Two Late Scenes along the Hui Chong River.
Song Dynasty: Su Shi
Two or three peach blossoms outside the bamboo forest and ducks in the water first noticed the warm spring.
The beach is covered with wormwood, asparagus is beginning to sprout, and puffer fish are preparing to swim upstream from the sea back to the river.
The geese fly north, like people who want to return to the north, but because of attachment, poor team.
Before flying to the north, I knew that it was snowy in the desert in the north, or the south that spent most of the Spring Festival in the south.
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Two or three peach blossoms have just blossomed outside the bamboo forest, and ducks are the first to know that the river is warming up in early spring. Artemisia selengensis covered the floodplain, reeds sprouted short buds, and puffer fish was about to swim from the sea to the rivers. The geese flying in pairs seem to be going north, reluctant to go, and almost left behind. Thousands of miles away, I already know that the desert in the north is snowy, so it is better to stay in the spring in the south of the Yangtze River for half a month.
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The Night Scene of the Spring River in Hui Chong depicts the river scene in early spring and the scene of wild geese returning to the north, expressing the poet's joy and praise for early spring, full of rich and fresh life breath. The poem compares the reluctant geese to "returning to the north", which makes the content in the painting more vivid. "From afar, there are many snowstorms in the desert, but wait for the spring in the south of the Yangtze River" endows Beiyan with human feelings, which shows the poet's reluctance to his friends when he is about to travel far away.