Seven laws of poetry in late spring: Being sick and congested in the gorge, Xiaoxiang Dongting is empty. It rains all the time in Chutian, and a thousand miles of wind often blows in Wuxia. The grass pavilion on the sand is new and dark, and the wild pool lotus on the edge of the city is red. In the late spring, the heron stands on the island, and the child is still flying.
late spring refers to the last stage of spring, that is, the third month of the lunar calendar, when there is more rain. Seven laws generally refer to seven-character poems, which are a genre of China's traditional poems, and belong to the category of modern poetry. Shen Yue's new style poems, which originated in Qi Yongming in the Southern Dynasty, paid attention to rhythm and duality, further developed and finalized in Shen Quanqi and Song Zhiwen in the early Tang Dynasty, and matured in Du Fu's hands in the prosperous Tang Dynasty.
Seven-character metrical poem is strict, requiring the number of words in the poem to be uniform. It consists of eight sentences with seven words in each sentence. Every two sentences are a couplet, * * * quadruple, divided into first couplet, parallel couplet, neck couplet and tail couplet, and the middle two couplets require antithesis. Representative works include Cui Hao's Yellow Crane Tower, Du Fu's Ascending the Mountain, and Li Shangyin's Anding Tower.
the rise of seven-character rhythmic poetry is later than that of five-character rhythmic poetry. It originated in the Southern and Northern Dynasties, sprouted in the new style poems of Qi and Liang Dynasties, and was shaped between the early Tang Dynasty and the prosperous Tang Dynasty. In the early Tang Dynasty, Shen Quanqi, Song Zhiwen, Du Shenyan, and Li Qiao began to write articles. In the prosperous Tang Dynasty, Wang Wei, Li Qi, Cen Can, and Jia Zhi deliberately tempered it to make it proficient in the system, while Cui Hao and Li Bai still had works that were mixed and mixed, semi-ancient and semi-legal.
Although there are also some famous works of Gao Hua Xiulang in the seven-character poems of this period, most of them belong to the content of giving and receiving, and they are more narrow than the five-character poems. At the same time, in the prosperous Tang Dynasty, the seven laws of poets such as Li Bai, Wang Wei and Gao Shi were mostly wrong, sticky and stressed. It was not until Du Fu that the seven-character rhythm poem showed its poetic potential and opened up the artistic world.
Seven-melody verse:
1. The length is fixed. Eight sentences each, seven words each, * * * 56 words. The first and second sentences are called "first couplet", the third and fourth sentences are called "parallel couplet", the fifth and sixth sentences are called "neck couplet" and the seventh and eighth sentences are called "tail couplet".
2. Rhyme is strict. The whole article has four rhymes or five rhymes, which generally rhyme with even sentences. According to whether the first sentence rhymes or not, the seven-character rhyme can be divided into two formats: the first sentence rhymes and the first sentence does not rhyme, in which the first sentence rhymes in a positive case.
3. Pay attention to leveling. That is to say, to conform to the law of leveling, that is, under normal circumstances, two syllables (two words) are used as a step, and leveling is arranged alternately.
4. ask for confrontation. Parallel couplet and neck couplet must be opposed, and the first couplet and the last couplet can be right or wrong. Seven-character verse takes the first couplet and the last couplet as the norm.