It is ok to ask an unknown poem to be told to everyone three minutes before Chinese class, but it should be interesting and meaningful and appreciated in detail. Thank you!

Looking at the smoke trees in the west of Huangtingjian River in Jiangdong, I can't see Jiangdong Road. That only dreams come and go. I'm not afraid to live in Jiang Lan. There are countless books written in front of the lamp, but none of them are handed down by people. It's still autumn when you look for the goose and pay for it. This word expresses lovesickness in a pure and simple style. The whole word is spoken in the tone of a lovesick person, from not being able to meet each other, to looking from afar, to remembering dreams, to putting a pen on the lamp, and finally to handing over books for no reason. Through a coherent monologue narrative, the complex psychology and stubborn modality of a person who falls in love are vividly displayed with imaginative details such as "hope", "dream" and "writing a book". The first sentence comes straight to the point, explaining the obstacles such as "river water" and "smoke tree", showing a misty and vast artistic realm and reflecting the hero's nostalgia for distant relatives. She stared at it, but saw nothing: objective natural images such as "river", "smoke tree" and "Jiangdong Road" revealed the thoughts and feelings of the characters. The word "ge" shows the disappointment and melancholy when looking at a vast river and a misty tree. "I can't see Jiangdong Road" is a continuation of this melancholy feeling. Then, the author deepened the specific strong feelings and turned the bitterness of his stomach into deep affection: "I think only dreams come and go, and I am not afraid of being stopped by the river." Dreams, dreams are the means to get what you want. What you can't get in real life, you hope to get in your dreams. "Thinking" is the protagonist's epiphany in distant meditation: "Only dreams come and go", which is a complex emotion. Against the backdrop of misty and objective beauty, this seemingly vague subconscious is eager to leave and meet again, and only in dreams can it come and go freely: "I am more afraid of being stopped by the river", from "the smoke tree in Hexi" to "not afraid of being stopped by the river" is a round, which seems to break through time and space. But this "dream" has not been achieved, just "thinking", that is, going to do it. In the world's first movie, lovelorn people want to see each other but can't see each other, so they have to meet in their dreams. The following film, through the details of writing letters in front of the lamp, further expresses the development of the protagonist's feelings in a subtle way. The meeting in the dream is always empty, and she wants to seek real communication and contact. "I wrote countless books in front of the lamp" to express her deep affection for her distant relatives, but the idea of "nothing, people pass it on" plunged her into the abyss of disappointment. In the language of the Song Dynasty, both the words "direct forgiveness" and "direct forgiveness" have the meaning of "even if". The protagonist in the poem thinks that her letter has not been delivered. On second thought, Hongyan's delivery of the book ignited her hope, that is, "pay separately" and give the affectionate letter under the lamp to Yan Fei; But another thought, even if the flying goose that delivered the book is "found", "it is still autumn dusk" and the geese fly south, then even the goose's wish to deliver the book is difficult to realize. Therefore, the letter she wrote will be sent to the north. Writing a letter under the lamp is a delicate description of feelings. In the tortuous description process of "looking for a goose" and "autumn near dusk", all the spiritual activities of the heroine, such as intuition, emotion, thought, dreams and dreamland, are transformed into romantic female oral language such as "calculation", "direct forgiveness" and "yes or no"