Li Bai wrote, "The ladies-in-waiting are full of spring palace, but the partridges fly today"; Li Shangyin wrote, "The desire is northwest, and the partridge flies again"; Su Shi wrote, "If you don't hear Hongyan's letter on the sand, you can only know the love when you hear the partridge in the bamboo"; Zhang Ji wrote, "Give people a hair, give people a reward, and Bai Ping flies in the sky"; Qin Guan wrote, "Jiangnan is far away, where there are people, partridges cry to break the spring sorrow." ...
Ancient traffic was underdeveloped. Those wanderers live in other places, and they don't know their own return date or their own future. They are homesick and love their loved ones. So, they entrusted their deep and long feelings to this bird flying in the forest-partridge. On the ancient sunset road, under the long dike of decaying willows, the heartbroken man heard his voice: I can't walk with my brother. They're begging. They can't leave, brother. There are thorns, dangerous beaches, strong winds, heavy rains and endless lovesickness ahead. In the eyes of the ancients, partridge is a kind of spiritual animal, which is already a portrayal of the souls of the ancients and a sustenance of their feelings.
The famous ancient poem related to partridges in China culture is Xin Qiji's Bodhisattva Jiang Zao Koubi, "Night worries by the river, and partridges are heard in the mountains." The situation of ci's love poems is deep in the mountains at the end of the Yangtze River. This hazy and closed state is tantamount to the lonely portrayal of the poet's depression, and the dark image of the fishing drum platform at the beginning of the poem should be closed.