The poem "It's all over, counting the famous figures, but still looking at the present" expresses the author's confident and optimistic spirit, lofty political ambitions, and praise for contemporary proletarian revolutionary warriors. This sentence takes the history of China's feudal society in one stroke and turns to the current era in which the poet lives, highlighting the theme of the whole poem "counting the famous figures, but also looking at the present day".
"Today" is a new era, and the new era needs new romantic figures to lead it. The romantic figures of "today" live up to their historical mission, surpass the heroes in history, have more outstanding talents, and will surely create unprecedented great achievements. This is the poet's firm confidence and great ambition.
This sentence comes from "Qinyuan Spring·Snow" written by Mao Zedong. The original text of the poem is as follows:
The scenery of the northern country is covered with thousands of miles of ice and thousands of miles of snow. Looking inside and outside the Great Wall, there is nothing but vastness; the river up and down suddenly stops flowing. The silver snake dances in the mountains, and the original wax figure wants to compete with God.
On a sunny day, it is particularly charming to see the red clothes and plain clothes. There are so many beauties in the country that it attracts countless heroes to bow down. I regret that Emperor Qin and Han Wu were slightly less talented in literature; Emperor Zong of Tang and Song Dynasty were slightly less elegant. The genius of the generation, Genghis Khan, only knew how to bend a bow and shoot at giant eagles. It's all gone, let's count the famous people, but let's look at the present.
Vernacular interpretation: The scenery in the north is covered with ice for thousands of miles, and snowflakes are floating for thousands of miles. Looking inside and outside the Great Wall, all that is left is boundless white; the vast Yellow River up and down suddenly lost its surging momentum. The mountains are like silver-white pythons flying, and the hills on the plateau are like many white elephants running. They all want to try to compare with God.
Wait until it’s sunny to see the bright red sunshine and the white snow and ice complement each other. Jiangshan is so charming that countless heroes fall in love with her. It is a pity that Qin Shihuang and Han Wu Emperor were slightly less talented in literature; Tang Taizong and Song Taizu were slightly less talented in literature and governance. Genghis Khan, the man who dominated the world, only knew how to draw a bow and shoot eagles. All these characters have passed by. To count the heroes who have made great achievements, we also need to look at the people today.
Extended information
Creative background: The poem "Qinyuan Spring·Snow" was written by Mao Zedong in February 1936. At that time, Mao Zedong and Peng Dehuai led the Red Army's Long March troops to arrive successfully. In Yuanjiagou, Qingjian County, northern Shaanxi, in order to inspect the terrain, Mao Zedong climbed onto the snow-covered plateau thousands of meters above sea level. When the "thousands of miles of ice-covered" great rivers and mountains and the snow-capped plateau appeared before his eyes, he became inspired by poetry. , wrote this bold word.
Shangqiu rises because of the snow, and uses the snow scene to express feelings. Writing about the snow scene in the North, the reader is introduced into a vast silver world of ice and snow. The pun "country" is integrated with the "Great Wall" and "river" in the previous film, and has the finishing touch. As a politician, the poet's expression of "Northern Scenery" is ultimately his concern for the country.
When the poet climbs high and looks far away, his vision is extremely broad, but "thousands of miles" and "thousands of miles" are far beyond the reach of the eyes. It is the poet's vision that extends in his imagination, his artistic conception is broader, and his vision is very grand, showing Reflecting the poet's broad mind, "Mountains dance with silver snakes, and Yuan Chi wax figures" writes a lively and unrestrained momentum, higher than the sky, showing that "mountains" and "origins" are connected to the sky, and has a vigorous momentum and competitive vitality.
In the second part, Chairman Mao Zedong laments the magnificence of the mountains and rivers of the motherland, and introduces heroes such as Emperor Qin and Emperor Wu of Han Dynasty. He discusses the heroes of the past dynasties and expresses the author's great ambition and broad mind.
"Qinyuan Spring·Snow" highlights the vigorous and grand style of Mao Zedong's poetry. Isomorphic with the vast and majestic snow scene of the North, the author sees "thousands of miles" and "thousands of miles", "wanting to compete with God"; he sees through thousands of years and guides the ups and downs of the country. It fully demonstrates the majestic and majestic style.