Ancient women like to draw eyebrows with cyan and black pigments. Originally, the shape of green hills was used to compare the shape of eyebrows, not the heroine's intention to frown. But the poet deliberately wrote the heroine, that is, he deliberately portrayed his eyebrows as green hills with indigo naturalis, and the next sentence was born from the green hills, which made the poem tortuous and meaningful.
"Spring Mountain always sweeps eyebrows" comes from Li Shangyin's "Two Give Two" in Tang Dynasty.
The original text is: Southeast shows high-rise buildings, and people leave to sing Zhou Shi. Even if Mei likes Chunshan and Chunshan likes Mei, I don't know how sad it is.
High-rise building in the southeast of Hideteru. Upstairs, people are worried about singing "Zhou Shi". Even if the eyebrows are like spring mountains and spring mountains are like eyebrows, I don't know how much sadness I have to bear.
"Lonely moon in the rain" comes from the final residence of Li Shangyin in the Tang Dynasty.
In the distance, books return to dreams, and only empty beds are Su Qiu's enemies. Under the steps of moss mangroves, the moon is sad in the rain.
I haven't received a letter from my beloved wife for a long time, so I can only go back to my hometown to solve my homesickness in my sleep. But after waking up in the middle of the night, there are only empty beds and lonely and cold autumn nights around. The steps in front of the door are covered with moss, and the green leaves and autumn leaves become dim and blurred under the cover of misty rain. What can be compared between the cold of rainy nights and the cold of moonlight?
Extended data
In ancient times, the ancients attached great importance to a person's eyebrows aesthetically.
Many literati and poets often describe a beautiful woman from the eyebrow eye, such as Ouyang Xiu's "Love Tao and Thrush, Out of Time" (from the Golden Mud Belt in Ji Feng, a southern singer), which means: "Is the eyebrow color appropriate?" ); "The Book of Songs" is like "nodding one's head and smiling". (Anonymous in the pre-Qin period, "Shuo Ren" refers to a full forehead, slender eyebrows and a moving smile. )
The wind of thrush in China has a long history, which can be traced back to the Warring States Period. At that time, women burned willow branches for thrush, which was widely loved because of its convenient materials. With the passage of time, ancient women were not satisfied with inserting their eyebrows with charred willow branches, and then a blue-black mineral, Dai, appeared. Ancient women often used Diane to draw eyebrows, so they called it Mei Dai or Dai Mei, and it occupied an important position in the following thousands of years.
Thrush can not only increase the face value and show confidence, but also be an important part of ancient people's love.
According to historical records, in the Western Han Dynasty, Jing often walked home after leaving the DPRK. He and his wife are inseparable and very loving. Because he threw stones playfully when he was young, he accidentally hurt his wife, and there was a gap in his eyebrow, so Zhang Chang ran away at that time. When Zhang Chang grew up, he heard that his wife had never been married, so he proposed and married her.
Zhang Chang lost a lot of time by herself, because she got up early every day to make a thrush for her wife, and she was often late. Later, Zhang Chang was played by a company. The company's excuse is that Zhang Chang is his wife's thrush. He is often late, indecent and arrogant. After the emperor got the throne from the minister, he immediately called Zhang Chang to the palace and asked him if he was really thrusting a thrush for his wife.
Zhang Chang readily admitted this matter and replied: "I heard that there are many intimate things between husband and wife in the boudoir, and you are concerned about my talent." . The implication of this sentence is that the emperor values my talents, and the things between my wife and me are not your concern.
Zhang Chang is very skillful in thrush, and his eyebrows are very beautiful. Xuan Di, the Emperor of the Han Dynasty, set them up as a model of conjugal love, and later generations took this as a code and talked about it.
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