Teng, a native of Ruzhou, Henan, now lives in Karamay, Xinjiang. Member of China Arts and Crafts Association, member of China Flower-and-Bird Painting Association, peony painter specially invited by Guosetianxiang Painting Academy, and artist of famous painting and calligraphy institute in Jing Tian. I like painting since I was a child. I graduated from Ruzhou Correspondence College of Painting and Calligraphy, and then went to the Academy of Fine Arts for further study. I have worshipped many famous flower and bird painters. Over the years, he has created a large number of exquisite peony paintings and gradually formed his own style. In recent years, his works have been reported by many official websites and news media, and he has been successfully selected as a cultural film of the Belt and Road Initiative-a collection of works of famous China world stamps and philatelic products to commemorate cultural figures, and was invited to participate and win prizes. Most of his peony works of different specifications are customized for collectors, and the peony works in the living room are loved by customers. The huge peony painting in the hotel meeting was well received, and the 10 meter long scroll "Rich bloom" was customized by collectors.
? Calligraphy sends love and love.
-Appreciation of the works of the famous painter Teng.
The collision between pen and ink and rice paper has produced endless changes. In this specific category, it is the artistic goal that Mr. Teng has been pursuing for many years to establish his own unique visual symbols, establish his own aesthetic thoughts and form his own painting character.
In his works, it belongs to the pursuit of emotional romance, but also has the rigor of statutes, the opening and closing of composition, the exquisiteness of pen and ink, the display of personality, the tension of form, the lofty artistic conception, the ease of programming and the freedom of statutes, which creates a heavy and elegant effect of interwoven sounds and gives people wonderful spiritual enjoyment.
? The ancients said: "Kung Fu is everywhere, and the law is the same as the law; When the wonderful enlightenment is passed on, the work is consistent. " Teacher Teng has been devoted to painting for decades, saying peony, wealth, good luck, spring pictures and so on. In his pen, the ink color will be varied, either thick or light, simple or complex, virtual or real, near or far, or yin or yang, so that fresh peony blooms from his pen, with vivid pen and unique conception, whether it is a budding flower or a bone, it seems that it can't bloom. The form of expression can be written and done, both traditional and contemporary, and the elements of performance are all based on law.
Born in Henan, Teacher Teng inherits the historical context and absorbs the nutrition of modern elements. On the basis of predecessors, he tried to position himself as a witness and participant of the times and injected strong contemporary consciousness and humanistic feelings into his works. In this picture of the Spring Festival, the color of peony is obviously different, and the chromaticity and brightness are much dimmer. I think this is definitely not an unintentional move by the painter, but the result of careful design, comprehensive consideration and intentional action. Behind the skillful techniques and novel forms, we can feel the rich cultural background and vividness of life in Teacher Teng's paintings, express the artistic conception of life, inject a brand-new spirit of the times, and make the works full of poetry and passion for life. This is no longer the performance of reciting things, but the blending and collision between Teacher Teng's life itself and all natural life forms. This is his aesthetic exploration and expression of personal life form, and also his exploration and hope for his artistic utopia home.
The most important thing in painting peony flowers is fresh and elegant colors. There can be no disharmony. Teacher Teng Tongjun has done a good job at this point. From the details, Mr. Teng wrote the petals held high on the flower head with a lot of contacts, then dipped the pen in thick rouge and a little thick ink, depicting the darkest part of the flower core. This part is the bottom of the whole bowl, which should be thick and black, and the finishing touch of the flower core is here. "Rich and romantic flowers are the same, and flowers are wasted first." ? The pillars are embroidered with rubies, and the clouds are bright and rosy. ? The sky is fragrant to cover the world, and the country is colorless to be a neighbor. ? Famous flowers are also difficult to cultivate. We didn't have a chance to meet the peony at that time, and we didn't have a chance to meet the poet at that time, leaving us only this poem and the peony in it, which often lingered in Micari for a long time. Also, I miss you infinitely. However, for Teacher Teng, this is actually a kind of practice, a temper of life energy. In a lonely summer and winter, to study composition, modeling, space, color, pen, to feel life? Stumbling; Feel the warmth and warmth of human feelings and watch the flowers fall in bloom; Several winters have passed and spring has come, so we can appreciate the cultural heritage of 5,000 years. Then I went back to the studio quietly, stirred up the paint, and expressed my true feelings with atmospheric composition, simple painting theme, rigorous modeling, heavy colors and passionate brushwork. ? Always hold the brush. .....
In the creation of peony flowers, Mr. Teng is also good at grasping the transformation of modeling language, so that the artistic conception of the painting can reach the charm.
The so-called modeling can also be regarded as a lattice schema, which not only refers to the modeling of characters in figure painting, but also refers to the modeling schema of everything in the world as long as it is painted. Landscape trees are like this, so are flowers, birds, insects, birds and beasts. The change of pen and ink will inevitably bring about the change of modeling language. Pen and ink and schema are closely related, inclusive and complementary.
Generally speaking, in Teacher Teng's works, the modeling is vivid and natural, and the theme expressed is clear and thorough, and the extremely complicated psychological process from object image to mental image and then from mental image to mental image is clearly combed. Peony is the result of painter Teng's spirit, emotion, psychological function and cultural brewing, and it is the precise combination and refinement of form and spirit, form and interest. It is the work that forms the spirit before the form and the meaning in the image and shape, thus shaping such a new artistic image and brand-new schema on the screen.
Therefore, from Teacher Teng's works, we can draw a conclusion that writing with spirit and using interesting modeling are the basis and needs of schema transformation. It is precisely because of this that god and interest will emerge from the heart and jump out of the paper. This is the essence of image modeling that we often say.
Taking the past as the new, taking the present as the present, Mr. Teng will seize the day and bring us a masterpiece with his life. His peony is beautiful.