Su Shi
The sunset lifted the embroidered curtains and looked out, the pavilions and blue sky under the river, the sunset and pavilions in the distance, and the endless space. In order for me to come, you specially painted the windows with bright red paint. I remember Pingshan Hall a long time ago. It was misty and rainy in the south of the Yangtze River. Today, we saw the scene in front of us, and we realized that the scenery on the mountain was hidden as described by Ouyang, an old alcoholic.
The endless water surface is crystal clear, reflecting the green shadow of the mountains. Suddenly, the river was rough, and a fisherman was sailing in the wind and waves. Seeing this, I can't help but think of Song Yu's Song Yu. It is impossible for such a ridiculous person to understand that the wind in Zhuangzi is the voice of nature, saying that the wind has a daughter. As a matter of fact, as long as a person has the noble spirit of ambition and wisdom, he can be poised in any occasion and enjoy the infinite comfort of thousands of miles.
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Su Shi was demoted to Huangzhou because of the Wutai Poetry Case, and his good friend Meng Zhang was charming and built a "Kuaizai Pavilion" on the bank of the Shennan Yangtze River. The first topic is "Kuaizi Pavilion". The first part, from the newly-built pavilion and the scene in front of it, recalls the mountains and rivers I saw in Pingshan Hall in Yangzhou in my early years. From here to there, my thoughts are flying, which not only expresses my nostalgia for my former teacher, but also shows the impression that the scenery in front of Kuaizai Pavilion is similar to that in front of Pingshan Hall. It also reveals that today's poets' frustration with the drunkards of that year is different and reasonable, but the purpose is the same. "There are mountains but no colors" comes from Wang Wei's "Han River Overflowing": "This water runs through the world, and there are mountains but no colors." Ouyang Xiu's "Chao Zhong Cuo" borrowed the word "flat railing against clear sky". The poem "the mountains are both there and not there" was used by three great poets, which shows the moving aesthetic charm of this sentence and its philosophical meaning of conquering people's hearts. The second part describes the scenery of the Yangtze River seen in the pavilion, and renders it as "the pavilion is underwater or even empty". First write that the Yangtze River is as clear as a mirror, and suddenly the wind makes waves, and the old man with a white head sails against the wind and waves, and the realm is magnificent. Next, I associate Song Yu's "feminine style" and "heroic spirit" in Feng Fu with the prospect of Jiang Dafeng's sudden emergence. For Song Yuqiang, I don't understand Zhuang Zhou's grand purpose of "nature". The conclusion of "a little noble spirit, enjoying the wind in a thousand miles" inherits the theory of denying Song Yu's androgyny, but affirms the sigh of King Chu Xiang's "enjoying the wind quickly", which is skillfully combined with the meaning of "Kuaizai Pavilion" and expresses the poet's mighty personality and heroic and broad-minded mind. The main idea of an article is the next chapter. Taking "wind" as a clue, this paper highlights the image of "Pulsatilla" in the waves and reminds readers that the "Kuaizai Pavilion" between heaven and earth is like a boat of Pulsatilla in the waves. Poets wander in the rivers and seas of life, no matter how big the storm is, as long as they have a little integrity in their hearts, they will always be invincible and "happy" forever! The ratio of "a little" to "a thousand miles" is extremely small and great, which broadens the poet's mind and tolerance and is a concrete quantitative expression of his detachment from things and his philosophical attitude. Liaoyuan Huang said: "The word" fast "was used in the first place, and the word" fast "was used in the second place to write about the scenery. As soon as the word' suddenly' fell, the last two sentences came out, and the word' fast' was meaningful.
Fan Zhongyan: Fisherman's Pride Fan Zhongyan
The scenery in Qiu Lai is different. Nobody cares about Hengyang goose. The four sides are connected with each other. Thousands of miles. Long smoke and sunset, isolated city closed.
A glass of turbid wine is Wan Li's home. Ran Yan didn't return to nothing. The pipe strength is covered with frost. People are insomnia. The general was white-haired and in tears.
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This article describes the poet's cordial experience and tragic feelings of guarding frontier life. The last film, autumn scenery on the border, is written in terms of hearing and vision, and it is "thousands of miles away". The long smoke closes at dusk. "And Wang Wei's poem" Make it Fort ":"The desert is lonely and straight, and the long river sets the yen. "The artistic conception is similar but different. In the next movie, it's hard to go home, because soldiers are all United. The general was white-haired and the soldiers were in tears, reflecting the grief and indignation that there was no way to serve the country and his ambition was not paid. "A strong tube with frost all over the ground" depicts a moonlit scene of the army, which is full of emotion and typical significance. This poem, with its extensive dabbling and tragic style, brought fresh brilliance to the poetic world full of amorous feelings and love between men and women in the early Song Dynasty, and had a positive impact on the innovation of poetic style in the future. This is a rare masterpiece.
Jiang Kui: Niannujiao Jiang Kui is a Wuling guest, and Hubei Province is governed by Yan. The ancient city is wild with water and towering trees. Two or three friends and I were boating, during which the mint flower was drunk as mud, and the image was leisurely and inhuman. Autumn water is dry, and the lotus leaves come out of the ground to find their feet, because the pillars are sitting below and there is no sun on them. Breeze Xu Lai, Lv Yun automatic; It is also a pleasure to catch a glimpse of tourists drawing boats in sparsely populated places. When I came to Xing Wu, I counted sheep and lotus, and the West Lake was flooded at night. The scenery is amazing, so it is written in this sentence.
Make a scene. Remember to try Yuanyang for company when you come. Thirty-six cruel people have not arrived, and there are countless water clothes. Green leaves are cool, jade makes wine disappear, and rain sprinkles. Shake, Leng Xiang flies to the poem.
At dusk, the green pavilion is graceful, and the lover has gone, so why put up with Ling Bo? I'm afraid the dance clothes will fall off easily when they get cold, and I'm afraid I'll enter Nanpu and Xifeng. High willows hang in the shade, old fish blow the waves, leaving me to live in the flower room. How many fields, how much back to the sand.
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The author traveled between Hangzhou and Huzhou for 15 or 16 years. This article was written for him to go boating in Hangzhou West Lake to enjoy the lotus flowers. When I started boating to see the lotus, the boat stirred up bright red lotus bushes. I remember that when I came, I had formed a partner with a mandarin duck on the surface, and the artistic conception was beautiful. Look at thirty-six lotus ponds. There are more beautiful lotus flowers in Lotus Lake that many tourists have never been to. The beautiful and unique custom of "thirty-six vicious" but "no one comes" and the chic and simple style of "wind is clothes and water is admiration" are the real "endless" Leng Xiang. Deep in the lotus pond, a cool breeze blew between the emerald lotus leaves, the flowers were pink as if with residual wine, and there was dense rain in the aquatic plants. Lotus smiles and shakes beautiful images, and cold fragrance flies to poets' words praising lotus flowers. The next movie is about the infinite memory of the lotus dying and the destruction of the west wind. At dusk, the lotus leaf is graceful like a green umbrella cover, and the gorgeous face of the lover has disappeared. "How can I bear to go by boat?" I am afraid that in the cold autumn, I will be covered with sadness. "Strive for Patience" is about the feelings of lotus flowers, while "Fear" is about the worries of flower lovers. The sentimentality and retention of "Gao Liu" and "Lao Yu" made the poet more attached. The whole poem describes the beautiful shape and noble god of lotus, which embodies the poet's love for fragrance and beauty and introduces readers into a pure childlike world.