen and Yuan You, both of which were called Li Sao. Liu Xie's "Wen Xin Diao Long" has an article "Distinguishing Sao", which contains all the works of Chu Ci. The Selected Works of Zhaoming compiled by Xiao Tong, a native of Liang Dynasty, is classified as a Sao style, including Li Sao, Jiu Ge, Jiu Zhang Yi, Bu Ju, Jiu Bian, Evocation and Seclusion. The first to fifth volumes of Zhu's Notes on Songs of the South are called Li Sao, including Li Sao, Jiu Ge, Tian Wen, Jiu Zhang, Yuan You, Buju and Fisherman. The sequel to Lisao includes Nine Arguments, Evocation, Great Ideas, Poems of Xi, Ode to Diaoqu Yuan, Ode to Pengniao, Mourning for Time and Ode to Seclusion. Others, such as Li Sao Cao Shu written by Wu in Ming Dynasty, Li Sao Yuan written by Zeng in Ming Dynasty, Adventures of Chu Sao in Ming Dynasty and Drinking Sao written by He Kuan in Qing Dynasty, are all about Chu Ci. Li Sao has become synonymous with Chu Ci, and "Sao Ren" has also become synonymous with poets. Wang Yi's Chapters of Chu Ci: "Qu Yuan's Ci is far-reaching. Since the end of last year, famous scholars of Confucianism and Boda have written ci and fu, trying to imitate their appearance, imitate their ancestors, take their essence and steal their flowers and algae. The so-called Jin Xiangyu, chinese odyssey, whose name is extremely neglected, will never be announced. " Liu Xie's Wen Xin Diao Long: "Without Qu Yuan, how can Li See be coquettish?" If you take it by surprise, you can escape the wind and aim high. The mountains and rivers are endless, and the truth is practical. Metallography is like jade, gorgeous and incomparable. ""I've been watching since Jiuhuai; However, Qu Song can't catch up. Therefore, when he complains about his feelings, he will be depressed and easily influenced; If you leave home, it will be soon and it will be difficult to get pregnant; On the landscape, you can get its appearance by following the sound; Speaking of seasons and climate, you can see it in the text. It's amazing that Jin and Jia make people beautiful with the wind, and horses and teenagers drift with the tide. His clothing is a poet, not a generation. Therefore, those who are talented get their praise, those who are clever hunt for their colorful words, those who satirize their mountains and rivers get their interest, and those who are still childlike pick up their grass. If you can rely on poetry to lean on elegance, control Chu articles, think strangely without losing its truth, and play showily without falling into reality, you can drive away words, cough up words, stop begging for spirits in Changqing and spoil Ziyuan. "Pu Songling talks about ghosts and flowers and is greatly influenced by Qu Yuan. He said in Strange Tales from a Lonely Studio: "A radish and a plum make San Lv feel coquettish;" Ghosts and ghosts, Long Claw Lang is addicted to singing. There is a reason for boasting of nature and not choosing a good voice. The fire of autumn fireflies is exhausted, and charm wins glory; Drive away the dust of wild horses and you will laugh at each other. Not Gan Bao, but Ya Ai Sou Shen; Love is like Huangzhou, talking about ghosts. "His firm embrace, unyielding resentment and romantic expression are very similar to Qu Yuan.
The brilliant achievements of Qu Yuan's works in thought and art have provided valuable cultural heritage for all mankind, and he has won the glorious title of world cultural giant. 1953, as a poet, Qu Yuan, together with Polish astronomer Copernicus, French writer rabelais, Cuban writer and national movement leader Jose Marti, became one of the four world cultural celebrities named by the World Peace Council. His works spread to Japan in the 7th century BC, and began to spread to Europe in the19th century. Now, there are many translators from English, French, German, Russian and other languages.