One of its outstanding manifestations is the abuse of colloquial style, typical of which is Yang Li's "Wulitou Writing" which appeared in the middle and late 1980s, and the "Pear Style" which appeared at the end of the first 10 in the new century and can be called "Wulitou Writing" (a descendant of Wulitou Writing). "Wulitou Writing" is a branch of "non-non-non-non-non-non-non-doctrine", which advocates "restoration of emotion, consciousness and language" and "anti-culture, anti-sublimity and anti-meaning". It was born in the early days, and it corrected the shortcomings of "false, big, empty and foreign" popular in China poetry circles in the 1980s and 1990s, and made poetry itself return to daily life and poetry language. However, times have changed. Today, the fatal shortcomings of "nonsense writing" such as shallowness, greasy, childish and boring are undoubtedly exposed. It can be said that "nonsense writing" and its aesthetic taste have become a disease of contemporary poetry. For example, Yang Li wrote in "Radish": "1am/ I went to Yanfeng Shopping Mall/bought 5 Jin of radish/came home/I cut the radish into small pieces/cooked it in a big pot/cooked it in less than half an hour/I served it/ate it/ate it quickly/only took a few bites. If there is a poem in it, it is like saying that the emperor wears new clothes. " "Spoken nonsense" is a little better than "spoken cliche", which I will talk about later because it uses fewer idioms and adjectives. Far from the literal language, it hollows out the stale meanings attached to words and images, and restores poetic language to the original ecology of oral language. It was indeed of pioneering value at that time, but after "emptying" the "value" and "meaning", how to write and what to write became "nonsense writing". This kind of work is just a shell with spoken words or symbols, just a collection or display of some spoken raw materials, and the truth of "existence" is submerged and dissolved in the running account and the appearance of weightlessness. Coincidentally, you, Yang Li, talk nonsense when eating radishes, and I, Zhao Lihua, came to eat navel oranges (2003) and said, "I got off work/I bought some navel oranges/I love eating navel oranges/I wrapped them up like you wrapped grapefruit/I ate them one by one/I also bought some Coprinus comatus and chicken fir/they actually have nothing to do with chickens". In other words, this kind of writing, which only pursues a certain superficial oral effect, copies, repeats, extracts and imitates the cliché words in spoken language-abusing the sense of spoken language, not to mention the variation of daily spoken language and the subversion of its routines, not to mention poetic, decadent and magical artistic creation. On the surface, it is eloquent, but in essence, it is shallow, boring and vague, dull and single, lacking depth and strength, with more words and less poems. Sometimes I think that the so-called mysterious things, such as "nonsense writing", are just one kind of "image writing" or "photographic writing". A poet doesn't need any activity of sensory organs, but only needs to write down what he saw, heard and did in a certain place immediately in popular language. This kind of mechanical and objective realism is really not a groundbreaking thing now. An independent language is to "never talk nonsense", "never talk platitudes" and "abandon the normative and normal language paradigm in the language system". When we have something to say, it is time to start writing. We should say what we want to say, not what we don't need to say. Since 2000, some poets who followed the trend (many of them were born in 1980s) copied a lot of nonsense poems, only to create a lot of junk branches on pages and webpages, which soon rotted away.
The second outstanding performance is "formulization of spoken language", that is, when some poets write in spoken language, they rely too much on the rhetoric in spoken language and imitate and apply idioms too much, resulting in the negative oral effect of "speaking outside and doing inside". Sha Yi, like Yang Li and Yu Jian I will mention later, is a poet whom I respect and treat. With his prolific writing, he promoted the popularization of oral poetry with daily life as the theme in the late 1990s and the beginning of this century. He wrote some good works and some "bad" things. Because of his one-sided pursuit of output and followers' "learning from the East", Sha Yi-style spoken language has evolved into "formulaic spoken language". This kind of spoken poetry always puts on a gentleman's face, writes personal experiences and personal life trivia in a tone of benevolence, righteousness and morality, and uses cliches and idioms to preach, show off and admonish. For example, Sha Yi wrote in Passing by (2005): "It's fun to fight with heaven/earth/people/saying that that person/wants to borrow the times/trends and strength/will have no hatred for it/just look at me a little unhappy/kill my immediate boss with one knife/because of economic problems/unclean hands and feet/just fall from a height/. He and his imitators often use ready-made proverbs, cliches and Mandarin to talk about things. Their written language is blunt and clumsy, general and boring, and sometimes there are ancient songs mixed with literary and vernacular. After rapid processing, some vivid oral language elements have become rough and mediocre branch products on the assembly line. I can't imagine a good poet who wrote Cars Crossing the Yellow River, and this poet who wrote Spring Water Rippling/On My Shore/... I know that I have drawn my sword/I have drawn my dagger, and I have peeped at No.4 Road in vain (Always My Robbery, 2002) and A single spark/Can start a prairie fire/... This is a big accident/... On the contrary, this kind of existentialism particularly emphasizes that poets should "keep the language innovative". The first two principles of our "independent language" experiment (these principles inherit the spirit of "literary improvement" advocated by Hu Shi in 19 17) are: "① Don't say what others have said (written), don't write, don't say. Don't speak and write in the language of the last century, and don't say old sayings and old sayings. " In addition, there is no need to waste your breath to comment on those vulgar "dirty words (yellow words, dirty words)" and "crazy words" like mental patients.
Stylization is caused by the decline of creativity and perception of some poets, following the trend of writing rhetoric norms and language grammar norms and repeating (borrowing, misappropriating and quoting) the language expressions of predecessors or others. Let me give an example of the decline of the poet's creativity. Please read the poem "Yellow River" written by Yu Jian in reading Kangxi's letters (2002): "Primary school students all know that this is a clever trick/regime change, and the deceased is like this river or that river/why is the money getting more and more and the sand getting less and less"-"clever tongue", "the deceased is like this" and "regime change" and "river or that river" It's also a cliche. This poem is a typical cliche and conformity. This kind of "cultural poem" and "beautiful poem", which are cloaked in "cultural reflection" and "value speculation" and use spoken or written language, uses regular and elegant words, but is trite and shoddy in essence. There are too many examples of poets' low creativity and perception, and some "government-run" publications are the most, so I won't say much here. We see that more and more readers and poets refuse to read or write things like "saliva poems" and "beautiful poems", and those poets who fool readers are ultimately fooling themselves.
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Liu Huan changed the lyrics of Rolling Pearl Curtain. Why don't netizens buy it?
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Middle-aged azhou
Basically agree with the views in the article!
20 14-2-24 14:05 Middle-aged Azhou's comment reply (0)
Liu yaojiu
Those guys should disappear at once.
20 14-2-24 16:20 reply (0)
lotus
In my opinion, poetry is an expression of beauty and emotion. I like pictures with rich language and beautiful artistic conception. If a poem
20 14-2-24 2 1:24 reply (0)
lotus
In my opinion, poetry is an expression of beauty and emotion. I like pictures with rich language and beautiful artistic conception. If a poem
20 14-2-24 2 1:24 reply (0)
lotus
In my opinion, poetry is an expression of beauty and emotion. I like pictures with rich language and beautiful artistic conception. If a poem can express profound meaning in simple language and arouse people's hearts, I think it is a good poem.
20 14-2-24 2 1:26 reply (0)
lotus
In my opinion, poetry is an expression of beauty and emotion. I like pictures with rich language and beautiful artistic conception. If a poem can express profound meaning in simple language and arouse people's hearts, I think it is a good poem.
20 14-2-24 2 1:26 reply (0)
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& lt Last article [reprinted] Liu Huan changed the lyrics of "Rolling Pearl Curtain". Why don't netizens buy it?
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