Chapter 65438 +0: Analysis of Ancient Poetry Yellow Crane Tower The poet came here with great longing for the Yellow Crane Tower, but the crane was driven away without a trace, and the building was empty. In front of him was an ordinary river tower. "Where the yellow crane used to carry saints to heaven, now only the Yellow Crane Tower is left." The gap between the beautiful vision and the ordinary river building has laid a lost background in the poet's heart and laid a potential foreshadowing for the expression of homesickness complex.
"The yellow crane will never return to the world, and the white clouds will never fly without him" is a couplet in the poem. The natural scene where rivers meet the sky is more and more magnificent because of white clouds. Influenced by this scene, the poet's mood gradually brightened, and the feelings in his chest grew wings: the long history and beautiful legend of the Yellow Crane Tower were repeated in front of his eyes, but in the end, things changed and the crane was gone. What can people leave to stand the test of time? She is nothing, she is letting the world die, letting the seas run dry and the rocks crumble, and letting her give up her constant nostalgia and lingering nostalgia. This sentence is of universal significance, which expresses the poet's fantasy that the years are hard to come by and the world is at a loss, and also paves the way for writing about the infinite sadness of the difficulty of returning home, thus becoming a famous sentence that is deeply concerned and repeatedly tasted.
The meaning of "yellow crane" in the poem is very clear, except for the entity "crane", it should refer to "everything". Gone forever contains the endless sadness of being born at an untimely time and not waiting for people when they are old. "Baiyun" is unpredictable, which means the author's unpredictable sigh. If the word and "empty leisurely" make people see the vastness of space, then "Millennium" makes people see the infinity of time. The combination of time and space produces a sense of historical depth and space openness, and even gives birth to homesickness.
"Every tree in Hanyang becomes clear in the water, and Nautilus Island is a nest of sweet grass." With a stroke of a pen, the legendary man, Yellow Crane and Yellow Crane Tower turned to write what the poet saw when he boarded the Yellow Crane Tower in front of him, from writing illusory legends to writing what he saw in front of him. The clear Wan Li, separated by the trees in Hanyang City clearly visible on the water surface and the lush grass on Nautilus Island, depicts an ethereal and distant picture, setting up a stage for the poet's homesickness.
"but I looked home, and the twilight was getting thicker? There is a sad mist on the river waves. "As the sun sets, night falls, birds return to their nests, ships return home, and wanderers return home. But where is the hometown of vagrants in the world? The river is foggy, and thick fog is born in front of you. It's a faint tear, and it's a broad homesickness that concerns the whole world. When I ask about my hometown, I feel homesick. Faced with this situation, there is no reason for anyone to miss home. The poem ends with a "worry", which accurately expresses the poet's mood of boarding the Yellow Crane Tower at dusk, and at the same time, with the metaphor at the beginning, expresses his lingering homesickness with ups and downs, so as to convey his feelings, convey his feelings internally and echo externally.
Chapter 2: Analysis of Ancient Poetry The Yellow Crane Tower. People used to fly there by the Yellow Crane, leaving only the empty Yellow Crane Tower in this place. The yellow crane never came back here. For thousands of years, only white clouds have been fluttering. The trees in Qingchuan Pavilion in Hanyang are clearly visible, as is Parrot Island with lush vegetation. I don't know where my hometown is at dusk Seeing the foggy waves on the river is even more worrying!
This poem is a masterpiece handed down from generation to generation by Cui Hao. The first four sentences of the poem, from ancient times to the present, from myth to the present, point out that the Yellow Crane Tower has gone and never returned, and the white clouds are empty, thus revealing the feeling of loneliness and emptiness that we can't meet the ancients, and an empty atmosphere permeates the poem. Write down the last four sentences you saw when you went upstairs. The trees and grassy sandbars in the distance of Qingchuan are vivid. The poet thought of the man who traveled far from the lush grass, Miheng who was killed from Nautilus Island. "but I looked home, and the twilight was getting thicker? "A layer of mist of sorrow on the river waves" is even more straightforward, which deepens the life experience and homesickness caused by going upstairs.
Yellow Crane Tower and Yellow Crane Man: The name of the Yellow Crane Tower comes from the legend of the Yellow Crane Man. Zu Chongzhi in the Southern Dynasties first recorded the story of the Yellow Crane Man in his Strange Tales from a Lonely Studio: there was a man named Xun Zan who liked Taoism. Once, while playing on the Yellow Crane Tower, he suddenly saw a man riding a crane upstairs, drinking and having fun. After the feast, people rode the cranes and flew away. Subsequently, the Yellow Crane Tower returned to calm.