Original text:
Bamboo is not relaxed at all, its roots are firmly embedded in the cracks in the rocks.
After thousands of tortures and blows, it is still strong, whether it is the southeast wind or the northwest wind in winter, it can bear it and will still be tough and straight.
Translation:
Bamboo clings to the green hills, and its roots are firmly rooted in the cracks in the rocks. After countless hardships and blows, you are still strong, no matter whether the southeast wind blows in the hot summer or the northwest wind blows in the cold winter.
2. "I am still" comes from: "Xijiang Yue Jinggangshan" Modern Mao Zedong.
Original text:
Flags are in sight at the foot of the mountain, drums and horns are ringing at the top of the mountain. The enemy besieged thousands of people and I stopped.
Already very strict barriers, more United. There was a lot of gunfire in Huang Yangjie, and it was reported that the enemy had escaped at night.
The battle flag flutters at the foot of the mountain, drums and trumpets resound through the hills. Although I am surrounded by the enemy, I am still unshakable. All the well-organized fortifications are ready, so they are more United like a fortress. In Huang Yangjie, the fire of the Red Army roared, and Maxima reported that the enemy had fled in the growing darkness.
Extended data:
1, the creative background of Xijiangyue Jinggangshan
1in July, 928, the enemy forces in Hunan and Jiangxi launched the second "social suppression" against Jinggangshan. In order to break the enemy's "repression", when the enemy striker approached Yongxin, Mao Zedong led a 3 1 regiment to besiege the enemy in Yongxin county for 25 days.
Zhu De and Chen Yi led the 28th and 29th regiments of the Red Army to attack Chaling and Lingxian in enemy-occupied areas, forcing the invading enemy to retreat from Chaling, thus breaking the enemy's first "suppression".
But at this moment, the 28th and 29th regiments arrived in southern Hunan. As a result, they won first and then lost in Chenzhou. The Red 29 Regiment was almost completely annihilated, and the rest moved to Guidong with the 28 Regiment.
After learning this news, Mao Zedong personally led a 3 1 group to Guidong to meet the main force of the Red Army. At this time, only one battalion of the 3 1 regiment remained in Jinggangshan, and the enemy took this opportunity to assemble four regiments to launch an attack on Huang Yangjie sentry post.
Huang Yangjie, about 25 Li away from the Red Army headquarters in Ciping, is the only passage for Ninggang, Yongxin and Lingxian to enter the hinterland of Jinggangshan. At that time, the Red Army set up five outposts in Jinggangshan, which respectively controlled five roads in Jinggangshan, among which Huang Yangjie outpost was the most critical.
Despite the disparity between the enemy and ourselves, Shizuoka soldiers and civilians took risks to resist, and finally won the battle to defend Huang Yangjie by winning more with fewer. This word was written by Comrade Mao Zedong to praise the victory of Huang Yangjie's defence war.
When reporting to Mao about the security situation, he had a feeling, so he could write Xijiangyue Jinggangshan happily.
2. Appreciation of bamboo slips in Zheng Xie in Qing Dynasty.
This is a poem with profound implications. Writing bamboo on the surface is actually writing people. The strong bamboo in the poem symbolizes the poet's indomitable character in the face of all kinds of difficulties and hardships, never giving in to any evil forces, and his clank and pride in refusing to go along with the dark society.
This poem is often used to describe the revolutionary's firm stance in the struggle and unshakable character when the enemy attacks. The word "bite" personifies bamboo. Biting is an active action that requires strength.
It not only depicts the scene of bamboo climbing to the green hills, but also shows the spirit of bamboo not afraid of difficulties, fighting against nature and tenacious survival. Following the previous sentence, the second sentence "Rooted in broken rocks" tells us that the foundation of bamboo standing proudly on the green hills lies in its deep roots in broken rocks.
The bamboo in this poem has one characteristic. Not solitary bamboo, not static bamboo, but rock bamboo, wind bamboo. In Zheng Banqiao's poems and paintings, bamboo is often a symbol of noble conduct and tenacious will, while wind is often a representative of evil forces.
The poet used the words "thousand" and "ten thousand" to write the indomitable, calm and confident expression of bamboo, which can be said that the artistic conception of the whole poem suddenly emerged. At this time, what stands in front of us is no longer a few ordinary bamboos, but a tenacious vitality.
A kind of persistence, and all this is contained in the rustling wind and bamboo. In fact, the bamboo in the poem is also the embodiment of the noble personality of the author Zheng Banqiao. In life, the poet is such a kind of rock bamboo that has close ties with the lower class, hates evil and is not afraid of powerful people.
Zheng Banqiao's poems on paintings, like his paintings, have a strong three-dimensional sense and can be appreciated as paintings. This poem is like this. Both bamboo and stone are vivid in the poet's pen. There is no real wind, which is also described as passing by.
However, the poet's pursuit is not only in the external shape, but also in every thin and hard rock and bamboo, which injects his own ideals and melts into his own personality, thus making this bamboo stone reveal a profound meaning outside animals and an internal charm.
This is a poem expressing ambition with things, and it is also a poem about things. This poem focuses on the tenacity and persistence of bamboo, the tenacity of rock bamboo, the integrity of iron, indomitable integrity and indomitable character. The language of the poem is simple, lively and persistent.