1. Poems about Huizhou architecture
Poems about Huizhou architecture 1. Poems about ancient towns, small bridges, and Huizhou architecture in Jiangnan water towns need 3 or 4 poems, each The first one
1. Smoked willow painted bridges, windy green curtains, and hundreds of thousands of houses.
It comes from "Looking at the Sea Tide" by Liu Yong of the Song Dynasty, which means: smoky willow trees, painted bridges, wind-blocking curtains, green tents, high and low pavilions, and about 100,000 households. 2. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue.
It comes from "Recalling Jiangnan" written by Bai Juyi in the Tang Dynasty, which means: The sun rises from the river, shining the flowers on the riverside redder than fire, and the green river water is greener than the blue grass. 3. It is the beautiful scenery in the south of the Yangtze River, and we meet you again when the flowers are falling.
It comes from "The Year of Li Gui in the South of the Yangtze River" by Du Fu of the Tang Dynasty, which means: I never expected that in this beautiful Jiangnan, during the season of falling flowers, I would meet an old acquaintance like you by chance. 4. The ancient palace has little free space and many waterports and small bridges.
It comes from "Sending People to Wu" by Du Xunhe in the Tang Dynasty, which means: The houses in Gusu City are connected and there is no open space; even the river branches are full of small bridges. 5. The tung leaves are sparse and the moss on the walls is green, and the black-topped boat is docked towards Gujin.
It comes from the contemporary Xu Ping's "Wuzhen Rain", which means: the leaves on the plane trees are sparse, the moss on the walls is full of green, and the canopy boats in Wuzhen are parked in Xianggujin.
2. What idioms can be used to describe Huizhou architecture
1. Huizhou architecture can be described with the following idioms:
1. Magnificent: to describe Huizhou architecture The overall character of the building.
Idiom: Magnificent
Pinyin: fù lì táng huáng
Explanation: Magnificent: gorgeous; Magnificent: grand, majestic. Describe the house as grand and luxurious. It also describes poetry and prose as gorgeous.
Source: Chapter 34 of "The Legend of Heroes of Sons and Daughters" by Wenkang of the Qing Dynasty: "I quickly looked under the light and saw that the pilgrim saint had three magnificent topics."
Sentence examples: His article can be described as magnificent.
2. Endless changes: describes the layout of Huizhou architecture.
Idiom: endless changes
Pinyin: biàn huàn wú qióng
Explanation: The changes are diverse and endless. There are so many changes.
Source: Lu Xun's "Collected Letters to Yang Jiyun"; "However, the endless changes of 'writers' are undoubtedly a misfortune for the literary world, but also make the truth more clear."
Example sentences: It paints the sea with thousands of colors, and the changes are endless.
3. Unique: Describe the style and characteristics of Huizhou architecture.
Idiom: Unique
Pinyin: bié jù yī gé
Explanation: Different: In addition. There is also a unique style.
Source: Lu Liuliang of the Qing Dynasty, "Books with Shi Yushan": "The poems are chanted and presented, and the style is unique."
Sentence examples: This painter's figures are clumsy and clever, and unique. .
2. Introduction to Huizhou Architecture
Huizhou Architecture is one of the most important schools of traditional Chinese architecture. As an important part of Huizhou culture, Huizhou Architecture has always been the most popular among Chinese and foreign architectural masters. It is highly praised and popular in Huizhou (now Huangshan City, Jixi County, Wuyuan County) and Yanzhou, Jinhua, Quzhou and other areas in western Zhejiang. It uses bricks, wood, and stone as raw materials, and mainly uses wooden frames. The beam frames are mostly made of large materials and pay attention to decoration. Brick, wood, and stone carvings are also widely used, showing a superb level of decorative art. Historically, Huizhou merchants operated in Yangzhou, Suzhou and other places, and Huizhou architecture also had a considerable impact on local architectural styles.
Huizhou architecture faces south and pays attention to internal lighting; it uses bricks, wood, and stone as raw materials, and mainly uses wooden frames. It uses wooden beams to bear the load, and uses bricks, stones and earth to build protective walls. With the main hall as the center, it is famous for its carved beams and painted roofs and decorative roofs and cornices. The strength of Huizhou merchants lies in business rather than construction. After returning to their hometowns, they use luxurious and exquisite mansions and gardens to reflect their identity, renovate ancestral halls to enhance the facade of their ancestors, or build memorial arches to commend Huizhou women for their character of keeping their husbands. Huizhou architecture pays attention to specifications and etiquette, and there are also differences between officials and merchants. In addition to the splendid homes of Hui merchants, the houses of small families are also elegant and sophisticated.
Huizhou architecture combines the aura of Huizhou’s mountains and rivers, and integrates the essence of Chinese customs and culture. It has a unique style, rigorous structure, and exquisite carvings. The comprehensive use fully reflects the distinctive local characteristics. In particular, folk houses, ancestral halls and archways are the most typical ones. They are known as the three unique ancient buildings in Huizhou and are valued and admired by the Chinese and foreign architectural circles.
In terms of its overall layout, it is based on the mountain, with exquisite conception and naturalness; in terms of plane layout, it is flexible in scale and endlessly changing; in terms of spatial structure and utilization, it has rich shapes, pays attention to the beauty of rhythm, and is based on the horse head. The walls and small green tiles are the most distinctive; in the comprehensive application of architectural carving art, stone carving, wood carving, and brick carving are integrated into one, making it appear magnificent.
3. How to describe Huizhou architecture
1. Huizhou architecture is one of the most important schools of ancient Chinese architecture.
2. In fact, Hui-style architecture does not refer to the architecture of Anhui, but refers to the architecture that is mainly popular in the Xin'an River Basin in the upper reaches of the Qiantang River in one prefecture and six counties in the Huizhou region, as well as in Chun'an, Jiande and other places. Including Wuzhou and Quzhou in western Zhejiang and Fuliang and Dexing in Jiangxi in the pan-Huizhou region. 3. Historically, most Huizhou buildings were originally built in Wuzhou (now Jinhua, Zhejiang), mainly by craftsmen from Dongyang, Zhejiang.
4. Huizhou architecture combines the aura of Huizhou’s mountains and rivers, blends the essence of customs and culture, has a unique style, rigorous structure, and exquisite carvings, whether it is village and town planning concepts, plane and space processing, or architectural sculpture art. The comprehensive use of them, etc., fully reflects the distinctive local characteristics. 5. The overall layout of Huizhou architecture generally follows the mountainous terrain, is exquisitely conceived, and is natural and appropriate.
6. The layout of Huizhou architecture is flexible in scale and endlessly changeable. 7. Huizhou architecture pays attention to rich shapes in terms of shape, spatial structure and space utilization, with horse head walls and small green tiles being the most distinctive.
8. Huizhou architecture makes comprehensive use of architectural sculpture art, integrating stone carvings and brick carvings, making it appear magnificent.
4. What idioms can be used to describe "Huizhou" architecture?
1. Magnificent: describe the overall characteristics of Huizhou architecture.
2. Endless changes: describe the layout of Huizhou architecture
3. . Unique: Describes the style and characteristics of Huizhou architecture.
4. Jinwu stores Jiao Jinwu: a gorgeous house; Jiao: Gillian, the eldest daughter of Liu Che’s aunt, Emperor Wu of the Han Dynasty, refers to a beautiful woman. Refers to marrying a wife or taking a concubine
5. Pavilion and pavilion Pavilion: a high building; pavilion: an elevated building; platform: a high altar made of earth; pavilion: a house on a platform. Generally refers to tall and gorgeous buildings
6. Lunyanhuanyan describes tall and numerous houses
7. Pengmenpihu is a house made of branches, grass, etc. Describe the simple houses where poor people live.
8. All of them are made of: wall; made: construction. Many houses were built at the same time.
9. Pearl Palace A palace made of pearls. Describe the house as gorgeous.
10. Nest in a tree or in a cave. Refers to the living conditions of humans before they had houses.
11. Chao Chuan Mu Sai is a metaphor for frequent construction of houses.
1. Huizhou architecture is one of the most important schools of ancient Chinese architecture.
2. In fact, Hui-style architecture does not refer to the architecture of Anhui, but refers to the architecture that is mainly popular in the Xin'an River Basin in the upper reaches of the Qiantang River, in one prefecture and six counties in the Huizhou region, as well as in Chun'an, Jiande and other places. Including Wuzhou and Quzhou in western Zhejiang and Fuliang and Dexing in Jiangxi in the pan-Huizhou region.
3. Historically, most Huizhou buildings were originally built in Wuzhou (now Jinhua, Zhejiang), mainly by craftsmen from Dongyang, Zhejiang.
4. Huizhou architecture combines the aura of Huizhou’s mountains and rivers with the essence of customs and culture. It has a unique style, rigorous structure, and exquisite carvings, whether it is village and town planning concepts, plane and space processing, or architectural sculpture art. The comprehensive use of them, etc., fully reflects the distinctive local characteristics.
5. The overall layout of Huizhou architecture is generally based on the mountains and terrain, with exquisite conception and naturalness.
5. Describe the fragments of Huizhou architecture
Huizhou architecture is one of the main schools of ancient Chinese architecture. It combines the aura of Huizhou’s mountains and rivers and the essence of customs and culture, especially Residential houses, ancestral halls and archways are the most typical ones. Hongcun currently has 137 ancient residences from the Ming and Qing Dynasties. Among them, the most representative Chengzhi Hall was built by Wang Dinggui, a salt merchant in the late Qing Dynasty. The construction of Chengzhi Hall cost 600,000 taels of silver, of which 100 taels of gold were plated on the wood carvings. All the wood carvings in the house were made by It took 20 craftsmen four years to complete the carving. The carvings are exquisite and it is the most ancient residential house in southern Anhui. It is known as the folk Forbidden City. As another representative of Huizhou architecture, the archway is a mark of Huizhou people’s journey.
6. Famous and ancient sentences describing garden architecture
Good Care has summarized many sentences about describing ancient buildings 1. As expected, the verandahs (wǔ) of the main room are all small and small. It is unique, not as majestic and majestic as the one just now; and there are trees, mountains and rocks everywhere in the courtyard.
As soon as he entered the main room, he was already greeted by many concubines and maids in beautiful costumes. 2. The kitchen is a whitewashed room.
Several smoked hams were hung from the rafters, potted flowers were placed on the windowsill, guns were hung on nails, there were rare large cups, porcelain and wax vessels, and several portraits of Queen Victoria. Many bowls and spoons were set out on a long, rough wooden table. A bunch of onions hung high above the table; two shepherd dogs and three cats were lying sparsely on the table.
3. The big Kang near the window is spread with a scarlet yang (jì), and in front are a big red money python backrest, an azure money python pillow, and an autumn-colored money python large mattress. There is a pair of plum blossom style foreign paint small tables on both sides.
On the left table is Wenwang's cauldron spoon and incense box; on the right table is the Ruyao beauty goblet (gū) - the goblet is filled with fresh flowers, tea bowls, phlegm boxes and other items.
There are four chairs lined up in the east and west of the ground, all covered with silver-red floral chairs and four sets of footrests underneath.
On both sides of the chair, there is also a pair of high tables with tea bowls, vases and flowers. 4. There is a purple bookcase placed in the northeast corner of the wall. Warm sunlight filters in from the vermilion carved wooden window and is scattered on a propped up guqin. The pink gauze curtain blows from the window with the wind. Bringing in some petals and gently brushing the strings, bursts of incense smoke rise from the incense burner, wrapped in gauze curtains and filling the entire boudoir.
5. To the west of the yard, several long bamboo poles are covered with flower vines. The dense green leaves set off the purple-red flowers, which are delicate and bright. From a distance, they look like a horse. Beautiful colorful satin. 6. Turn east and pass through an east-west hall. After the hall to the south, there is a large courtyard inside the Yimen. There are five main rooms above, and the wing rooms on both sides are located in the mountains, extending in all directions, majestic and majestic.
7. The pavilions and pavilions of the Royal Garden are dotted with vibrant green bamboos and strange-shaped stones. Those strange stones are stacked together, making them abrupt and impressive. 8. Huizhou architecture is characterized by gray tiles, white walls and a tall gatehouse. The gatehouse walls have exquisite carvings, and the carvings on the roof are even more exquisite and beautiful. There is a set of water systems throughout the building, plus green trees provide shade. , the mountains echo, giving you a sense of being in a fairyland.
9. As soon as you enter Yuyuan Garden, you will see "Sansui Hall". In front of the hall, there are several cycads and some famous trees. The green leaves around it are clear in the drizzle. Shine. Walking along the path of "Sansui Hall" and walking through "Yangshan Hall" and crossing the stone gate, it is indeed as written on the plaque "Gradually getting better": the large rockery more than ten meters high is towering and majestic. majestic.
The winding path of the lotus pond at the foot of the mountain, the small bridge and the flowing water of "Ding Dong, Ding Dong" are mixed with bursts of laughter and intertwined into a moving "Spring Song"; on the mountain There are twists and turns, and the evergreen trees and jasmine flowers complement each other in yellow and green, making it particularly moving. Standing on the "Wangjiang Pavilion" on the top of the mountain, overlooking Yu Garden, you can have a panoramic view of the green mountains, green waters, picturesque pavilions and pavilions. Yu Garden, your exquisite garden architecture really attracts people, and your permanent The spring scenery is even more fascinating! 10. On the wall hangs a drapery embroidered with hunting pictures using gold and silver silk threads of various colors. The embroidery work was considered the most exquisite at that time.
The bed was covered with an equally rich silk sheet, and a short purple curtain hung around it. The chairs also had colorful covers, and one of them was particularly tall, with a carved ivory footstool in front of it.
There were at least four silver lamp stands, lit with tall candles, illuminating the whole room. 11. Go through the courtyard and climb the nine stone steps to reach the magnificent Mahavira Hall.
It is said that this is a building imitating the Tang Dynasty in the Ming Dynasty. The hall is more than ten meters high, and the four cornices are hung with copper bells. When the breeze blows, "Ding Ding Dong Dong" plays on the ground, it's awesome! Entering the main hall, I saw a five-meter-tall Tathagata Buddha sitting on the lotus platform with a smile. My father told me that this Buddha was entirely made of red gold. I got up and watched it carefully. The Buddha statue was copper-colored. On both sides of the Buddha were disciples, Bodhisattvas, strong men, kings of heaven, Arhats, etc., all of them had kind eyebrows, kind eyes, and peaceful looks.
12. Pavilions, pavilions, ponds, pavilions and waterside pavilions are reflected in the green pines and cypresses; rockeries and rocks, flower beds and bonsais, wisterias and green bamboos are dotted among them. 13. The four-story house of Heimour's house is dark gray, with balconies built on the shoulders of mythical statues.
To enter, you have to ring the doorbell. The stairs were of worn marble, with a spittoon on each landing.
From the stairs you can see the square yard outside, a small snow-covered box and a small garden. The branches of the trees in the garden are covered with a layer of glittering frost, reflecting the rainbow-like jade light.
14. The antique activity building, bright and spacious dormitory building, small and exquisite canteen, etc. constitute a unique architectural complex, together with the quiet magnolia forest, ginkgo forest and camphor forest, the rippling blue waves of Xinliang The old Liuhe River forms a fascinating and beautiful scenery. 15. It is both classic and cheerful. The spire-shaped sloping roof, plastered wooden frame and column decoration, natural building materials and climbing vines complement each other. It is classic but not fashionable.
16. In the garden, the exquisite pavilions and pavilions, the quiet and beautiful ponds and water corridors, as well as the large rockery, ancient stage, jade and other masterpieces of ancient gardens all make me nostalgic for going back and forth. () In particular, the carved dragon built on the ridge of the wall and roof, with its scales and claws dancing, and its whiskers flying, seems to be about to fly away, which is even more touching.
17. There are corridors on both sides, and in the middle is the entrance hall, where there is a large red sandalwood framed marble screen. Turning around the screen, there are three small halls. Behind the hall is the main courtyard at the back.
The five upper rooms on the front are all decorated with carved beams and paintings. On both sides there are verandas and wing rooms with various parrots, thrushes and other birds hanging on them. On top of Taiji, there were several girls sitting in red and green clothes.
18. The gauze curtains hang low, creating a hazy atmosphere. The surrounding stone walls are covered with brocade, and even the roof of the room is separated by embroidered felt, which is both warm and cozy. The furnishings are also used in girls' boudoirs. They are extremely luxurious, with carefully carved jade-inlaid gums, brocade quilts and embroidered quilts. There are also small sachets hanging on the curtain hooks, exuding a faint fragrance.
19. The beautiful jade has just begun to become a reality, and it is suitable to wait for the phoenix.
The poles are green and green, and everything is green and cool.
The water bursts out to prevent the steps, and the incense of the tripod is blocked through the curtains. Don't shake the shadows to pieces, good dreams are beginning to grow.
20. It was a huge ancient house, at the foot of the pale rock. There is a bamboo forest behind the house.