Rain Lane
Holding an oil-paper umbrella, alone
Wandering in the long, long
and lonely Rain Lane,
I hope to meet
a girl who is as sad as a lilac
.
She has
the same color as lilac,
the same fragrance as lilac,
the same sadness as lilac,
Sorrowful in the rain,
Sorrowful and hesitant;
She is wandering in this lonely rainy alley,
Holding an oil-paper umbrella
< p>Like me,Like me
Walking silently
Indifferent, desolate, and melancholy.
She approached silently,
came closer, and cast
a breath-like look
She floated by
Like a dream,
Like a dream, sad and confused.
As if floating in a dream
A lilac field,
This girl floated by my side;
She moved away silently , far away,
reached the dilapidated fence,
walked through the rainy alley.
In the mournful song of the rain,
disappeared her color,
dispersed her fragrance,
dissipated, Even her eyes were as melancholy as lilacs.
Holding an oil-paper umbrella, alone
Wandering in the long, long
and lonely rain alley,
I hope to float< /p>
Like a lilac
A girl with sorrow
"Rain Lane" is Dai Wangshu's famous work and early masterpiece. He once won the The nickname of "Rain Lane Poet". This poem was written in the summer of 1927. At that time, the country was in the grip of the White Terror. Because he had participated in progressive activities, Dai Wangshu had to take refuge in a friend's home in Songjiang. In solitude, he savored the disillusionment and pain after the failure of the Great Revolution, and his heart was filled with confused emotions and hazy hopes. The poem "Rain Alley" is an expression of his mood, which is intertwined with the dual sentiments of disappointment and hope, disillusionment and pursuit. This sentiment was somewhat universal at the time. "Rain Alley" uses symbolic lyrical techniques. The narrow and gloomy rain alley in the poem, the lone walker wandering in the rain alley, and the girl who is as sad as a lilac are all symbolic images. These images together constitute a symbolic artistic conception, which implicitly hints at the author's feelings of confusion, sadness and expectation, and gives people a hazy and profound sense of beauty. Musicality is another outstanding artistic feature of "Rain Lane". The poem uses repetition, refrain, chorus and other techniques to create a looping melody and a melodious sense of music. Therefore, Mr. Ye Shengtao praised this poem as opening a "new era" for the syllables of new Chinese poetry.
In "Rain Alley", the poet created a lilac-like girl with a sad and resentful look. Although this is inspired by some works in ancient poetry. Using lilac knots, or lilac buds, to symbolize people's sorrow is a traditional expression method in ancient Chinese poetry. For example, in Li Shangyin's poem "Gifts on behalf of others", there is a line: "The plantains do not show their lilac knots, but they all face the same sorrow in the spring breeze." Li Jing of the Southern Tang Dynasty even put Lilac Knot and Melancholy in the Rain together. He has a song "Huanxi Sand"
Hand-rolled pearls with jade hooks, locking the heavy building with the regret of the previous spring. Who is the master of the wind? Think leisurely!
The bluebird does not convey the message from the clouds, and the lilacs are empty and full of sorrow in the rain. Looking back at the green waves of San Chu and Mu, they connect to the sky.
In this poem, lilac knots in the rain are used as a symbol of people's sorrow. Obviously, Dai Wangshu absorbed the artistic conception and method of describing sorrow from these poems and used them to form the artistic conception of "Rain Alley" and image. This kind of absorption and reference is very obvious, but can we say that the artistic conception and image of "Rain Alley" are the expansion and dilution of the modern vernacular version of the old poem "Sorrow in the Rain in the Sky"? I don't think you can look at it this way. When constructing the artistic conception and image of "Rain Lane", the poet not only absorbed the juice of his predecessors, but also created his own creation. First, the ancients used the lilac knot itself to symbolize sadness in their poems, and "Rain Alley" imagined a girl with a knot like a lilac knot that was full of sorrow. She has the image of a lilac that disappears in an instant, which is different from the clichés used in classical poetry. It is also very different from other early works written by the poet that are full of old poetry tones, and expresses more of the flavor of the new era. "Lilacs knotted in the rain, sad in the rain" is not as capable of arousing people's emotions of hope and disillusionment as "the girl with a knot of sorrow like lilacs". In the field of expressing the sorrow of the times, this image is a rare creation. Second, in ancient poetry, lilac knots in the rain use real life scenes to express the poet's emotions. The poet added the creation of his own imagination based on his life experience. It is the product of an artistic imagination that is larger than life.
In the spring of ten years, the Qi army attacked me, and the general fought. Please see Cao GUI. His countrymen said: "Meat-eaters plan for it, how can they do it?" GUI said: "Meat-eaters are despicable and cannot plan far." So he came to see him. Asked: "Why fight?" The Duke said: "If you have enough food and clothing, you don't have to focus on it. You must divide people." He said to him: "The small benefits are not everywhere, and the people won't follow." The Duke said: "I don't dare to sacrifice jade and silk. Yes, it must be based on faith." He said, "If your faith is not perfect, you will be blessed by God.
"The public said: "The prisons of small and big ones, although they cannot be observed, must be based on emotion. He said to him, "Loyalty belongs to you." You can fight. Please obey if you fight. "
The Duke took advantage of it and fought with the ladle. The Duke drummed it. GUI said: "No way. "Qi people drummed three times. GUI said: "That's all right. "The Qi army was defeated. The general rushed to him. GUI said: "It's not possible. Looking down at the path, he climbed up to Shi and looked at it, saying: "That's all right." "Then he chased the Qi army.
After defeating him, the duke asked why. He said to him: "Fighting requires courage. One burst of momentum will lead to failure, and three times it will be exhausted. He is exhausted and I am overflowing, so I overcome him. A big country is hard to predict, and there are dangers to be feared. I saw their tracks as chaotic and their banners as loose, so I chased them away. ”
In the tenth year of Duke Zhuang of Lu (684 BC), Duke Huan of Qi sent troops to attack Lu on the pretext that Lu had helped Prince Jiu, who was competing with him to become king. At that time, Qi was strong and Lu was weak. The country was in a defensive position. This article describes Cao GUI's advice to Duke Zhuang of Lu, and finally enabled the weak Lu State to defeat the attack of the powerful Qi State in the Battle of Changshao, which demonstrated Cao GUI's political foresight and outstanding military talent. p>
The purpose of this article is to express Cao GUI's "long-range plan", so the material is closely focused on "debate". The first paragraph uses the dialogue between Cao GUI and Lu Zhuanggong to emphasize that popular support is the primary condition that determines the outcome of the war. , highlighting Cao GUI's strategic thought of "winning the trust of the people"; the second paragraph briefly describes the process of Cao GUI commanding the Lu army to counterattack, pursue and finally win, showing Cao GUI's military commanding ability and foreshadowing the following analysis of the reasons for victory; the third paragraph discusses the victory The reason is that it highlights Cao GUI's careful and decisive tactical thinking that he is good at seizing opportunities. The full text has a clear narrative, appropriate details, accurate and vivid dialogues, and is a well-known masterpiece in "Zuo Zhuan".