Liang Meiwei's Lyrics Style

Xiaomei tends to use some images repeatedly, and the description of lyrics is sometimes dull, and her understanding of life and feelings is not deep enough. However, she can often add a sentence or two to the ordinary lyrics to make the songs famous for a while. In addition, she is also willing to innovate, sometimes giving people unexpected surprises in theme and style.

Xiaomei's famous work is 1986 "Several Storms" written for Tam. This song set off a craze for autobiographical lyrics. The poet's success lies in taking wind and rain as the keynote of his words, and carrying out typical self-encouragement and inspirational works with appropriate atmosphere. In addition to being the central image, the wind and rain in the ci also implies the unhappiness of life, which makes the scenes cooperate with each other and finally brings out the message of self-encouragement in an implicit way. Among them, boring crowing and breeze crowing are relatively new words, which add a little life to the words. This fluent word can be said to be in harmony with the people at the right time. Since then, the wordless gratitude written for Alan Tam is no longer the embellishment of ups and downs, but the basic atmosphere of looking back on the past at night, which is written in depth.

The outstanding feature of Accumulating Emotion written for Kuang Meiyun is that the poet's metaphor around accumulation vividly accumulates the poet's emotional troubles. And "I have never loved you deeply, and I have been ruthless" has further accumulated and demonstrated the tenderness of "accumulating emotions" in front of the audience.

Rain, night and dreams are the common themes of Xiaomei. Rainy Day highlights the feeling that things are different with the image of rain (I love to leave on rainy nights), and it also turns into rain that gets in the way, cries and even washes away memories, achieving the effect of blending scenes. It's night, okay? Night also undertakes the task of deepening the poetic context. Dreams run through the whole word, from dreaming to dreaming in your arms, so that dreams and words deepen synchronously and the feelings in the word are more profound. In poems without dreams, dreams are cleverly turned into adjectives, which simply tells the sadness that old poems become empty.

Among Xiaomei's love poems, the most prominent ones are those that cover the ci with a certain atmosphere and bring out emotions in the ci. By describing the romance and indulgence of the sunset, Drunk Sunset brings out a feeling of both romance and uneasiness, and can bring out different dimensions of images.

Passionate emotional confession is not Xiaomei's strong point. "Days Together" is a relatively touching song, in which you have feelings, I am alive (heaven), I am dead (sea), and I am righteous (land). It can be said that it is a stroke of genius, which evokes the emotional description that was not very prominent in the whole article.

Xiaomei also has many non-emotional ci poems, the theme of which is mainly around the boredom of life and the helplessness of people facing reality. This kind of ci works can be said to be an extension of her love songs, which often begins with the silent recollection of the people in the ci and then gradually brings out the absurdity of reality.

Among Xiaomei's other emotionless words, I really love you written for Beyond is a classic sentence. Her success lies in the integration of maternal love and her best autobiography/inspirational writing, and the infiltration of Beyond's struggle into the simple maternal love theme, adding luster to the original ordinary lyrics. In two aspects: novel theme and beautiful writing.