On this side of the quarry, there are endless weeds around the cemetery, and white clouds are far away.
Sadly, the bones in the depths of the cave once wrote earth-shattering poems.
As long as he is a poet, most of his fate is not good, and the poet is poor and frustrated, nothing is better than Li Jun.
Label: the purpose of mourning poems
By the quarrying river, the graveyard is surrounded by endless weeds, far away from white clouds.
Sadly, the bones in this grave have written earth-shattering articles.
As long as they are poets, most of them have bad fate. Poets are poor and frustrated, and no one has surpassed Li Jun.
Li Bais Tomb's Notes (1) Li Bais Tomb: Li Bai, a great poet in the Tang Dynasty, died in Dangtu (now Anhui) and was first buried in Longshan. In the twelfth year of Yuanhe (8 17), he moved to Qingshan in the first month. Today, there is still a tomb site in Xiacai Town, Nancai Mountain, Maanshan, Anhui Province. Poets used to chant here.
(2) Quarrying: Rock quarrying, formerly known as Niuzhuji, is located on the east bank of the Yangtze River in Maanshan City, Anhui Province, where the northern section of Niuzhushan Mountain protrudes from the river. The river is narrow and the situation is dangerous. Since ancient times, it has been an important ferry crossing between the north and the south of the Yangtze River, and it is also an important town for river defense. Legend has it that Li Bai was drunk and drowned in the moon. There are monuments such as Taibai Pagoda and Moon Catching Pavilion.
(3) Tian: refers to the cemetery.
(4) Pity: deplorable and pathetic. Bare ridge: a bare grave. Poor spring: under the spring, it refers to the underground and grave where people are buried.
5. earth-shattering: describing what happened is extremely unusual and shocking. This is a high evaluation of Li Bai's poems, which can touch the world.
[6] But: But always, just. Unlucky: Bad luck, bad fortune.
(7) Right: Among them. Fall: Down and out, poor, frustrated. Jun: Li Bai.
Appreciation of Li Bais Tomb Li Bai's fame is immortal, but he suffered misfortune before his death, fell down, died of depression, and had a humble cemetery. The poet was deeply moved when he paid tribute to the people of Sri Lanka. The desolation of Li Bai's cemetery in the poem expresses sincere admiration and admiration for Li Bai's achievements in poetry and prose, and infinite sympathy for his poor life.
The first two sentences of the poem describe the simplicity and desolation of Li Bai's cemetery, and through the description of the surrounding environment in Li Bais Tomb, a desolate atmosphere is set off. "Pity" is pity for the cold bones lying in the wilderness. When he was alive, he wrote earth-shattering poems. Here, through the words "cherish" and "once had" with strong feelings, the contradiction between the greatness of Li Bai's poems and the desolation of the cemetery after the death of a generation of poets is clearly demonstrated, which directly shows the poet's grief and indignation. Although Li Bai is desolate and indifferent after his death, he is immortal, and his poems that make the gods cry will remain in the world forever and be loved by people forever. The last two sentences put forward the problem that the poet is unlucky, and the higher Li Bai's talent, the thinner his life is, expressing the poet's deep sympathy and injustice for Li Bai's ups and downs, and praising Li Bai's greatness again from the side. The ending is endless, the meaning is endless, and it is intriguing.
The form of this poem adopts the variation of seven laws, and six sentences are rich in pregnancy and deep in feelings. Li Bai's outstanding achievements in the whole poem form multiple contrasts with Li Bai's bumpy fate, the desolation of the cemetery after his death and the gloom of the later literary world, thus giving the works a thrilling artistic appeal.
Li Bais Tomb's related content creation background Author: anonymous seven words Li Bais Tomb wrote in the 15th year of Zhenyuan (799), and Bai Juyi was 28 years old in Xuanzhou (now Xuancheng, Anhui). Li Bais Tomb was an observer in Longshan and Yuanhe for twelve years (8 17). ...
Bai Juyi (772 ~ 846), the author of Li Bais Tomb, was born in Xinzheng, Henan (now xinzheng city, Zhengzhou, Henan). He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi was born in Dongguo Village, Xinzheng, Zhengzhou (now Dongguo Temple Village, xinzheng city) in the first month of the seventh year of Tang Daizong Dali (772). Bai Zu was born in Taiyuan, Shanxi, and Bai Juyi's grandfather moved to Xiazhai (now Weinan North, Shaanxi). Zhong Bai used to be the magistrate of Gongxian (now gongyi city, Zhengzhou, Henan), and he was friends with his neighbor Xinzheng magistrate at that time. Seeing the beautiful scenery of Xinzheng, Bai Juyi moved to Xinzheng. He was born in Xinzheng, Henan. He was buried in Luoyang, Henan Province after his death. The memorial hall of Bai Juyi's former residence is located in the suburb of Luoyang, and the White Garden (Bai Juyi's Tomb) is located in Pipa Peak in Xiangshan, south of Luoyang. Bai Juyi's poems have a wide range of themes, diverse forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on.
Bai Juyi's Other Works ○ Song of Eternal Sorrow
○ Spring Tour of Qiantang Lake
○ farewell of grass/endowed with ancient grass
○ Look at wheat cutting.
○ Recalling Jiangnan, Jiangnan is good.
○ More works by Bai Juyi