1) Appreciation of Du Fu's "Joyful Rain on a Spring Night" Good rain knows the season, and spring will happen. Sneaking into the night with the wind, moistening things silently. The wild paths are all dark with clouds, but the river boats are only bright with fire. Look at the red and wet place at dawn, the flowers are heavy on the official city. "Spring Night Rain" expresses the poet's love and praise for the selfless dedication of the spring night drizzle. One or two sentences with the word "good" are sentimental, praising the spring rain. "Knowing the season" gives the spring rain human life and emotions. In the author's opinion, the spring rain is considerate, knows the season, and comes when people are in urgent need, stimulating vitality. What a wonderful spring rain! The first couplet not only talks about the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood for the spring rain to come. The couplets are obviously the poet's auditory experience. The spring rain comes, coming with the wind in the vast night, quietly, nourishing all things, not seeking "good things", but only seeking dedication. Look, how carefully the author observed the scene of listening to the rain. Even the sprinkling of spring rain and the silence were heard by the poet. It can be seen that the poet was so surprised by the subtle influence of spring rain that he could not sleep all night. The neck couplet tightly holds the chin couplet. The poet only hopes that the spring rain will last all night, but he is afraid that it will stop suddenly. He is both happy and worried. He opens the door and stands looking into the distance. He sees that the usually clear-cut field paths have also melted into the night. It is pitch black, and it can be seen that there is night. How dark and how heavy the rain was. The red boats and fishermen on the river are dazzling, reflecting the vastness and darkness of the spring night, and also highlighting the dense spring rain from the side. At the end of the poem, the poet witnessed the continuous spring rain and thought with relief that at dawn the next day, Jinguan City would be a colorful spring. The flowers are so red and full of vitality that they are the result of the subtle, moistening and condensation of the silent drizzle... 2) Appreciation of Bai Juyi's "Spring Journey to Qiantang Lake" To the north of Gushan Temple and to the west of Jia Pavilion, the water surface is initially flat and the clouds are low. In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud. The random flowers are gradually charming the eyes, and only Asakusa has no horse hooves. My favorite part of the lake is the east side of the lake, where the green poplar trees shade the white sand embankment. The first couplet starts from a broad perspective and describes the scenery seen in Gushan Temple. The first sentence is the location, the second sentence is the perspective. "Chuping" refers to the beginning of spring water, which is slightly level with the embankment. "Cloud feet are low" refers to white clouds hanging low, connected with the lake, and outlines the outline of early spring. The calm water below and the low clouds in the sky form a tranquil ink painting of the West Lake. The chin couplet writes about Ying Yan, which the poet saw during his travels. The orioles are the singers of spring, and they all fly to the sunny trees to sing; the swallows are the messengers of spring, and they have begun to build nests with mud in their mouths, and they are full of vitality. Using "Zhao" to describe Huang Ying reflects Bai Juyi's sincere love for these vibrant little lives. The word "struggle" makes people feel how rare and precious spring is. Using the word "pecking" to describe the busy and excited expression of the swallow seems to bring the little swallow to life. These two sentences deliberately depict the dynamics of warblers and swallows, making the whole poem filled with the vitality and vitality of spring. The neck couplets write flowers and plants, focusing on expressing the poet's feelings. The horse walks very briskly on the shallow grass. If you look at the flowers for a long time, your eyes will be filled with colorful flowers, which will make people dizzy and make you feel confused. This couplet and the first couplet are the core part of the poem, and they are also the finishing touch in Bai's poem describing the spring scenery, especially the description of the spring scenery in the West Lake. This is a description of scenery that is full of emotion and vitality, which fully demonstrates Bai Juyi's meticulous observation of the objects he describes and his ability to accurately grasp their characteristics. The last couplet describes the scene of the white sand embankment, expressing his heart directly and expressing the poet's joyful mood. "The action is insufficient" means that the poet cannot see enough, which means that the poet forgets to leave. From the north of Gushan to the present Pinghu Qiuyue and Baidi, the poet has walked all the way to report the news of spring to people: the spring water is new on the lake, the spring orioles are singing on the trees, the spring swallows are carrying mud in the air, the spring flowers are gradually blooming on the embankment, and the spring grass is just green. The poet The sharp and delicate brushstrokes allow people to realize that West Lake is wearing spring clothes in a relaxed manner. The poet praised the spring scenery of West Lake and pointed out that he loved walking on the white sand embankment most. There is water on both sides of the Baidi, and both sides of the embankment are filled with willows and peach trees. Walking on the Baidi in spring, the meandering lake water is at your feet, and you seem to be walking on the water; the willow branches in early spring are like smoke, like mist, like threads, floating on your face, making your heart surge. Born with infinite tenderness and infinite love, you feel like you are in a dream or a fairyland. When walking on Baidi in spring, you can better appreciate the feeling and mood of the poet when he wrote this poem. The title of the whole poem is mainly based on the word "行", which is linked to the word "春行" to describe the scenery. However, the area of ??West Lake is too large and the journey is too long, so the poet only cut out one section to write - starting from the north of Gushan Temple and ending at Baisha Embankment. Reading this poem, we naturally have the feeling of enjoying the early spring scenery of West Lake with the poet. The whole poem has a strict structure, rigorous rhythm, neat dialogues, fluent language, vivid and natural language, and a simple tone, which reflects the characteristics of popular and smooth. The poet described the flourishing spring on the lake from an overall perspective, and was good at describing the scenery during the journey. He selected typical types and combined them with classification and arrangement: in the middle, he wrote the four most beautiful spring scenery: orioles, swallows, flowers, and grass. The selected combination of animals and plants is unique. He is also good at grasping the characteristics of scenery and using the most expressive words to describe and render it. 3) Appreciation of Du Mu's "Jiangnan Spring Quatrains" The orioles are singing thousands of miles away, reflecting the green river, and the wine flags are blowing in the mountains and rivers of water. There are four hundred and eighty temples in the Southern Dynasty, and there are many towers in the mist. This is a poem describing the scenery of Jiangnan. How charming and desirable Jiangnan is. "When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue." Bai Juyi has painted us a gorgeous picture, but it is only a macroscopic picture, and Du Mu's "Jiangnan Spring" It was relatively specific and seemed to lead us to visit several scenic spots, which made our impression even more profound.
In this poem, Du Mu not only depicts the bright spring scenery in the south of the Yangtze River, but also reproduces the misty and rainy terrace scenery in the south of the Yangtze River, making the scenery in the south of the Yangtze River more magical and confusing, and has a special interest. "Thousands of miles away, the orioles are singing, the green is reflected in red, and the water village is in the mountains, the wine flag is winding." First of all, the poet brings us into the world of red flowers and green willows in the south of the Yangtze River. Look, there are singing and dancing birds everywhere, green trees and red flowers everywhere; the village in Dishui, the city wall on the mountain, especially the wine flag fluttering in the wind, how fascinating it is! "Thousands of Miles" means that the whole Jiangnan is written, but the whole is expressed through specific images. "There are four hundred and eighty temples in the Southern Dynasties, and there are so many towers in the mist and rain." Here is an important part of the transition to the scenery of the south of the Yangtze River - temples, which add a sense of vicissitudes. Many Buddhist buildings left over from the Southern Dynasties are looming in the spring breeze and rain. , adding to the confusing beauty. The poet does not say "four hundred and eighty temples in the south of the Yangtze River" here, but "four hundred and eighty temples in the north and south", which obviously has a different meaning. The ruler of the Southern Dynasties, the ruler of the Southern Dynasties, wasted time on the people and money, and built a large number of temples. "The History of the South: Biography of Guo Zushen" said: "The emperor of the time greatly promoted the interpretation of the scriptures and changed the customs. Gu Zushenyou said his story, and he thought that he would go to the Buddhist temple for 500 years. The rest of the temple is extremely poor and magnificent, with more than 100,000 monks and nuns, and rich assets. The county where it is located is unspeakable.” Based on this, Du Mu’s statement of “four hundred and eighty temples” is obviously understated. Nowadays, the "Four Hundred and Eighty Temples of the Southern Dynasties" have become historical relics and an integral part of the wonderful scenery of Jiangnan. There is a lot of irony in the aesthetics, and the connotation of the poem is also richer. The four sentences of this poem are all landscape language, each sentence has its own characteristics. There are sounds and colors here, expansion in space, and tracing back in time. In just 28 words, the poet used very general language to paint a vivid and powerful picture of Jiangnan Spring for us. 4) Appreciation of "Yu Qing" by Wang Jia: Before the rain, the stamens among the flowers were first seen, but after the rain, there were no leaves and flowers at the bottom. Bees and butterflies rushed over the wall one after another, but they suspected that the beauty of spring was in the neighboring house. This impromptu poem describes the scene of the last spring seen while walking in the small garden after the rain. The scenery captured in the poem is very simple and ordinary, but it is unusual and full of poetic interest. The first two sentences of the poem capture the word "flower" that symbolizes spring. They compare and contrast what they see "before the rain" with the scene "after the rain", expressing a feeling of cherishing spring. Before the rain, spring has just arrived, and the flowers have just spit out their buds, but they have not yet opened; but after the rain, the flowers are gone, and only the trees are full of green leaves. This shows how long it has been raining, and the beautiful spring scenery is covered by this. A bitter rain killed Nao. The poet looked at the scene of the small garden with fallen flowers and spring leaves, and how disappointed he felt! It was not only the poet who was disappointed, but also the bees and butterflies. The next two lines of the poem go from flowers to bees and butterflies. The bees and butterflies, which had been trapped by the bitter rain for a long time, finally looked forward to the beautiful spring weather. They were as happy as the poet and flew to the small garden. They thought they could feast on the spring beauty among the flowers, but unexpectedly they flew into the air. There were no flowers and leaves in the small garden; they were as disappointed as the poet, and flew away over the courtyard wall in frustration. The flowers have fallen, and the bees and butterflies have left one after another. Wouldn’t the small garden look even more desolate, and wouldn’t the poet’s heart feel even more melancholy? Looking at the bees and butterflies "one after another crossing the wall", the poet, full of feelings of cherishing spring, suddenly had a wonderful association: "But I suspect that spring is in the neighbor's house." There is a neighbor's house on the other side of the courtyard wall, and the poet's idea seems to be true and well-founded; but the neighbor's small garden across the wall is naturally not unique, and the poet's idea is so naive; after all, the wall is high and blocks the view, so he cannot be sure, so The poet only said "suspicious", and the word "suspicious" is very measured, which adds to the sense of reality. These two poems not only vividly describe the bees and butterflies chasing the spring scenery, but also vividly describe the "spring scenery". It seems that "Yangchun" really has "feet". She does not live in her own small garden, but runs to the neighbor's garden. Home, how naughty and playful she is! "But I suspect that spring is in the house next door" can be described as a "magic touch", and the language is so extraordinary that it is immediately refreshing. This sentence is the essence of the whole article, turning iron into gold. Through its enlightenment, the small garden, bees and butterflies, and spring scenery all glow with a strange look and are full of fun. The ancients said that "poems are precious and lively sentences" (Wu Qiao's "Poetry Talk around the Furnace") probably refers to this kind of fresh and vivid poems that can best express the poet's unique feelings.
Du Mu's "Jiangnan Spring" contains the sentence "A thousand-mile oriole crows against the green and the red is reflected". Yang Shen, a writer in the Ming Dynasty, commented: "Who can hear the thousand-mile oriole's cry? Thousands of miles of green against the red, who can see it?" He insists that it should be changed to "ten miles". It's audible and visible, doesn't it make people laugh or cry?