Author: Dai Fugu-"Looking at Jiangnan"
content
Shi Ping is old and lives in Haidong Cloud.
As an ordinary Tian Sheren, how can you call yourself a poet?
It's no use wasting energy.
A thousand richest people can't save a lifetime of poverty.
Jia Daozhi is thin, and Ling Du's words are like a village.
Who knows Quincy?
Appreciate:
In the preface of this poem "Looking at the South of the Yangtze River", the author said: "Since the courtiers told Song Hushan what they had never said, Hushan must have an answer, and the courtiers laughed at themselves." In the Song Dynasty, Hushan people were named Xunzi, and the word Qian Fu was named Hushan. I-word, "Yu Pu", has been lost. This poem was given to him by his father and written by Dai after reading his life story. It's the first of three self-deprecating poems.
This is an extremely rare work on poetry with words, which inherits the tradition of Du Fu's poetry in Xin Qiji's Yu Meiren and is quite valuable. The ci affirms Jia Dao's and Du Fu's poems, criticizes the argument that Kunxi poets sneer at Du Fu as the "master of the village", and reveals the conceit of his own poems. The language of Chinese characters is simple, but the meaning of Chinese characters is tortuous and euphemistic. "At first glance, this poem is simple, but its meaning is profound. On the surface, it is self-deprecating, but in fact it expresses its profound opinions. This euphemistic style is mainly expressed by irony and contrast.
In the first film, the comparison between "Tian She Zi" and "Poet". At the beginning of the word "Shi Ping is an old man living in Haidong Cloud", he pointed out his residence and origin in plain language, and felt safe and complacent about his seclusion and poverty. However, it is called a poet, and writing poetry is a "useless and spiritual" thing. This is self-mockery. On the one hand, he showed his chagrin, on the other hand, he also showed his conceit as a poet. Using contrast and irony, it is straightforward.
Secondly, the contrast between "rich" and "poor". "A thousand rich people don't save the poor for a lifetime" is the footnote of the last movie, and it is also the beginning of the back. It is a link between the preceding and the following, which is reasonable and reasonable.
Material poverty and spiritual abundance are the portrayal of their own situation, as well as that of Jia Dao and Du Fu. He expressed sympathy for Jia Dao and Du Fu, lamented his own situation, and "not saving" revealed a feeling of indignation. "Enrichment" also includes a sense of conceit about one's own poems. The combination of "rich" and "poor" reflects each other, seemingly simple, but in fact profound.
Thirdly, compare Jia Dao and Du Fu's "thinness" and "village" with Quincy. Jia Dao lived a miserable and lonely life. His poems are good at tempering words and winning, and are famous for their bitter songs. Su Shi said that he was "thin in the suburbs". Du Fu was also poor all his life, wandering and migrating, and his poems were appreciated in a depressed and frustrated style, while the poet Yang Yi denounced him as the "master of Zhuang" (see On Gong Fu's Poems). The author skillfully grasped the words "thin" and "village" and organized them into sentences, which contained extremely rich contents. "Thin" and "village" are not only the characteristics of Jia Dao and Du Fu in form and language, but also the outstanding style of their poems. The words "Zi Yuan" and "might as well" show the author's affirmation of these two styles. The poet's poverty is the poet's living condition, and it is "poverty" that makes the poem famous for a while. Who knows Quincy? Why not learn? It turns out that Quincy's poems are empty in content and pursue antithesis and formal beauty, but they are just collecting allusions and accumulating words. It seems that it is not "thin" or "village", but it is flashy.
Although the author didn't say it clearly, he skillfully used this rhetorical question to form a contrast. The negation of Kunxi style includes the affirmation of Jia Dao and Du Fu. Straight means tortuous and thought-provoking.
In a word, this poem expresses its own feelings and opinions with self-deprecating brushstrokes, which produces a unique humorous temperament. It implies the conceit of his own poems and shows his attitude towards Jia Dao, Du Fu's poems and Quincy's style. The application of contrast and irony in writing, especially subtly enhances persuasiveness and makes the text interesting, profound and intriguing.