Send a message to Ambassador Zhu Shouchang of Ezhou.
Jianghan comes from the west, and there are many tall buildings in Pu Tao, with deep blue sea water. I still bring my own clouds and waves, Jinjiang spring scenery. You are a legacy of Nanshan, and I am homesick for foreigners. Is the scenery here heartless? Be diligent.
Biography of Jiang Biao, don't read it. Crazy Chu Shi, what a pity. The empty continent is desolate for parrots and reeds. Don't just laugh at the literati fighting the bottom, Cao Gong and Huang Zu are erratic. May you also give fairy poems and chase the yellow crane.
⑴ This word is regarded as AD 108 1 year (the fourth year of Yuanfeng), and the author was in Huangzhou, Zhu Shouchang and Uncle Ankang, and later in Ezhou (now Wuchang, Wuhan, Hubei). Envoys were called county chiefs in the Han Dynasty, and later generations, such as Tang and Song Dynasties, were equivalent to satrap or secretariat.
⑵ Jianghan: Yangtze River and Hanshui River.
⑶ High-rise: refers to the Yellow Crane Tower in Wuchang.
⑷ Pu Tao: Clarify the same grape and Yujiang. Li Bai's Xiangyang Song: "The duck's head is green in the Han River, just like the beginning of grapes."
5. Min-e sentence: Melting snow and spraying water on Min Mountain and Emei Mountain.
[6] Jinjiang: In the south of Chengdu, Sichuan, it is called Zhuo Jinjiang. According to legend, its water and brocade are particularly beautiful, so it is called. Du Fu's "Climbing the Building": "The Silk River with beautiful spring scenery floats between heaven and earth."
(7) Nanshan: Zhong Nanshan, in Shaanxi, Zhu Shouchang was a judge in Shaanxi, hence the name. Legacy refers to the policy that love makes people miss. In the twenty years of Zuo Gong, Confucius heard the birth and death of Zheng Zi and cried, "The legacy of the past is also love."
Outside the sword (8): south of Jianmen Mountain in Sichuan. Su Shi's hometown is Meishan, Sichuan, so he calls himself a sword foreigner.
Biography of Jiang Biao: It was written by Jin Yupu, describing the current events and words and deeds of Jiang Zuo and Wu during the Three Kingdoms period. It is now lost and was quoted by Pei Songzhi's Notes on the Three Kingdoms.
⑽ Crazy Chu Shi: refers to Mi Heng in No.3 Middle School. He was brilliant and wild, and once offended Cao Cao, who cared more about his reputation than killing him. Later, he was killed by Huang Zu, the satrap of Jiangxia. An official named Chu Shi.
⑾ Kong Zhou: Nautilus Island is in the middle of the Yangtze River, and then connected with the land, in Hanyang, Hubei. Huang Zu's eldest son shot guests in Zhou, and someone offered parrots. Mi Heng immediately wrote "Parrot Fu", so he thought of the name Zhou. Hao's poem "Yellow Crane Tower": "And Nautilus Island is a nest of herbs." Li Bai's poem "To Jiang Taishou" says: "Shame on you, empty in Nautilus Island." The language based on this word.
⑿ Cao Gong sentence: Cao Cao, Huang Zu and other dignitaries have passed by.
[13] Xian: Li Bai.
[14] Chasing the Yellow Crane: Chasing Cui Hao's poem The Yellow Crane Tower. According to legend, Li Bai boarded the Yellow Crane Tower and said, "There is no way to see the scenery, and Cui Hao wrote poems on it." (See Biography of Talented Talents in Tang Dynasty). After Li Bai wrote "On Nanjing Climbing the Phoenix Terrace", he intended to catch up with Cui Shi.
This word was written by Su Shi to his friend Zhu Shouchang when he was exiled to Huangzhou, Song Shenzong during the Yuanfeng period. Zhu Shouchang, whose name was Kang Shu, was then known in Ezhou (now Wuchang, Wuhan). Ezhou faces Huangzhou, north of the Yangtze River, across the river. From time to time, Zhu Shouchang asked Su Shi, who was in adversity, and they had a deep friendship. There is no taboo in answering poems between friends. Su Shi's opening his heart in his poems is to recall the past and express his feelings at this time.
The opening is introduced by writing scenes. The Yangtze River and Hanshui River flow down from the west and meet in Wuhan. The famous Yellow Crane Tower stands tall in Huanggu Mountain, Wuchang, running through the rivers. Starting with two sentences, a lot of sketches are made, and the momentum is abrupt, which captures the most distinctive local scenery. "Pu Tao Deep Blue" is rich in brushwork and colorful. It depicts the water color with wine color, and uses Li Bai's Xiangyang song "The duck's head is green in the Han River from a distance, just like the beginning of grapes". The following words "Jude brings his own" are vivid, and continue to dye the river with colored pens. Li Bai also has a poem "Snow on the Emei River", and Du Fu has a poem "Beautiful spring, floating between heaven and earth" in "Climbing the Building". Su Shi not only used the poems of his predecessors without trace, but also used gorgeous words such as "grapes", "snow waves", "Jinjiang" and "spring scenery" to describe the "deep blue" river, which was full of ink and fascinating. It is worth noting that the surging deep blue river is not only a scenic spot where friends live, but also flows through Sichuan, which invisibly occupies some customs of the poet's hometown. This laid a strong foundation for the feelings behind. The following is from scenery to people, one sentence is about each other, and the other is about yourself. Zhu Shouchang once knew that Langzhou was in Sichuan and Tang belonged to Shannan Road. The History of the Song Dynasty is a biography of Zhu Zailang who broke the prison of suspicion. In addition to violence and peace, "counties and counties are called gods, and Shu people have been handed down to this day", that is, "Nanshan loves to defend." The word "Nanshan" is the mistake of "Shannan". For Beyond the Sword, "Shannan" is literally better than "Nanshan". Su Shi, a Shu native, said that Zhu Shouchang also called himself "homesick outside the sword" for his career in Shu, which reflected his family ties. At this point, I came back to my eyes. Facing the scenery here, I will feel excited and infinitely disappointed. Under the "opposite room", you and I became one, and the word "hospitality" was forced out, which naturally came.
The word "concentration" leads to the whole next movie. In the first two sentences, Biography of Jiang Biao is a history book about the deeds of Wu Dong in the Three Kingdoms period. He advised Zhu Shouchang not to read this book again, so as to draw out his own examination and reflection on history. Arousing it in an angry tone just shows that it is deeply touched and the topic is about to turn to the figures of the Three Kingdoms. "Crazy Chu Shi" four sentences, closely related to the above, express the regret for Mi Fei, who was arrogant and led to the fatal disaster. Mi Fei was loyal to the Han Dynasty and once mocked Cao Cao in public. Cao Cao killed Huang Zuzhi under the guise of Liu Biao's home and was buried in Nautilus Island on the Yangtze River in Wuchang. "I'm sorry" is really sympathetic and deeply regrettable. Where is the wise man now? On the empty sandbar, the reeds are bleak, leaving only a withered and desolate scene. Looking at history from a higher angle, Su Shi said that "scholars fight for the bottom things alone, and Cao Gong and Huang Zu are erratic", and "fighting for the bottom things" means that scholars struggle with such people, leading to disaster. Cao Cao and Huang Zu, who lost their talents, were able to dominate for a while, but in the end they were fleeting in the long river of history and became fleeting. There is a hint in this statement that the spearhead faintly points to Ding Li and others who framed him. Su Shi's view at this time, Mi Fei's aloof, Cao Cao's bossiness and Huang Zu's recklessness are all ridiculous. Between the lines, Su Shi's ideas of being indifferent to utility, transcending history and getting rid of realistic restrictions are reflected. "If the husband doesn't serve the interests, he will see clearly; If you look at it clearly, you will get something (Su Shi's On Sun Wu). Finally, he hoped that Zhu Shouchang could devote himself to writing poems like Li Bai and catch up with Cui Hao's masterpiece Yellow Crane Tower. Although it is encouragement, it is actually Su Shi's wish during his stay in Huangzhou.
This word describes the scenery of the scene, from scenery to feelings, taking into account friends and me, to the point of "the scenery here is ruthless." If you have feelings, you have to talk and express them, so the word "say" is derived from the word "feelings". Here, "say" means to talk and comment. The next film is just for friends to speak freely and comment generously. This kind of writing that tells the truth and talks about the past and the present is easy to lead to shallowness and directness and lack of emotion. But this article has no such shortcomings. On the one hand, nostalgia, river biography, Nautilus Island and Yellow Crane Tower are all related to "the scenery here", that is, the local historical sites to judge people's stories, which can make the scenery in the eyes, the things in the heart and the feelings in the chest fit each other; Moreover, it chooses rich and interesting historical anecdotes to write, which is of little significance and intriguing; Third, the pen is full of feelings, which makes it easy to feel a desolate and indignant passion flowing between the lines. Lyricism on the spot, pointing out the mountains and rivers, talking about ancient and modern times, involving five historical figures, confide in friends with an open mind, and combine scenery writing, nostalgia and lyricism, which is not sticky or greasy, profound in thought and free in brushwork. Although it is a reward, it also reflects the bold style of Dongpo's ci.
This word was given to Zhu Shouchang, a friend of Ezhou Prefecture, when the author exiled Huangzhou. Words not only contain the feelings in the scene, but also take care of friends and me, talking about the past and discussing the present. The author expresses his feelings in a direct way, which not only shows the deep friendship between friends, but also shows his inner world in heartfelt comments. The words are full of emotion, meaningful and straightforward, expressing the desolate and sad passion.
The first movie is from scenery to emotion. At the beginning, a big outline was drawn, which suddenly rose, depicting the majestic momentum of the great river, endless and vast, pointing to the East China Sea.
It says, "Jianghan comes from the west, with tall buildings and deep blue water in Pu Tao. I still bring my own: snow waves, Jinjiang spring scenery. " The poet imagined jujube trees standing on the Yellow Crane Tower on the Huang Qishan in Wuchang, overlooking the rolling Yangtze River. The color of the waves is intoxicating. This intoxicating green water contains the "snow waves in Fujian and Hubei" and "spring scenery in Jinjiang" in the upper reaches. This is a reverse way of thinking. Jianghan is the Yangtze River and Hanshui River. The Yangtze River and Hanshui River flow down from the west and meet in Wuhan. The famous Yellow Crane Tower, Wuchang Huang Qishan, stands tall and overlooks the vast river. The imposing manner is lofty. These two sentences capture the most distinctive local scenic spots and write the regional characteristics of Ezhou. "Pu Tao is deep blue", and Li Bai's poem "Looking at the duck's head in Hanshui from a distance is like the beginning of Pu Tao" is used to describe the deep blue of the Yangtze River flowing in front of the Yellow Crane Tower. The following words "Jude brings his own" are vivid, and continue to dye the river with colored pens. Li Bai also has the sentence "Emei snows on the river" ("After the troubled times, the sky is full of grace, and Yelang remembers old books"); Du Fu's poem "Climbing the Building" said: "Jin Jiang Shui suddenly came to heaven and earth". Su Shi not only used his predecessors' poems without trace, but also used colorful words such as "Pu Tao", "Snow Wave", "Jinjiang" and "Spring Scenery" to describe the "deep blue" river, which was full of ink and fascinating. The poet connects the deep garden in front of Linghe River with the spring scenery in Jinjiang, which not only has rich literary talent and flying aesthetic feeling, but also reveals the infinite yearning for Jincheng, which is full of flowers and spring, thus paving the way for the "homesickness" below. From scenery to people, the following is connected with Minjiang River, arousing homesickness; It also linked the Yellow Crane Tower with the front line of Chibi, which triggered the idea of cherishing friends.
"Is it heartless and attentive to this place and scenery?" It is always tied to the top film and leads to the bottom film, which is triggered by the scenery characters. Change the first two sentences and advise friends not to watch the biography of the Three Kingdoms Jiang Zuozhuan for the time being. This book records Wu's deeds in the Three Kingdoms, but the original book has not been circulated today, and it is scattered in the notes of Pei Songzhi's "The History of the Three Kingdoms". Arousing it in an angry tone just shows that it is deeply touched and the topic is about to turn to the figures of the Three Kingdoms. "Crazy Chu Shi" four sentences, closely related to the above, express the regret for Mi Fei, who was arrogant and led to the fatal disaster. Mi Fei, loyal to the Han Dynasty, lived up to his mission and cursed Cao Cao. Cao Cao didn't want to be accused of murder, so he deliberately sent him to Liu Biao, the secretariat of Jingzhou, who transferred him to Huang Zu, the satrap of Jiangxia. Later, he was killed by Huang Zu and buried on the sandbar southwest of Hanyang. Because Mi Fei was famous for writing parrot fu, he later called this continent parrot island. "The empty mainland is bleak as a parrot reed", which means regret with the bleak scenery. Later, he turned his pen and pointed his sarcasm at Cao Cao and Huang Zu, who persecuted the scribes. Don't just laugh at the scholar, Tso Gong and Huang Zu are erratic. "Fighting for the bottom" means fighting for something, which is why scholars struggle with this generation to make trouble. Cao Cao and Huang Zu, who lost their talents, were able to dominate for a while, but they also lost power! This sentence shows Su Shi's life attitude of being detached from things and conforming to fate. Finish the three sentences, give directions in front of you and dig out the correct meaning. I hope my friends will stay out of the turbulent political whirlpool, pin their hopes on the immortal career of writing articles and write excellent works to catch up with their predecessors. When Li Bai visited the Yellow Crane Tower, he read Cui Hao's famous poem "Yellow Crane Tower", and he once sighed. Later, he wrote poems such as "On Nanjing's Landing on the Phoenix Terrace" and "Nautilus Island", which is said to be in order to compete with Cui Hao. Su Shi borrowed Li Bai's story to inspire his friends to write famous works in order to catch up with the poem Yellow Crane Tower. This not only inspires people, but also shows the author's pursuit of eternal value.
This word ranges from scenery to emotion, from homesickness to homesickness, from luxury to vastness, without losing pride and magnificent pursuit of life. The first part of the poem is associated with the snow waves in Min 'e and the spring scenery in Jinjiang from the west of Jianghan to the deep blue in front of the building, which leads to homesickness. The river color of "Deep Blue Grape" connects the Yellow Crane Tower and Chibi Chicken, which naturally leads to the thought of cherishing friends. The next film turns from homesickness to nostalgia, expressing views and feelings about Mi Heng's murder, and finally returns to the messenger and the Yellow Crane. The whole word is scattered in form but not in spirit, and it is open and closed. The realm is bold and unconstrained, and the discussion is vertical and horizontal, showing the unity of bold and unconstrained style and rigorous structure. First, nostalgia, judging people's stories by local historical sites, can make the scenery in the eyes, the things in the heart and the feelings in the chest fit; Moreover, it chooses rich and interesting historical anecdotes to write, which is of little significance and intriguing; Third, the pen is full of feelings, and there is a desolation and indignation that stirs between the lines. [7]