1. Look at the mysterious garden in microcosm, and look at the Yaoguang. ——Wang Bao's "Nine Huais"
2. The land is dangerous and the sky is dangerous, and the King of Jinling's spirit responds to Yaoguang. ——Li Shangyin's "Southern Dynasties"
3. The three whites in front of the wax are white, and the Yaoguang is thousands of miles away in an instant. ——Wei Zongwu's "Tian Tune"
4. On the Yaotai stage one after another, the children were called back several times but could not leave. ——Su Shi's "Flower Shadow"
5. Shiquan washes Qiong Yao, and the scales may float or sink. ——Zuo Si "Zhao Yin"
6. At dawn, Yao Zhai rings the bell at night, and Aotou is full of wind and waves. ——Cao Ye, "Inscription on Pu Temple"
7. Playing on the embroidered cover, leaning on the Yao Qin, with tears in front of me. ——Feng Yansi's "Geng Liu Zi"
8. Secretly singing and tying the Yao hairpin in the courtyard, the past is always melancholy. ——Feng Yansi's "Jiuquanzi"
9. The bank of the independent wasteland is slanting towards the sun, and the mountains are far away outside the wall, and the sky is faintly connected to the Han Dynasty. ——Feng Yansi's "Magpies Stepping on the Branches"
10. The rain in Chongluan passes through the Baguio light. The flowers and trees are fragrant.
—Qin Guan's "The Wind Enters the Pine"