Poetry about Zhaobi

1. Poems about Zhaobi

Poems about Zhaobi 1. Poems describing Zhaobi

Guanhe Ling (Zhou Bangyan)

Autumn The cloudy and sunny days gradually turned dark, turning the courtyard into a desolate place. Standing still to listen to the cold sound, there are no shadows of geese deep in the clouds.

The silence is deeper, but the wall and the solitary lamp reflect each other. I’ve already sobered up from the wine, how can I stay up all night?

Peach Blossom Walk (Cao Xueqin)

The east wind is soft outside the peach blossom curtain, and the morning makeup is lazy inside the peach blossom curtain:

Outside the peach blossom curtain, there are people inside, and people are separated from the peach blossoms. Not far away;

The east wind deliberately lifts the curtains, and the flowers want to peek at people but do not roll up the curtains.

The peach blossom curtain is still open, but the person in the curtain is thinner than the peach blossom;

The flowers understand the pity of the people and the flowers are also sad, and the wind blows through the news across the curtain.

The wind blows through the Xiang curtain and the garden is full of flowers, and the spring scenery in front of the court is doubly sad:

The courtyard door is covered with moss, and people rely on the railings in the setting sun.

The people leaning on the railing weep to the east wind, and the peach blossoms stand quietly in their dark skirts;

The peach blossoms and peach leaves are in chaos, and the new flowers are blooming and the red leaves are green.

Ten thousand trees are covered in mist and smoke, and the walls of the drying building are red and blurry.

The heavenly secret burns the mandarin duck brocade, and the spring is about to wake up and move the pillow.

Water comes in from the maid's golden basin, and the shadow of the fragrant fountain is dipped in rouge to make it cold;

How can the bright rouge be similar, the color of flowers is the color of human tears.

If human tears are compared to peach blossoms, the tears will flow as long as the flowers themselves are flattering;

When you look at flowers with tearful eyes, your tears will dry easily, and when the tears dry up, the flowers will fade away in spring.

The haggard flowers cover the haggard people, and the flying flowers make people tired and easy to fall into the dusk;

Du Yuchun died with the sound of Du Yuchun’s death, and the lonely curtains pierced the sky with traces of the moon!

Feeling old on a rainy night (Lu You)

The rain hits the window hard, and the dim light still shines on the wall.

The old man is restless and sad about the past.

The wind brings orange and cypress across the river, and the horses get sick and the golden ox passes by.

The ape with a curling branch drinks, and the koala climbs on it and throws it at itself.

A falcon can be seen roosting in a dangerous nest, and tiger traces can be seen in the deep snow.

To this day, in my clear night dreams, I still think of the green mountains.

He gave up his thanks for his meritorious service and stopped serving due to old illness.

Although writing poems is not work, it is useful to comfort me today.

Tingquan (Qi Ji)

Rocks fell tens of thousands of feet, and a cold sound floated far away in the sky. After the early rain in high autumn, in the middle of the night in the mountains.

There is only the moon shining on the wall, and no wind blowing the leaves. I heard it a few times in Luyue, and I was with the monk at dawn.

Song of Imitation Bai Lao (Sikong Shu)

Zhu silk strings are mixed with golden dots, and the double pedicles are opened and closed with lotus flowers. Whose girl is wearing Luo Shang?

Her makeup is red, pink and green. The wood is difficult to make bed teeth and seats, and the mica screen illuminates the wall.

When I look back on my beautiful face, I turn around and smile, feeling ashamed of myself. The red pin moon sets and disappears.

It’s a pity who touched it at that time.

Huanxisha (Weizhuang)

A melancholy dream with the moon slanting over the mountains,

The lone lamp shines on the screen behind the wall,

The small building and high pavilion thank the mother's family .

I secretly wonder what the jade face looks like,

A plum blossom frozen in spring snow,

covered with fragrant mist and morning glow.

2. What are the poems describing "Zhaobi"?

The cuckoo is speechless at dusk, and the hoe returns to cover the heavy door; the green lantern shines on the wall, and the person is sleeping for the first time, and the cold rain knocks on the window and is covered with rain. temperature. ——"Ode to the Buried Flowers" Qing Dynasty: Cao Xueqin

The deeper the silence, the more lonely the lamp on the wall reflects it. How can I stay up all night long after I have sobered up from the wine? ——"Guanhe Ling·Qiu Yin Shi Qin gradually fades into darkness" Song Dynasty: Zhou Bangyan

A melancholy dream. The moon is setting over the mountains, the solitary lamp illuminates the red gauze on the back of the wall, and the small building and high pavilion thank my mother's family. ——"Huanxi Sand" Tang Dynasty: Wei Zhuang

Whose girl is wearing Luo Shang, with red and pink eyebrows and delicate makeup at dusk. The wood is difficult to make bed teeth and seats, and the mica screen illuminates the wall. ——"The Song of Simulated Bai Lao" Tang Dynasty: Sikong Shu

But the wall and the solitary lamp complement each other. How can I stay up all night long after I have sobered up from the wine? ——"Guanhe Order" Song Dynasty: Zhou Bangyan

I came to the capital yesterday and was delighted to see the scorpion on the wall. When we meet old acquaintances, they are no better than a cricket. ——"Send Master Wen Chang on his Journey to the North" Tang Dynasty: Han Yu

There is only the moon shining on the wall, and no wind blowing the leaves. I heard it a few times in Luyue, and I was with the monk at dawn. ——"Tingquan" Tang Dynasty: Qi Ji

Comparing the solitary lantern on the wall, I sigh with the autumn insects. Thousands of things have happened in this world, but have we ever seen this loneliness before? ——Flowers in the Rain (According to the tune, they are flowers all over the road) Song Dynasty: Yuan Quhua

3. Bai people’s poems on the screen wall

The Bai people’s poems on the screen wall are not poems, but lyrics.

The screen wall is a unique part of traditional Chinese architecture. It has a long history and has been passed down for a long time. Zhaobi is also called "yingbi". The word "yingbi" is changed from "hiding", which means "hiding" inside the door and "avoiding" outside the door.

Du Yijian, a famous scholar of the Bai ethnic group in Dali, inscribed "Dali Charm" on the screen wall of the Dong Family Courtyard in Xizhou Town, which is now a tourist attraction.

With Cangshan Mountain on its back and Erhai Lake on the screen wall, there is an inscription "Cang'er Yuxiu".

The surname Ni wrote on the screen wall "Zhu Feng Lu Xu", which means "the inheritance of Lu Xu from generation to generation, the extension of Zhu Feng".

According to the orientation of the courtyard, Bai people generally inscribe the screen wall on the east side of the courtyard with the inscription "Purple air comes from the east", the screen wall on the south side with the inscription "Colorful Yunnan appears", and the one with the mountain and the sea behind it inscribed "Cang'er Yu". "Xiu Xiu", many officials wrote inscriptions such as "Ke Jia Lian Fang", "The world is full of scholars", etc.

The surname Zhao is generally inscribed with the inscription "Qinhe Family Tradition", the surname Yang is inscribed with the inscription "Innocent Family Tradition" (or "Innocent Family Tradition"), and the surname Zhang is inscribed "Zhang Gong Bai Ren" (or " The surname Li is inscribed with the inscription "Qinglian Legacy" (or "The Sound of the Shijiu Family" and the "Longxi Shidi"), the surname Wang is inscribed with the inscription "Sanhuai Jidi", and the surname He is inscribed with the inscription "The Sound of the Shuibu Family" "" (or "Pavilion on the High Mountain" or "Rui Ai Lujiang"), the surname Du is inscribed "Jia Sheng of the Ministry of Industry", the surname Shi is inscribed "Wendai Jia Sheng" (or "Shiqu Shi Ze"), the surname Gao is inscribed "Dragon and Phoenix Shang" (or "dragon and phoenix present auspiciousness").

The surname Su is inscribed "Chibi Family Sound", the surname Jiang is inscribed "Diaowei Family Tradition", the surname Xu is inscribed "Taiyue Silent Sound", the surname Dai is inscribed "Zhuli Family Sound", Yin The surname is inscribed in the book "Xinye Legacy" (or "Gengdu Heirloom" or "Yinyu Origin").

The surname Dong is inscribed "Nanzhao Zaifu" (or "Descendant of Jiulong"), the surname Duan is inscribed "Chigou Jiasheng" (or "Jingzhao Shidi"), etc.

The inscription "Qinglian Legacy" written by the surname Li obviously refers to Li Bai, who was known as Qinglian layman from Longxi. The inscription "Jiasheng of the Ministry of Industry" by the surname Du refers to Du Fu. " (or "Hundred Ninja Family Sound") refers to Zhang Gongyi, and later there was the idiom "A Hundred Ninjas Turn into Gold"; the allusion of the inscription "Three Huaiji Ji Di" with the surname Wang comes from Wang Hu, the minister of the Ministry of War during the reign of Zhenzong of the Song Dynasty; The family inscribed "Yejia Family Style" should be a descendant of Li Mi in the Tang Dynasty. The "Diaowei Family Style" of the Zhou Jiang surname refers to Jiang Ziya, the Dong surname is inscribed "Nanzhao Zaifu", and the Duan surname is inscribed "Jingzhao". "Shidi" are those of Dong Guoshi of Nanzhao Kingdom and King Duan Bai of Dali Kingdom. Of course, in the Zhaobi culture where these surnames are inscribed in books, it is more likely that these families are truly descendants of these ancient celebrities.

4. Li Bai writes a poem against the wall in relief

The times created Li Bai, and Li Bai formed an indissoluble bond with Qingshan.

Without green mountains and green waters, the poet's mind would be blank. I remember that when I had a night chat with the hostess of Bingling Pavilion in Nanping Ancient Town, Yi County, I promised to pay homage to Li Bai when I passed by Dangtu on my way back.

Counting, from ancient times to the present, there are more than tens of millions of people who can be called poets. I am afraid that he is the only one who is called the "Poetry Immortal". Think about it, how many children have grown up reading his poems from ancient times to the present? Do the math, from ancient times to the present, how many poets can surpass Li Bai? At noon on April 1, 2008, after a five-hour long journey on the bus from Tunxi to Nanjing, I got off the bus in Dangtu and headed straight for the green hills in the southeast.

The dilapidated passenger car jingled as it ran, dust was flying on the bumpy road, and I, in a suit and leather shoes, crowded together with the noisy villagers. It took half an hour to get closer and closer to Li Bai. But the scenery in front of me makes people feel sad - after so many years of reform and opening up, why is Dangtu still like this? Taibai Town, a very ordinary country town, is surprisingly chaotic. How can it be worthy of Li Bai's name? Beside the road about one kilometer south of the village, a stone archway stands majestically, looking a little desolate against the backdrop of green mountains. The plaque of "National Key Cultural Relics Protection Unit" is juxtaposed with Li Bai's name, but it can't make the scenic spot popular. I can't help but sigh because of the lonely weather in Ma'anshan.

Li Bai’s cemetery is a rectangular garden building complex. I am sure that except for Li Bai’s bones in the tomb, almost all the buildings have traces of modernization. However, Li Bai's withered bones are enough, after all, his true body lies on this land.

After walking through the archway of the Holy Land of Poetry and bypassing the Li Bai relief screen wall, a not too big lotus pond appeared in front of me. The pond is full of withered lotus leaves from last year. I think this is not the artistic conception of "leaving the lotus leaves to listen to the sound of rain", but rather the neglect of management of the park.

Looking across the pond, a tall statue of Li Bai raising a cup to the moon stands there. It has ruffled and angular sleeves and a rugged and angular face, which fully expresses the poet's unruly character; The wine glass raised high and the attitude of looking up at the sky vividly demonstrate the poet's romantic sentiment. In the lotus pond, there is a "Moon Catching Bridge" across it. Legend has it that Li Bai got drunk in Caishiji, caught the moon in the water, fell into the water, died, and ascended to heaven on a white whale.

For this reason, later generations built a tomb for him in Caishiji, and also built a Taibai Tower in a serious manner. But in reality, his death was not as romantic as people imagined.

Li Bai was born in the first year of Chang'an in Tang Dynasty (701 AD) and died in the first year of Baoying (762 AD) at the age of 62. Because of poverty, he came to Dangtu from Jinling to join his clan uncle and Dangtu County Magistrate Li Yangbing. He died of illness in the countryside of Dangtu Longshan.

Historical data says that Li Bai was seriously ill due to "crotch disease". After learning about it, Li Yangbing came to his home and visited him on his bedside. At this time, the poet had only one wish, that is, the poems he had written throughout his life could not be printed into books. He hoped that his uncle could help him fulfill this long-cherished wish.

Thanks to Li Yangbing, Li Bai's poems were finally compiled into a book and named "Thatched Cottage Collection" and passed down to future generations, which made Li Bai's "Poetic Immortal" Bozhou's aura brighter.

At the end of "The Collection of Thatched Cottage", there is the "Death Song" written by the poet struggling on the sick bed: "The great Peng flies to cheer up the eight descendants, the mid-heaven destroys but it is unable to do anything, the remaining wind stirs for eternity, the fusang hangs on the stone mantle, and later When people pass on this, who will cry when Zhongni dies? "Although it has the aftertaste of Xiang Yu's song, it is far sadder than Xiang Yu's song!" I wandered around the lotus pond and under the tall statue of Li Bai. Thinking of the poet's life, I couldn't help but have mixed feelings.

Li Bai’s family was originally from the Li Tang royal family, and his ancestral home was Chengji, Longxi (now Qin’an County, Gansu Province). At the end of the Sui Dynasty, he migrated to Suiye City in Central Asia (near today’s Tokmak, northern Kyrgyzstan) , Li Bai was born here. When he was five years old, he moved to Mianzhou Mianzhou (now Jiangyou County, Sichuan).

At the age of twenty, he left Sichuan alone and began to roam, reaching Dongting and Xiangjiang River in the south, Wu and Yue in the east, and settled in Anlu (today's Anlu County, Hubei Province). He traveled around, made friends, met celebrities, and hoped to be recommended so that he could rise to a high position.

But the reality was far from what he imagined. Ten years of wandering and nothing accomplished.

He continued to travel north to Taiyuan and Chang'an, and to the east to Qi and Lu, and settled in Rencheng, Shandong (today's Jining, Shandong). At this time, he had made friends with many celebrities, composed a large number of excellent poems, and his poems were famous all over the world.

In the early years of Tianbao's reign, he was recommended by the Taoist Wu Yun. Emperor Xuanzong of the Tang Dynasty called him to Beijing and ordered him to serve in the Imperial Academy. Soon, he was pushed out of the court because of the slander of the powerful.

After that, he wandered around the Jiang and Huai areas, feeling extremely depressed. In the winter of the fourteenth year of Tianbao (AD 755), there was a rebellion in Anlu Mountain. He was living in seclusion in Lushan Mountain at this time. When Yong Wang Li Lin's army was marching eastward, he invited Li Bai to go down the mountain and join the shogunate to help fight against the thieves.

Later, Li Lin rebelled against the imperial court, and Li Bai was implicated and sentenced to exile in Yelang (today's Guizhou Province). He was pardoned and released on the way. After that, he traveled between Xunyang (now Jiujiang, Jiangxi), Xuancheng (now Xuancheng, Anhui) and other places until his death.

Li Bai lived during the heyday of the Tang Dynasty. From his poems, it can be seen that his character was formed when he was fifteen or sixteen years old. "Fifteen Wonderful Books", "Fifteen Traveling Immortals", and "Fifteen Good Swordsmanship" are people who have been "crazy" since childhood.

In terms of art, his poems have unique imagination, strong emotions, magnificent artistic conception, and fresh and bright language. It formed a bold and ultra-stepping artistic style and reached the peak of positive romantic poetry art in ancient my country.

After his death, he left us a cultural heritage of more than 900 poems. Regarding Li Bai's character, history has been mixed with praise and praise.

The most criticized thing is that he flatters the powerful. "I don't want to be granted the title of Marquis of Ten Thousand Households, but I hope to get to know Han Jingzhou."

It sounds a bit disgusting. This seems to be in huge contrast with his "ability to defeat the powerful and make me unhappy".

Because of the recommendation of a Taoist priest, Emperor Xuanzong of the Tang Dynasty summoned him to the capital. He was so proud that he shouted, "Look up to the sky and laugh and go out. How can I be a Penghao person?" After entering the capital, he flattered the prince's guest He Zhizhang, and changed After being praised by He Zhizhang for "banishing the immortal", he was ordered by Emperor Xuanzong of the Tang Dynasty to be "enshrined in Hanlin" (waiting for use). So some people said that he was both frivolous and shameless.

But today, it seems that in the prosperous times, there seems to be nothing wrong with literati wanting to be officials. He presented poems to powerful people, just like today's graduates or college students who submit resumes and participate in interviews when applying for jobs.

It’s hard to be one.

5. What are the poems that describe desolation?

Guanhe Ling

Author: Zhou Bangyan Dynasty: Northern Song Dynasty: Northern Song Dynasty: Ci

Autumn The cloudy and sunny days gradually turned dark, turning the courtyard into a desolate place. Standing still to listen to the cold sound, there are no shadows of geese deep in the clouds.

The silence is deeper, but the wall and the solitary lamp reflect each other. I’ve already sobered up from the wine, how can I stay up all night?

Notes

①Dark: dusk.

②The sound of cold: the sound of autumn.

Translation

The weather in autumn is unpredictable, sometimes cloudy and sometimes sunny, the sky starts to get dark, and the whole courtyard becomes deserted. I stood alone in the autumn wind, quietly listening to the cool autumn sounds. The clouds darkened, but there were no wild geese coming and going, and only sad sounds could be heard. It was late at night, everyone had dispersed, and there was no sound between heaven and earth. In the house, there was only a solitary lamp illuminating the empty room. I have sobered up from the drunkenness. With this lonely lamp flickering on and off, how can a person survive this long night until dawn?

6. Is there any guide to the screen wall of Du Fu’s Thatched Cottage? I need it urgently. Thank you

I once visited Wuhou Temple and wrote a very famous poem "The Prime Minister of Shu":

< p> Where can I find the Prime Minister's ancestral hall? There are many trees outside Jinguan City. The green grass reflects the spring color on the steps, and the oriole sounds good in the sky through the leaves.

Three visits to trouble the world, two dynasties to open the hearts of old ministers. He died before leaving the army, which made the hero burst into tears.

He is worried about his future: "The blood of the war is still flowing, and the sound of the army is still ringing." He is so concerned about the country he is loyal to, but he loves the country, but the country does not love him.

Qu Yuan: a Chu poet and politician during the Warring States Period. His representative poems include: "The road is long and long, and I will search up and down";

Tao Qian (Yuanming) : A poet in the Jin and Song dynasties. His representative poems include: "Picking chrysanthemums in the east and leaving the mountains, leisurely seeing the Nanshan Mountains";

Chen Zi'ang: a litterateur in the Tang Dynasty, a native of Shehong, Sichuan. Representative poem: "The ancients have never been seen before, and those who have come after will never be seen. Thinking of the long journey of heaven and earth, I shed tears alone with sadness";

Wang Wei: "Poetry Immortal" Li Bai and "Poetry Saint" in the poetry world of the prosperous Tang Dynasty Du Fu is a great poet who stands on his own feet. Representative poems include: "I urge you to have a glass of wine. You have no old friends when you leave Yangguan in the west. You are a stranger in a foreign land, and you miss your relatives more during the festive season."

Li Bai: The pinnacle of poetry in the prosperous Tang Dynasty A great poet, he was known as the "Immortal of Poetry". Representative verses include: "Flying down three thousand feet, it is suspected that the Milky Way has fallen from the sky";

Bai Juyi: one of the three major poets in the poetry world of the Tang Dynasty. Representative poems include: "The wildfire never burns out, but the spring breeze blows and revives again";

Li Shangyin: A poet of the Tang Dynasty. Representative poems include: "The sunset is infinitely beautiful, but it is almost dusk";

Su Shi: a famous writer, calligrapher and painter in the Northern Song Dynasty, a native of Meishan, Sichuan. Representative poems include: "I don't know the true face of Mount Lu, just because I am in this mountain";

Huang Tingjian: Poet and calligrapher of the Northern Song Dynasty. Representative poems include: "How green is Yao Cao? Spring enters Wuling River. There are countless peach blossoms on the stream, and there are orioles on the flowers.";

Lu You: A poet of the Southern Song Dynasty. Representative poems include: "There is no way out despite the mountains and rivers." , another village with dark willows and bright flowers";

Li Qingzhao: a female poet in the Southern Song Dynasty. Her representative poems include: "Don't laugh when you are drunk and arranging flowers, the poor people are like spring and will grow old";

Xin Qiji: The leader and banner of the patriotic poetry school in the Southern Song Dynasty. The representative poem is: "The fragrance of rice flowers tells of a good year, and the sound of frogs sounds."

The wall in the middle was left flat to the owner of the thatched cottage, Du Fu. This is a large-scale polished mural, sixteen meters long and four meters wide, covering a total area of ??sixty-four square meters. It is equivalent to the area of ??a large living room. This is the largest painted mural in the country to date. Du Fu's life gripped by poetry slowly unfolds. It condenses the fate of a poet on this mural in the form of colors and images.