At the head of the north city with a scarf and quinoa staff, the west wind blows on the ground and the eyes are full of sorrow. A bit of beacon spreads the news, and two rows of wild geese lead Du Lingqiu. Mountains and rivers are prosperous and ruined, and I am scratching my head. My life experience is in danger and I enter the leaning building. The poems written by Hengshang are not the same as before, and the dream soul still lingers around ancient Liangzhou. ——Lu You, Song Dynasty, "Climbing the North Tower of the City in the Autumn Night" Climbing the North Tower of the City in the Autumn Night. A scarf and quinoa staff are placed at the head of the north city. The west wind blows on the ground and fills the eyes with sadness.
A little beacon spreads the news, and two rows of wild geese lead Du Lingqiu.
When mountains and rivers rise and fall, I am left scratching my head, and my life experience is in danger and I enter the leaning building.
Writing poems in Hengshan is not the same as before, and the dream soul still lingers around ancient Liangzhou. In autumn, climb the tower to express feelings and patriotic ambitions. Comments ① Climbing the North Tower of the City in the Autumn Night: One title is "Climbing the North Gate of the City in the Autumn Night".
② Scarf: Use a silk scarf to tie your hair. Appreciation
In the first sentence, "A scarf and quinoa stick are at the head of the northern city." "A scarf" refers to a cane made of quinoa stems without a crown, and only a silk scarf is used to tie the hair. "Beichengtou" refers to the city head of the North Gate of Chengdu. This poem describes the poet's attire and travel locations, reflecting his idle life at that time, his unrestrained and declining condition. "The west wind blows over the ground and the eyes are full of sorrow" is the poet's feeling at that time. When the poet climbed onto the north city gate tower, the first thing he felt was the west wind rolling over the ground. "West wind" is a symbol of autumn, and "curling ground" describes the strong wind. It is almost late autumn, the west wind is blowing strong, the grass is broken, the cold air is blowing, and the surrounding fields present a chilling scene. When this desolate and desolate scene came into the poet's eyes, melancholy couldn't help but hit his heart. "Eye full of sorrow" is exactly about the sorrow that arises from the connection with external objects. But the poet was already unhappy in his heart before he climbed the stairs. Only for those who are sad, the external scenery will cause sadness. So rather than saying that it is "eyes full of sorrow", it is better to say that it is "full of sorrow". "Eye full of sorrow" here plays the role of connecting the previous and the following, and the word "sorrow" can be said to be the eye of poetry. It not only embodies the poet's entire thoughts and feelings at that time, but the whole poem develops from here. This poem plays a key role here.
"A little beacon spreads the message, and two rows of wild geese lead Du Lingqiu." These two sentences express concerns about the border situation and nostalgia for the land of China. Dashan Pass was an important pass on the northwest border of the Southern Song Dynasty. The poet had been stationed there in the past. Today he went up to the tower and looked at the beacon smoke coming from there, indicating that there was an emergency on the border. As a poet who actively advocates the fight against gold, how can he not feel deep concern and endless worries? This may be one of the poet's worries. Late autumn is coming, the weather is cold in the north, and the geese fly south, bringing the message of "Du Lingqiu". There are allusions to Hong Chuan Shu in ancient times. Lu You lives in Chengdu in the southwest region and often looks forward to good news from the north. But this time the person who saw the swan geese was "Du Lingqiu". Du Ling (southeast of today's Xi'an City, Shaanxi Province) was established in Du County during the Qin Dynasty. The tomb of Emperor Xuan of the Han Dynasty was located here, so it was called Du Ling. Du Ling is used in the poem to refer to Chang'an. Chang'an was the capital of many dynasties before the Song Dynasty. Therefore, here it is also a metaphor for the old capital Bianjing. Autumn here refers to both the season and the change of years. The three words "Du Lingqiu" embody the poet's concern for the lost land in Guanzhong and his nostalgia for the fall of his old capital. Looking at the beacon fire in the distance, looking up at the formation of wild geese, thinking that the years have passed in vain and there is no hope of recovery, I feel a myriad of melancholy filling my heart.
"The mountains and rivers are rising and falling, and I am scratching my head, and my life experience is in danger and I have to lean on the building." This couplet expresses the poet's deep concern for the country. "Mountains and rivers" here represent the country. The country can be prosperous or destroyed, but who is the hero who rejuvenates the country? "Life experience" refers to the era in which one lives. The times can be both safe and dangerous. Who is the hero who can turn the crisis into safety and turn things around? The ups and downs of mountains and rivers are unpredictable, and the safety of life and life is uncertain. Looking at the future is really unsettling and full of worries. Look again, I am idle and have no way to serve my country. I can only lean on the building and sigh.
"The poems written by Hengshan are not the same as before, and the soul of dreams still lingers around ancient Liangzhou." This couplet not only inherits the previous meaning, but also summarizes the whole poem. "Writing poems at the crossroads" means reciting poems while riding on the horse while marching, and the words come from Yuan Zhenzhen's "Inscriptions and Prefaces on the Tomb of Dujun, a Foreign Minister of the School of Industry and Commerce in the Tang Dynasty" "Cao and his son wrote poems between pommel and horses, often Hengshang composes poems. " Later Su Shi also wrote in "Qian Chibi Ode" that "Hengshan's poems are the heroes of this generation. "Hengshang composed poems" refers here to the eighth year of Qiandao (1172) when Lu You was in Nanzheng and served as the Sichuan Xuanfu envoy and shogunate. Military career, but now these are things of the past. How much emotion is contained in the three words "not the same as before"! Although the poet has been away from Nanzheng for five years, his spirit lingers around ancient Liangzhou." This is the expression of his desire to serve the country. Although the poem ends, it has a long aftertaste.
The margin of this poem The narrative is lyrical, the layers are clear, the emotions are passionate, and the patriotic enthusiasm is vivid on the page. In addition, the image of the language and the neatness of the contrast are also the artistic characteristics of this article.
This poem was written in September of the fourth year of Chunxi reign of Emperor Xiaozong of the Song Dynasty (1177). The poet was in Chengdu, Sichuan. One day, he climbed up to the north gate of the city with a stick and looked at the depressed scene in the late autumn, which aroused his concern for the loss of land in Guanzhong and the dispersion of the fortress. The poem expresses the sadness and indignation of unrealized ambitions and the deep feeling of concern for the country. Brief analysis: This poem has a flavor of Du Fu's "Climbing the Tower". Both poems were written in Chengdu, and both poets are "Wan Fang". "It's so difficult to come here." They were all worried about the internal and external difficulties and disasters in the imperial court, and they were all deeply sad and angry that their ambitions could not be realized.
The writing style adopts the technique of expressing emotions on the scene, integrating the changes in society from ancient times to the present when describing the scenery, and talking about human affairs with the help of natural scenery, which both penetrates and tolerates each other, and integrates natural scenes, national disasters, and personal feelings into one, and the language is magnificent and broad. , with deep emotion. The difference is that Du Fu only expressed his worries, indignation and hopes about state affairs, and did not personally join in the battle of "the hand owl rebels against Qing Jiu Jing" like Lu You. Therefore, Du Fu returned the ancestral temple with "poor empress," The evening chat ended with "Liang Fu Yin". Although he was worried, he could only talk and recite poems to relieve himself. However, Lu You ended with "Hengshan's poems are not the same as before, and the dream soul still lingers around ancient Liangzhou", which still haunts him. The soul lingers on the "iron horse and the golden wind scattered through the pass", and never forgets the year when "the horse defended Liangzhou". This is exactly the realm that Du Fu lacks. Probably except for Xin Qiji, it is difficult to find similar chapters in poetry works. Lu You (1125-1210), with the courtesy name Wu Guan and the nickname Fang Weng. Han nationality, native of Shanyin, Yuezhou (now Shaoxing, Zhejiang), and a famous poet in the Southern Song Dynasty. When he was young, he was influenced by his family's patriotism. During the reign of Emperor Gaozong, he took the examination of the Ministry of Rites and was deposed by Qin Hui. During the reign of Emperor Xiaozong, he was granted a Jinshi background. He entered Shu in middle age and devoted himself to military life. He was appointed to Baozhang Pavilion to be appointed. In his later years, he retired to his hometown. There are more than 9,000 poems in existence today, and they are extremely rich in content. He is the author of "Jiannan Poetry Manuscript", "Weinan Collected Works", "Shu of the Southern Tang Dynasty", "Notes of Laoxue'an", etc.
Lu You
Lu You (1125-1210), with the courtesy name Wu Guan and the nickname Fang Weng. Han nationality, native of Shanyin, Yuezhou (now Shaoxing, Zhejiang), and a famous poet in the Southern Song Dynasty. When he was young, he was influenced by his family's patriotism. During the reign of Emperor Gaozong, he took the examination of the Ministry of Rites and was deposed by Qin Hui. During the reign of Emperor Xiaozong, he was granted a Jinshi background. He entered Shu in middle age and devoted himself to military life. He was appointed to Baozhang Pavilion to be appointed. In his later years, he retired to his hometown. There are more than 9,000 poems in existence today, and they are extremely rich in content. He is the author of "Jiannan Poetry Manuscript", "Weinan Collected Works", "Shu of the Southern Tang Dynasty", "Notes of Laoxue'an", etc. ? 9482 poems Who are you busy for? Could it be fate. West Wind Yima. Falling Moon Book Lamp. The road to Shu is difficult in the blue sky, and the red leaves in Wujiang are cold. The two words of fame and fame are often looked at in the mirror, and people will not be spared the gray-haired stars. Diao Ziling, thinking of the eagle in the season of water shield, laughing at me drifting away. ——Zhang Kejiu, Yuan Dynasty, "Putian Le·Qiu Huai"
Putian Le·Qiu Huai
Yuan Dynasty: Zhang Kejiu Who is busy for whom is fate? West Wind Yima. Falling Moon Book Lamp. The road to Shu is difficult in the blue sky, and the red leaves in Wujiang are cold. The two words of fame and fame are often looked at in the mirror, and people will not be spared the gray-haired stars. Diao Ziling, thinking of the eagle in the season of water shield, laughing at me drifting away. In autumn, I express my feelings and lament. Looking at the dusk of Donggao, where can I rely on? The trees are all in autumn colors, and the mountains are only covered with the setting sun. The shepherds are driving back their calves, and the hunting horses are returning with their poultry. We care about each other but don't know each other, and we sing long songs and cherish the flowers. ——Tang Dynasty·Wang Ji's "Ambition"
Ambition
Tang Dynasty: Wang Ji Donggao looked at the dusk, and what to rely on when he moved.
The trees are all in autumn colors, and the mountains are only covered with sunset.
Herdsmen drive calves back, hunting horses return with poultry.
We care about each other but have no acquaintance, and we sing long songs and pick up the flowers. Ancient Chinese Poems, Autumn, Scenery, Lyrical. I went to Jianghan from Yiyi and learned about the chief of Chu. The Nanguan passes around Tongbai, and the Huashan Mountain leads out of Luyang. There is no shadow left in the cold suburbs, and the clear light hangs in the autumn. The sad wind blows through the forest, and the clouds rise over the river. How about you at the annual banquet? No tears stain your clothes. The jade pillars are empty and exposed, and the golden bottles sit covered with frost. As soon as I hear the bitter cold playing, I will be saddened by the beautiful songs.
——Jiang Yan's "Looking at Jingshan Mountain" in the Southern and Northern Dynasties
Wangjing Mountain
The Southern and Northern Dynasties: Jiang Yan's Autumn, Scenery Journey