"It's hard to climb the mountain. Who will grieve for losing their way? What is the allusion to "meeting by chance is a stranger"

"It's hard to climb the mountain. Who will grieve for losing their way? There is no allusion to "meeting by chance is a stranger from other places", and there is no use of "allusion" here.

This sentence is only in the narrative:

This mountain is difficult to cross. Who sympathizes with frustrated people? Meet by chance, all strangers in a foreign land. We missed the door of the palace, but we were not called. When can we serve the king?

Expand one's knowledge

1, the source of the poem

This sentence is taken from the preface to Wang Teng-ting, and the original text is as follows:

It is difficult to climb mountains and mountains, and whoever loses his way is sad; Meet by chance, full of foreign guests. When I miss the emperor, what year was I in the mysterious room? -"Preface to Wang Teng Pavilion"

2. Appreciate:

Allusions that appear many times in the text. And they are all used properly, which not only has no sense of redundancy and obscurity, but also makes the article look rich and elegant, euphemistic and tortuous, sincere and sincere. "Feng Tang is easy to get old, Li Guang is hard to seal", "Qu Jiayi is in Changsha" and "Wandering in the sea", these four allusions are put together to describe the fate of the author, who was rejected for writing for Pei and expelled by the emperor for writing "Chicken of the King". Although there is resentment, it is hidden and not exposed, and there is no suspicion that King Kong is glaring.

"Although Beihai is on credit, it is thriving; The cold corner has gone, and the mulberry is not too late. " These two allusions are our firm belief in courage and fearlessness. Allusions such as "waiting for the final army to be weak", "throwing a pen in your arms" and "watching the wind and whistling". It is a metaphor for his heroism and determination to make progress by "breaking the waves".

Turn static into dynamic and personify things. It is another feature of Preface to Wang Teng-ting to write an objective static thing into a dynamic feeling by personification. The author is good at choosing words and refining words to activate the state of things, such as "flying pavilion, flowing Dan" and "green terraces" Just because of the words "fly", "flow" and "shrug", the lofty pavilions will take off, the rich painters will murmur, and the emerald green on the terraces will rise high. It's really wonderful that still life has become an animal.

The ancient city of Hongzhou, however, has become a cutting giant with "Three Rivers" as its skirt and "Five Lakes" as its belt, which is "pretty" near and "Ouyue" far away. As for "brilliance" like "Xingchi". The "winning friends" like a cloud is even more vivid.