In the spring morning, I woke up easily.
Birds are singing everywhere around me. (n-I \u o)
But now I remember that night, that storm,
I wonder how many flowers have been broken. (shh-o)
-Meng Haoran's "Spring Dawn"
The rhymes of "Xiao", "Bird" and "Shao" in the first sentence, the second sentence and the fourth sentence.
And if the first sentence doesn't rhyme, the rhyme will be fixed from the second sentence. For example:
On the third day, instead of cooking for me,
Wash your hands and make bridal soup. (t—ɑnɡ)
I decided not to be my mother-in-law,
But my husband's sister should smell like Fiat. (ch—ɑnɡ)
-Wang Jian's Bride
Second, "soup" and "taste" rhyme.
Interlaced rhymes are more varied and more convenient to use than rhymes. Moreover, there are not many syllables between the rhyme feet, and the sense of rhythm is still very strong, so most ancient poems, modern poems and folk songs use this rhyme form.
Third, the two sentences rhyme. Every two sentences are a unit, such as one or two sentences with a rhyme and three or four sentences with a rhyme. For example:
There are few trees and stones on three sides, (sh-ι o)
Peasant families can't live. (l-io)
There is no cloud in the sky, and there is no drought underground, (h-ι n)
I can't live any longer. I'll plan another day. (Nanyin)
The sheep walked beside the first sheep, (π)
The * * * production party was established in northern Shaanxi. (d—ɑnɡ)
The leader's name is Liu Zhidan (D-ι n).
Raise the red flag for half a day. (sh—ɑnɡ)
The haystack was ignited by sparks.
When the red flag hits, all the poor people become red. (l-io)
Thousands of miles of thunder and lightning in Wan Li, (sh-ι n)
Northern Shaanxi is red for a long time. (t-Iūn)
A purple cow has its own crab, (L-ou).
Everyone has a revolutionary mind. (you)
……
-Wang Gui and Li Xiangxiang in Li Ji.
In the above poems, every two sentences are a unit (only the fourth and third paragraphs are promised by Jiang). The order of rhyme in the poem is: far rhyme (ɑo rhyme), front rhyme (ɑn rhyme), Jiangyang rhyme (ɑnɡ rhyme, including three or four squares), far rhyme (ɑo rhyme), front rhyme (ɑn rhyme) and oil-seeking rhyme (ou rhyme).
(4) interval rhyme. This rhyming method rhymes every few lines, which is irregular. For example:
Maybe it is really a sea,
I am a burning spray; (h—u)
When I knew this was a sea of Wang Yang,
-I just found out:
I am a cracked sand. (shh-)
What about youth?
Stored in the vast sand waves,
Only Elaeagnus angustifolia
Pour out faint love words to me, (h-u ɑ)
-under this high Tianshan mountain. (x-I)
I am a grain of sand. (shh-)
If I can make up for the past,
I want to do two things at the same time.
Half of them are mixed in clay,
-Laying a soft seedbed;
Half of them are mixed into cement,
-condensed into the metal skeleton of the building. (j-I)
-Yang Mu's Han Hai-Writing for My Youth
The whole poem is divided into three sections, using the phrase "Fahua". The first section "sand" and "flower" are separated by two lines; The word "Hua" in the second section is separated from the word "Sha" in the last line of the first section by three lines, and there is no gap between "Xia" and "Hua". In the third section, "summer" and "sand" are separated by one line, and "Jia" and "summer" are separated by three lines. This kind of rhymes irregularly every few lines, and rhymes freely. As for how many lines rhyme well, it depends on the specific situation, which does not affect the expression and is also harmonious.
The change of rhyme is the change of rhyme in a poem.