Songshi Dazu
All waters return to the yin, so the tide is full moon.
Partial only, cool autumn and half broken, fighting into a pair of unique.
Something grinds the golden mirror, who will take the galaxy?
I'm going to ask Zixu to see Chang 'e tonight, and I've come to settle my grievances.
The light goes straight down, Longdong; Straight up, toad hole.
Looking at the world, the hole is like a brush.
Excitement can drive away powder, and a toast can swallow five mountains.
The Ming dynasty said it was like Cao, and my heart was breaking!
Appreciate:
Shi Dazu was originally a graceful and restrained poet. The reason why predecessors praised him is mainly because he has that kind of graceful and delicate ci style.
In fact, his ci style is not limited to "graceful and restrained". Like this poem, it expresses the heroic passion that he seldom sees in his chest, and the style is also gloomy and impassioned, which is of great help to deepen our comprehensive understanding of him and his words.
Mid-autumn tide is a spectacular sight of nature. As early as the Northern Song Dynasty, Su Shi wrote "Five Wonders of Watching Tide on August 15th", and his first poem said: "You should know that the jade rabbit is very round, and it has been frosty in September. The message is that the door is closed and the night tide stays in the moon. " Xin Qiji of the Southern Song Dynasty also wrote Fishing. Prime Minister Ye Shangguan Chao and other outstanding works. Shi Dazu's Mid-Autumn Night Tide is, to a certain extent, an inheritance of Su and Xin's bold and unconstrained ci style. It wrote the mighty momentum of the night tide, the bright moonlight in the Mid-Autumn Festival, and expressed a passion in his chest, which made people seem to hear the sound of Qiantang coming. Because it was written in the "Mid-Autumn Night Tide", the whole word was written very close to the tide and the bright moon. The first two sentences, "Water belongs to Yin, so the tide is full of faith and the moon is empty", respectively explain the tide and the moon, meaning that water belongs to Yin and the moon is the essence of the Moon, so the surplus and emptiness of the tide-the ebb and flow of the tide are related to the moon. The two groups of verbs "Gui" and "Xu Ying" used here store huge "potential energy" for the following description of high tide at night. Imagine: how much "power" has accumulated in the river of no return. Now, under the gravity of the moon, it will come back again, lift all its strength and rush to Qiantang River, which will be even more spectacular and thrilling! Therefore, after explaining the tide and the moon respectively, I put them together and wrote, "Only when it is partial, the cool autumn is half broken, and the bucket is double." It refers to the Mid-Autumn Festival (that is, when the autumn is cool and half broken), the ten-minute full moon and the "August tide" from the "snow spraying on the mountain" (Li Bai's "Hengjiang Ci": "What is Zhejiang like in August? The road is like a mountain spraying snow), and it has become a spectacular "double wonder" of heaven and earth. Where are they "strong" and "weird"? The following two sentences are written separately: "Something cleans the golden mirror" is about the moon. After someone cleans it again, the moon seems brighter and rounder: "Who will take the Milky Way" is about the river tide, which washes down like a gap in the Milky Way. For the latter, we might as well quote a detailed description of the tides in Zhejiang (Qiantang River) from the Southern Song Dynasty to read with it, so as to strengthen our perceptual knowledge. The article "Watching the Tide" in the third volume of Old Wulin wrote: "The tide in Zhejiang is also a grand view of the world. From hope to 18, it is the most prosperous. Fang Qi is far away from Haimen, just like a silver line; As soon as we approached, Yucheng Xueling came the next day. Loud as thunder, shocking and whipping, swallowing the sky and covering the ground, extremely heroic. " As for the former (Mid-Autumn Moon), there are many descriptions by predecessors, so there is no need to repeat them. In short, here and now, watching the bright moon and listening to the river tide, how can we not be amazed and excited? However, due to the different life experiences and specific moods of tide watchers, their associations and feelings are different in the face of the "double wonder" of this world. For example, Pan Lang in the early Song Dynasty wrote that his mood after watching the tide was "I don't watch it several times in my dream, but I am still chilling in my dream" ("Jiuquanzi"), mainly about his thrilling feeling; Su Shi, on the other hand, after watching the tide, "laughed at the tide and lost his job" (Nan Gezi), and seemed to realize the philosophy that life is like "sand in the tide" ("turning the world into dust and sand"). Xin Qiji said: "What do you know when you are tired? The white horse goes east. Unfortunately, human nature is eternal "("fishing "). In his view, it is the ghost of Wu Zixu who drives the white car! The word Shi Dazu expresses another kind of imagination and artistic conception: "I want Zi Xu to see Chang 'e tonight and settle my grievances. "A key point here is the word" snow ":the moonlight is white and crystal clear, and white waves pour like snow-capped mountains, which symbolizes that Wu Zixu's grievances have been washed away! -Zhang Xiaoxiang's "Niannujiao". " "Crossing Dongting" writes that the Mid-Autumn Festival is approaching, and the moonlight is flooding the lake: "The bright moon is in the sky, and the bright river shines, both inside and outside are bright. "There is another cloud:" When you are alone, you are full of ice and snow. "This is actually about his noble character of" transparency "and" courage and snow ". The poem "Seeing Chang 'e with a child" in the epic is intended to express Wu Zixu's childlike heart through the scene of a bright moon in whitewater, and also to rehabilitate a loyal and patriotic hero like Wu Zixu. According to Jiatai's fourth year in May, Han wrote to Ningzong after having sex, and made Yuefei the "King of Hubei". In April of the following year, he again investigated Qin Gui's crime of neglecting the country and corrected "absurdity and ugliness". Regardless of the subjective purpose of Han's move, objectively it undoubtedly increased the ambition of the anti-Japanese faction, greatly destroyed the prestige of the capitulators, and upheld justice for Yue Fei. As a great man of Hanmao Machinery, Shi Dazu wrote in his writing that Wu Zixu's grievances were cleared up, even related to this matter. Make us understand that although history is a "courtier", it also has its own political likes and dislikes and concerns about state affairs.
Xia Tan continued to write closely with Jiang Chao and Mingyue. "When the light goes straight down, the Dragon Cave" is about the moon and the sea: the moonlight shines directly at the dragon cave on the seabed; "Straight up, Toad Cave" is about the tide, the moon: the sound of the tide directly shocked the moon palace where Toad was hiding. The word "straight" is magnificent, which fully shows the spectacular scenery of jathyapple and the mid-autumn night tide. "Looking at the heavens and the earth, the hole is like a brush", then combine the two: the sky is clean, the moonlight is clean, the "ground" is clean, and white waves spray snow; From top to bottom, there is a school of "holes are like brushes", that is, Zhang Xiaoxiang's so-called "crystal world". In this respect, the poet's heart is excited again. "Excitement can drive makeup, and a toast can swallow five mountains. When the Ming Dynasty said it looked like Cao, my heart would break! " These first two sentences are just in line with the so-called "empathy" theory today. According to this "empathy theory", in the process of creation, things and I can influence each other and penetrate each other. For example, if the emotion of "I" is transferred to "things", there will be Du Fu's poems such as "longing for spring" and "the petals have shed tears, and the lonely bird has sang sorrow". The form and spirit of "things" will also affect the poet's mentality and mood. For example, when people see pine trees, they will feel virtuous, when they see plums, they will feel detached and exquisite, and when they see chrysanthemums, they will feel the cold in Ao Shuang. Shi Ci clearly said "I can arouse my anger" and "I can raise my glass", and these last two sentences clearly expressed his lofty sentiments of arousing my anger, which were induced and surging under the Vichy scenery of "light down" and "sound up". Of course, this is also related to his innate conditions for inspiring lofty sentiments. Inspired by foreign things, a passion goes straight to the clouds, as if driving away the makeup (beauty) in the middle of the month; This passion made him drink a cup, as if he could swallow the five mountains in one gulp. These two sentences are "sophistry". One shows the author's open mind and passionate mood here and now; The other-if you think about it carefully, it also includes hatred and condemnation of Fu Cha, the king of Wu, Gou Jian, the king of Yue, or the bait stone of "honey trap", because it was they who conspired to kill Wu Zixu! Therefore, although these two sentences are all about their own excitement and lofty sentiments, they are based on two aspects: "Moon" (the fairy in the pink moon) and "Tide" (the story of Xu Zuotao brewed by the wuyue dispute). Therefore, we can't treat them as digressions. The last two sentences "sum up" the above words: you won't be surprised if the Ming Dynasty tells your generation about the wonders I saw and the lofty sentiments I was born in watching the tide tonight ("Ercao" means contempt)! At this point, the love of words reached a climax, but at the same time it came to an abrupt end, which made people feel buzzing in their ears.