The original meaning of "ancient poetry" is poetry written by ancient scholars. Around the end of the Wei Dynasty and the beginning of the Jin Dynasty, a batch of five-character poems written by literati before the Wei and Jin Dynasties circulated. They have no titles and no authors. Most of them are lyrical poems with unique expression techniques and artistic styles, and are collectively called "ancient poems". Shen Deqian in the Qing Dynasty said: "Nineteen ancient poems are not necessarily written by one person, but were written at one time. They drove away ministers and abandoned their wives, had many friends, wandered in a foreign land, and felt a new connection between life and death. Some are allegories, some are explicit, some are repeated. . At first, there were no strange ideas or thrilling sentences, but the ancient poems of Xijing were all inferior to them." ("Shuo Shi □ Yu") In the Jin and Song Dynasties, these "ancient poems" were regarded as a model of five-character poetry. Lu Ji of the Western Jin Dynasty imitated 12 of them line by line. Tao Yuanming of the Eastern Jin Dynasty, Bao Zhao of the Song Dynasty, etc. all had "Ancient Poetry" to study the techniques and styles of "ancient poetry". By the Liang Dynasty, Liu Xie's "Wen Xin Diao Long" and Zhong Rong's "Shi Pin" theoretically summarized and commented on the artistic characteristics and value of "ancient poems", explored their authors, eras and origins, and generally determined that they were from the Han Dynasty work. At the same time, Xiao Tong's "Selected Works" and Xu Ling's "New Odes of Yutai" of the Chen Dynasty determined the scope of "ancient poetry" in terms of poetry classification: any work without a clear title is called "miscellaneous poetry" if it has an author, and "miscellaneous poetry" if it is unknown. "Ancient Poetry". Therefore, after Liang and Chen, "ancient poetry" has formed a special category name with a specific meaning. It is also known as the Yuefu Song Ci of the Han Dynasty. It specifically refers to the five-character poems written by unknown people in the Han Dynasty, and has developed into a poetic style that generally refers to the artistic characteristics of "ancient poetry". "Nineteen Ancient Poems" occupies the status of a representative work of "ancient poetry" in the history of literature, and this title has become a special title.
[Edit this paragraph] Ancient poetry style, also known as ancient style.
As the saying goes: Tang poetry, Song lyrics, Yuan opera
The ancient poetry style before the Tang Dynasty was a style of poetry that did not pay attention to meter and had no limit on the number of words and sentences. After the Tang Dynasty, due to the emergence of modern poetry, poets deliberately imitated the writing methods of ancient poetry in the Han, Wei and Six Dynasties in order to distinguish ancient poetry from the emerging metrical poetry, and restricted it in certain aspects, thus forming a fixed pattern of ancient poetry in the Tang Dynasty. The result is that the completely free poetic style before the Tang Dynasty was transformed into a semi-free verse between metrical poetry and free verse.
The number of words and lines of ancient poetry:
Ancient poetry has no fixed lines and no fixed style. All ancient poems are classified according to the number of words in the verses. Those with four characters and one sentence are called four-character ancient poems, referred to as Sigu; those with five characters and one sentence are called five-character ancient poems, referred to as Wugu; those with seven characters and one sentence are called seven-character ancient poems, referred to as Qigu. Four-character poetry has been used by people as far back as the era of The Book of Songs. But it gradually declined in the Tang Dynasty, and few people wrote about it. Therefore, ancient poetry is still represented by five-character and seven-character poems.
Five-character ancient poetry is the orthodox form of ancient poetry and has been written by many people.
Seven-character ancient poetry is not the mainstream of ancient poetry. This is because it originated relatively late. Therefore, the seven-character style is greatly influenced by the seven-character modern poetry.
Five-character ancient poems and seven-character ancient poems are both ancient-style poems with a neat number of words. There is also a type of ancient poetry with miscellaneous words, in which the number of words in the lines is mixed and uneven.
[Edit this paragraph] Common sense of ancient poetry
1. Rhyme: rhyme words at the end of rhyme sentences, such as Li Bai's "Quiet Night Thoughts" There is a bright moonlight in front of the bed, which is suspected to be frost on the ground. Raise your head to look at the bright moon, lower your head to think about your hometown. Guangshuang Township is a rhyme. Usually the third sentence does not rhyme, but there are also poems with irregular rhymes (such as "Looking at Tianmen Mountain").
2. Rhyme: Rhyming in poetry makes the tone harmonious and beautiful, such as Li Bai's "Silent Night Thoughts" rhymes with "ang".
3. The structure of the verse: ***eight sentences, one or two sentences are the first couplet, three or four sentences are the jaw couplet, five or six sentences are the neck couplet, and seven or eight sentences are the last couplet.
4. Rhythm and rhyme of ancient poetry:
From the perspective of sentence structure, the four characters of ancient poetry are generally two, two; the five characters are two, two, one; the seven characters are two , 2, 2, 1,
From a meaning point of view, sometimes there are special situations due to expressive needs, such as: Shiba|Five Mountains|Bian|Akagi, so it becomes 2, 2, 1, 2.
5. Because the ancient poems originally had no punctuation (punctuation was added by later generations), one line means one line.
[Edit this paragraph] Two explanations of poetic style in middle school textbooks
A brief discussion of ancient poetry styles and discussion of two explanations of poetic style in middle school textbooks
Ancient my country There are many styles of poetry, and there are also different opinions on the classification and name of ancient poetry. Especially for the three types of poetry, Yuefu, ancient style, and song-style poems, it is easier to confuse them. Because, from a formal point of view, Yuefu style and Gufeng style are both five-character style, while seven-character ancient poetry and songxing style are both seven-character style, so it is difficult to distinguish them. However, since ancient times, people have relatively unanimously recognized their differences in expression content, techniques, and style features, and have conventional names for them.
The eighth grade (Part 2) of the People's Education Press said in the second question of "Research and Practice" of "Five Poems": ""The Thatched House Was Broken by the Autumn Wind" and "The Song of Bai Xue Sending Judge Wu Back" "Beijing" are both "gexing style" poems with free form, fluent language and unrestrained style. Please talk about the similarities and differences between these two poems in terms of sentence structure, narrative and lyricism. "
Nineth grade again. (Part 1) The knowledge short article "How to Read" says: "Du Fu's "Shi Hao Li" has a broad rhythm and teaching, which is called ancient style..."
The name here is not in line with the custom.
It is customary for people to call Du Fu's "Thatched House" a "seven-character ancient poem", while Cen Shen's "Song of White Snow" is called a "seven-character poem". The editor also clearly saw the "difference" between the two poems, so he published Such a question. Although Du Fu's "Three Officials" and "Three Farewells" are in the same five-character form as "Gufeng", it is customary for people to call "Shihao Officials" "New Yuefu" instead of "Gufeng". In order to clarify this issue, a brief review of ancient Chinese poetry styles is needed.
The earliest poetic style in our country is the four-character "Book of Songs" style, followed by the "Chu Ci style" (also called "Sao style poetry") represented by Qu Yuan's "Li Sao", which uses The conjunction "zhi" and the modal auxiliary "xi" lengthen the sentence pattern, such as "The Miao descendants of Emperor Gaoyang are here" ("Li Sao"), "They are practicing Wu Ge and they are wearing rhinoceros armor" ("Guoshang"), which are the later five , the seven-character poem provides a precedent. Therefore, "The Book of Songs" and "Chu Ci" have become the sources of Chinese poetry.
In the Han Dynasty, the "Yuefu", an organization specializing in collecting various poems and folk songs, appeared. The most influential thing it collected was folk poetry. This is the "Han Yuefu" we can still see today. folk song". Its biggest feature is that it is highly realistic, popular and lively, and its form is mainly five-character. For example, "Long Song Xing" in the eighth-grade textbook (Part 1) and "Drinking Horses in the Great Wall Grottoes" and "Fifteenth Military Expedition" in high school textbooks are the "authentic" "Han Yuefu". The content and style of Han Yuefu folk songs influenced the poetry creation of literati at that time and later generations. By the end of the Eastern Han Dynasty, "Nineteen Ancient Poems", which represented the maturity of literati's five-character poetry, appeared, which absorbed many characteristics of Yuefu folk songs, which played a role in the development of ancient poetry style. Promoting effect. Especially in the Wei, Jin, Southern and Northern Dynasties and the Tang Dynasty, the development of Han Yuefu evolved into two main forms.
One is the "Ancient Yuefu" (also called "Old Yuefu") created by literati based on simulation. It borrows the title of "Han Yuefu" and writes new content, just like "new wine in old bottles" ", such as Cao Cao's "Stepping out of Xiamen" (Part 7), Yang Jiong's "A Journey to the Army", Li He's "A Journey to the Prefect of Yanmen" (Part 9), Li Bai's "The Road to Shu is Difficult" and "Jian Jin" "Wine" (High School), etc. The characteristic of these poems is that although they follow the title of Han Yuefu, the content is new, but there is a certain connection with the original title, such as "Joining the Army" is related to the military, "Yanmen Taishou Xing" is related to the frontier fortress. The content of the literati's imitation of Yuefu has changed from the narrative of Han Yuefu to mainly lyrical; in terms of form and technique, it draws on its popular and lively style but also "elegantly" adds a literati color , which improved the artistic taste. There are two forms of "Gu Yuefu": five-character and seven-character. The earliest seven-character Yuefu that can be seen today is Cao Pi's "Yan Ge Xing" in the Three Kingdoms period, and it reached the Qi and Liang Dynasties in the Southern Dynasty. Bao Zhaoshi worked hard on it and wrote "It's Difficult to Travel" (18 poems). Yuefu poems can be sung, while the seven-character Yuefu style is mainly recited. In terms of content, it is generally longer. When reciting, it flows like clouds and flowing water in one breath. It can freely change rhyme and rhyme to maximize the variety of content, structural transitions, majestic momentum, and emotional ups and downs. This poetry style is suitable for carrying larger ideological content and expressing excitement and unrestrainedness. Emotion not only has the popular and lively characteristics of ancient Yuefu, but also mainly expresses the emotions of literati. The form is mainly seven-character sentences, with occasional miscellaneous words. It is full of literary talent and can be read in a cadence, so it is also called "Song Xing". "Style".
The other mainly draws on the "Han Yuefu" narrative, which reflects the content characteristics of reality and the simple and popular expression characteristics, and uses it to reflect the social reality at that time to arouse People are paying attention to society. It no longer borrows the original title of "Han Yuefu", but is named according to the different contents that reflect the event. The so-called "Immediate Matters and Ming Chapter, No More Reliance". Du Fu in the Tang Dynasty was concerned about state affairs. He used his pen to reflect the social reality before and after the "An-Shi Rebellion" and wrote many such poems, such as "The Troops and Chariots" (high school), which focuses on the disasters brought to the people by the Tang Dynasty's aggressive military open war, and "Three Officials" ("Tongguan"). Officials", "Xin'an Officials", "Shihao Officials"), "Three Farewells" ("Newlywed Farewell", "Elderly Farewell", "Homeless Farewell") write about the great pain caused by the "Anshi Rebellion" to the people. In essence, it inherits the "Han Yuefu" tradition of "feeling sad and happy, and writing about things". Its form is no different from the five-character ancient poetry. Later poets such as Yuan Jie and Gu Kuang also wrote such poems. In the Tang Dynasty, realist poets such as Bai Juyi and Yuan Zhen used poetry to reflect social reality and attract the attention of the rulers in order to save the country from decline at that time. They vigorously promoted poetry forms such as Du Fu's and Yuan Jie's and dubbed them "New Yuefu". "" and launched the "New Yuefu Movement". They themselves also wrote a lot of "New Yuefu" in five or seven-character forms. For example, Bai Juyi's "Guan Qiaomai" (Nine Parts), "Selling" "Tan Weng", "Xinfeng Broken Arm Weng", "Du Lingsou", etc. are all "New Yuefu style" with strong narrative and easy to read. "Answers in the Bamboo Forest" says: "The distinction between ancient poetry and Yuefu has existed since the Han and Wei dynasties. The Yuefu syllables were not passed down, and people in the Tang Dynasty borrowed old titles to create new meanings. At least Ling did not copy the old titles, such as "Three Officials" and "Three Officials" Poems such as "Three Farewells" are true Yuefu poems." ("The Continuation of Qing Poetry", page 2225, Shanghai Ancient Books Publishing House, 1983) briefly points out the characteristics of new Yuefu poems.
There is another situation where literati studied "Han Yuefu", which mainly introduced the popular characteristics of Yuefu poetry into lyrical ancient poetry, which reflected the characteristics that were different from the simplicity and archaism of the previous five-character ancient poetry. The representative work is Li Bai's "Ancient Style" (58 poems) poems.
"Ancient style" is no different from five-character ancient poetry in terms of form and appearance, but there are differences in lyrical content and method. Zhao Zhixin of the Qing Dynasty answered the difference between Yuefu and ancient-style poetry in his "Tone Score": "The music and emotion are completely different. It takes only half a thought to understand them." ("Qing Shi Hua" p. 132, Shanghai Ancient Books Publishing House, 1963) "The music and emotion are very different. ” refers to the difference in content, emotion and charm. "Oubei Poetry Talk" further points out: "In ancient Yuefu, there are many works that ask for the thoughts of boudoirs and girls, and the green lotus is deeper than Yuefu, so there are also many works about husbands, resentments, wives, farewell, and separation. However, they all contain ancient meanings... and they contain hesitation. "Short words and long meanings, a direct legacy of national style. Shaoling no longer has this flavor." ("Qing Shi Hua Continuation" p. 1142, 1983) It can be seen that although it is also influenced by "Han Yuefu", Du Fu's "new style". There is a difference between "Yuefu" and Li Bai's "ancient style". Among Tang poetry collections, there are very few that are directly titled "ancient style". "Ancient style", "Five-character ancient style" and "New Yuefu" are free in form and do not pay attention to meter, so there is no problem of "wider meter".
When the seven-character song style developed into the Tang Dynasty, two situations also occurred. Because "metrical poetry" appeared in the Tang Dynasty (also called "modern poetry" to distinguish it from "ancient poetry" that did not talk about meter), one method was to intentionally introduce some syntax and techniques of metrical poetry into ancient poetry, and the other method was to intentionally introduce some syntax and techniques of metrical poetry into ancient poetry. Avoid the syntax and techniques of metrical poetry. Traditionally, people call the former type "seven-character poetry" and the latter type "seven-character ancient poetry" (referred to as "Qigu").
Some poets in the early Tang Dynasty, on the basis of inheriting the gorgeous layout of Qi and Liang poems in the Southern Dynasty, tried to introduce the sentence structure and antithesis of seven-character metrical poems into the song style, so Lu Zhaolin's "Chang'an" appeared Famous poems such as "Ancient Meanings", Luo Binwang's "Imperial Capital Chapter", Zhang Ruoxu's "Spring River Flowers and Moonlight Night" are majestic in length and momentum. The prose sentences are mixed with rhythm, antithesis and other sentence structures to reflect the broad social reality. It is praised for its ups and downs, ups and downs when read, and is called the "early Tang Dynasty style", thus giving the seven-character song a completely new look. In the prosperous Tang Dynasty, Gao Shi, Cen Shen and others wrote a large number of frontier fortress poems in this style, such as Gao's "Yan Ge Xing" and Cen's "Bai Xue Ge Sends Magistrate Wu Back to the Capital" (Part 8), "Zou Ma Chuan Xing Feng Feng" "The Doctor Departs for the Western Expedition" (Part 9), etc., these poems give full play to the characteristics of the "Early Tang Dynasty", with rich and magnificent content, unrestrained and passionate emotions, majestic and magnificent images, diverse techniques, and a combination of parallel and prose language, graceful and colorful, It's an uplifting read. In the middle Tang Dynasty, Bai Juyi and others incorporated narrative elements into this style and wrote famous pieces such as "Song of Everlasting Sorrow" and "Pipa Song". The seven-character song style also saw new development. Until the early Qing Dynasty, Wu Weiye (named Meicun) used this poetry style to write famous poems such as "Yuanyuan Qu", "Yonghe Palace Ci", "Xiao Shi Qingmen Qu", and "Listening to the Female Taoist Bian Yujing Playing the Qin". History, in terms of form, pays more attention to skills, rich diction, and precise use of allusions, forming a diverse artistic style, beautiful and moving, and popular among the people. It also raises the seven-character song style to a new height, known as "Meicun Style" . At the end of the Qing Dynasty and the beginning of the Republic of China, Wang Guowei and others also used this style to write poems such as "Ci for the Summer Palace".
Poets such as Du Fu and Han Yu consciously avoided the syntax of rhythmic poetry in the seven-character Yuefu style to reflect the ancient and simple style characteristics. They mostly used prose sentences and "Sanping" and "Sanping". The ending of "three squares" (such as "three-layered grass", "long forest tip", "sinking pond concave", "entering the bamboo", "sighing from oneself", "cold as iron", etc.), often uses strange and simple language to express This is not allowed in rhythmic poetry. In terms of content and style, this type of poetry often focuses on realistic themes and profound and melancholy emotions, which is different from the strong romantic color of the previous type of poetry. However, it pays attention to the grandeur of the content, the unrestrained and passionate momentum and emotion, and the changeable transitions of the structure, which are in line with the overall characteristics of the seven-character song style. For example, Du Fu's "Song of Thatched Cottage Broken by the Autumn Wind" (Part 8), Li Yi's "Climbing the Temple of Heaven and Seeing the Sea at Night", Han Yu's "Mountain Stone", "A Gift to Zhang Gongcao on the Night of August 15th" and "Visiting Hengyue Temple Suiyue Temple Inscription" "Gate Tower", Lu Tong's "Lunar Eclipse Poetry", "Zhubi Xie Meng's Admonition and Sending New Tea", etc., all have such characteristics, and are customarily called "seven-character ancient style".
There have been many previous discussions on the difference between the seven-character song style and the seven-character ancient poem. Liu Xizai’s "Introduction to Poetry" distinguishes the two types of characteristics like this: "The seven ancient poems can be designated as ancient and modern." Two styles. The modern styles are called Pian, Xieyi, Li, and Mian; the ancient styles are Shan, Yao, Shou, and Jin. , The reason why the prosperous Tang Dynasty is different." ("Continuation of Qing Shi Hua", page 2436) The "ancient" mentioned here refers to the seven-character ancient style like "Song of the Thatched House Broken by the Autumn Wind", which inherited the ancient poetry of the Han and Wei dynasties. It has the characteristics of simplicity and simplicity; "Jin" refers to the seven-character song style developed from the "Early Tang Dynasty", which inherited the Qi and Liang Dynasty's characteristics of advocating skill and seeking beauty. It can be said that these are two fruits with different flavors produced on the big tree of seven-character Yuefu poems in the Han, Wei and Six Dynasties.
The above is probably the basic overview of ancient poetry in my country. Together with the modern poetry (metrical poetry) with strict rhythms that appeared in the Tang Dynasty, it has become the basic form of ancient poetry in my country.
There are many classic poems in the book "Moisturizing Things".
Famous poets and famous sentences
Li Bai (701-762), also known as Taibai, also known as Qinglian Jushi
There will be times when the wind and waves break, and the cloud sails will hang straight Ji Canghai. "Traveling is Difficult"
Cut the knife to cut off the water, the water will flow again, raise a cup to relieve the sorrow, and the sorrow will become worse.
"Farewell to the School Secretary Shu Yun at Xie Tiao Tower in Xuanzhou"
I am born with talents that will be useful, and I will come back after spending all my money. "I will enter the wine"
If I don't see you, the water of the Yellow River comes up from the sky, and rushes to the sea and never returns; if you don't see me, the mirror in the high hall will have sad white hair, and it will turn into snow in the morning and evening. "I will enter the wine"
If you are happy in life, you must have all the joy, and don’t let the golden bottle stand empty against the moon. "About to Enter the Wine"
The green mountains on both sides of the strait face each other, and the lone sail is approaching the sun. "Looking at Tianmen Mountain"
The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky. "Yellow Crane Tower Sends Meng Haoran to Guangling"
Flying down three thousand feet, it is suspected that the Milky Way falls from the sky. "Wanglu Mountain Waterfall"
The wandering clouds convey the feelings of a wandering child, and the setting sun expresses the feelings of an old friend. "Farewell to a Friend"
The water in Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun's gift to me. "To Wang Lun"
The white hair is three thousand feet, and the fate is as long as the head. "Qiupu Song"
Toast a glass to the bright moon and form three people facing each other. "Drinking Alone under the Moon"
The apes on both sides of the strait can't stop crying, and the boat has passed the Ten Thousand Mountains. "Early Departure from Baidi City"
The moonlight shines brightly in front of the bed, which is suspected to be frost on the ground. "Quiet Night Thoughts"
Bai Juyi (772~846), Han nationality, named Letian, nicknamed Xiangshan Jushi, posthumous name "Wen"
Li Liyuan went to the grass, one year old and one prosperous. Wild fire, in spring. The distant fragrance invades the ancient road, and the clear green meets the deserted city. I sent the king and grandson away again, full of love. "Farewell to the Ancient Grassland"
Jiangnan is good, and the scenery is familiar to me. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. How can we not remember Jiangnan? "Recalling the South of the Yangtze River"
Du Fu (712--770 AD), also known as Zimei, was a poet of the Tang Dynasty, Han nationality, and called himself Shaoling Ye Lao
He has read thousands of volumes and writes like a master. . "Twenty-Two Rhymes Presented to Wei Zuocheng"
The wine and meat of Zhumen smelled bad, and there were frozen bones on the road. "Five Hundred Words of Ode to Love from Beijing to Fengxian County"
I am moved to tears by the flowers, and the birds are frightened by the hatred. "Spring Hope"
The war rages on for three months, and letters from home are worth tens of thousands of gold. "Spring Outlook"
It is the beautiful scenery in the south of the Yangtze River, and you will see it again when the flowers are falling. "The Year of Li Gui in the South of the Yangtze River"
Two orioles sing in the green willows, and a row of egrets ascends to the blue sky. "Four Quatrains (Part Three)"
Chiri, the mountains and rivers are beautiful, and the spring breeze is fragrant with flowers and grass. "Two Quatrains (Part 1)"
The new pine trees hate to be thousands of feet high, and the evil bamboos must be chopped down to ten thousand poles. "On the way to the thatched cottage in Chengdu, I sent five poems to Yan Zhenggong (Part 4)"
The butterflies dance all the time while the orioles sing at ease. "Seven Quatrains Walking Alone by the River Looking for Flowers (Part 6)"
Fish come out in the drizzle, and swallows slant in the breeze. "Two Poems on the Threshold of Water (Part 1)"
Sneak into the night with the wind, moisturizing things silently. "Joyful Rain on a Spring Night"
When the meeting is at the top of the mountain, you can see all the small mountains at a glance. "Wang Yue"
Tonight, I can only watch the moon in my boudoir alone. I pity my children from afar, but I still remember Chang'an. The fragrant mist and clouds make the servant girl wet, and the clear jade arms are cold. When will I lean against the false veil and see my tears dry?
Su Shi (1037-1101), also known as Zizhan and Hezhong, was also known as "Dongpo Jushi". He died at the age of 66.
If you want to compare the West Lake to the West, it is always better to put on light makeup and heavy makeup.
I don’t know the true face of Mount Lu, just because I am in this mountain.
Three or two branches of peach blossoms outside the bamboo are a prophet of the warmth of the spring river.
The great river goes eastward, and all the waves are gone, and there are all the romantic figures of the ages.
When will the bright moon appear? Ask the sky for wine. I hope that people will live long and travel thousands of miles to meet Chanjuan.
Wang Zhihuan (688-742), courtesy name Ji Ling
If you want to see a thousand miles away, reach a higher level.
Far above the Yellow River, among the white clouds, is an isolated city called Wanren Mountain. Why bamboo flute complain willow, spring is not degree Pass.
Meng Haoran (689～740), Han nationality. The real name is Hao, and the courtesy name is Haoran
The sky is wide and the trees are low, the river is clear and the moon is close to people.
The sound of wind and rain at night makes one know how many flowers have fallen.
Wang Changling (690-756), courtesy name Shaobo, Han nationality
The bright moon of the Qin Dynasty and the Han Dynasty passed, and the people of the long march of thousands of miles have not yet returned. But the flying generals of Dragon City are here, and Hu Ma is not taught to cross the Yin Mountain.
The yellow sand will wear golden armor in a hundred battles, and Loulan will never be returned until it is broken.
When relatives and friends in Luoyang ask each other, their hearts are filled with ice in a jade pot.
The green mountains and the clouds and rain, how could the bright moon ever be the two towns.
Wang Wei (701-761), whose courtesy name was Mojie
I advise you to drink another glass of wine and leave Yangguan in the west without any friends.
No one can be seen in the empty mountain, but people can hear their voices.
The people in the deep forest don’t know that the bright moon comes to shine.
I hope you will pick more of them, this is the most loved thing.
Being a stranger in a foreign land, I miss my family even more during the festive season.
Cén Cān (approximately 715-770) Tang Dynasty poet
The north wind blows and the white grass breaks, and the sky is full of snow in August. Suddenly a spring breeze comes overnight, and thousands of pear trees bloom.
Liu Zongyuan (773-819), courtesy name Zihou
Thousands of mountains and birds have disappeared, and thousands of people have disappeared. Boat PC World Weng, fishing alone trees and snow. "Jiang Xue"
Liu Yuxi (772-842) was named Mengde
The mountain is not high, but it is famous if it has immortals. If the water is not deep, if there is a dragon, it will be spiritual.
Since ancient times, autumn has been sad and lonely. I say that autumn is better than spring. A crane flies above the clouds in a clear sky, bringing poetry to the blue sky.
Looking at the green mountains and rivers of Dongting from a distance, there is a green snail in the silver plate.
The sun rises in the east and rains in the west. There is no sunshine but there is sunshine.
Now we go straight up the Milky Way to the home of the Morning Glory and the Weaver Girl.
Jia Dao (779～843), a poet of the Tang Dynasty
Lulu after Lulu, a hundred years of double turning. A man with lofty ideals is at heart all night long, and a good horse is at full strength during the day.
No one is idle, who is the best friend? There are two lines of tears in the eyes, and I have offered jade three times.
Du Mu (AD 803-about 852) was a Han nationality, whose courtesy name was Muzhi and whose name was Fanchuan Jushi
The east wind did not agree with Zhou Lang, and the bronze bird spring locked Erqiao deeply.
The cold autumn light of silver candles paints the screen, and the small light fan flutters at the flowing fireflies.
Thousands of miles away, the orioles are singing, the green is reflected in red, and the wine flags are blowing in the mountains and rivers of water. There are four hundred and eighty temples in the Southern Dynasty, and there are many towers in the mist.
It rains heavily during the Qingming Festival, and pedestrians on the road feel like dying. When I asked where the restaurant was, the shepherd boy pointed to Xinghua Village.
I park my car and sit in the maple forest at night, the leaves are as red as the flowers in February due to frost.
Li Shangyin (about 812 or 813 - about 858), Han nationality, named Yishan, also known as Yuxisheng and Fan Nansheng
The sunset is infinitely beautiful, but it is almost dusk.
Spring silkworms will not run out of silk until they are dead, and wax torches will not dry until they turn to ashes.
I don’t have the wings of a colorful butterfly, but I have a clear mind.
Ouyang Xiu (1007-1072), also known as Yongshu, also known as Drunkard, in his later years he was known as Liuyi Jushi, and his posthumous name was Wenzhong
Yang Wanli (1127-1206 AD), also known as Drunkard Tingxiu, who calls himself Chengzhai Yike
The little lotus has just revealed its sharp corners, and a dragonfly has already stood on it.
The lotus leaves touching the sky are infinitely green, and the lotus flowers reflecting the sun are uniquely red.
Shi Yang (?) a famous writer.
The dewdrops wet the sand wall, and the dusk and dawn are quiet.
Lu You (November 13, 1125 - January 26, 1210, ziwuguan, nicknamed Fangweng
After death, he knew that everything was in vain, but he was not as sad as Jiuzhou. Wang On the day when the division was set in the Central Plains, the family sacrifices were not forgotten.
Tang Wan was named Huixian, and the date of his birth and death is unknown.
The world is weak and human beings are evil. Rain brings flowers at dusk. Falling. The morning wind is dry, and the tears are still there. I want to write my thoughts. It's difficult! It's difficult! It's difficult!
People are different, and the sick soul is always like a swing. He was afraid of being asked, so he pretended to be happy.
Xin Qiji (1140-1207) was a poet in the Southern Song Dynasty, whose original name was Tanfu and his nickname was You'an. Xuan.
Li Qingzhao (1084 ~ about 1155) was an outstanding female poet in the Southern Song Dynasty.