The sweetness of meeting and the bitterness of loneliness are all memories of you and me. Colorful, transparent and charming poems belong to your music love songs! Take you back to your first love, home, the morning dew of life, and have a sweet rest in the embrace of the piano sound-pure piano sound, telling infinite love. Elegant piano playing can arouse your fond memories of the place you once loved ... Hakka Zheng and Chaozhou Zheng have been in the same place for a long time, which will naturally influence and absorb each other. Many of their tracks are the same, and the shape of the Zheng used is the same. As for the differences, for example, Hakka Zheng uses Miyachi notation and Chaozhou Zheng uses Si Er notation; When playing, Hakka Zheng mostly uses the middle finger, while Chaozhou Zheng relatively uses the index finger. Moreover, the interval and fluctuation of the former glide are larger than the latter, which makes the zither sound long. In style, Hakka Zheng is melodious and long, simple and elegant, and Chaozhou Zheng is beautiful and feminine.
The guzheng performance of Guangdong Hanle has a long history. It is based on Gao Han's old music (that is, Chinese music) and influenced by local styles and dialects, forming a quiet and implicit style. Hakka Zheng music is a solo music gradually formed by the enrichment, enrichment, development and refinement of Hakka Zheng people in the past dynasties.
The repertoire of Hakka Zheng is very extensive, including "major" and "cross-tune". Strictly speaking, the major is Liubaban, which is consistent with Henan Bantou, and the rest are crosstalk.
Hakka Zheng music is famous for its simplicity, elegance, elegance and generosity, and Shuilian is one of the typical representatives of this artistic style. There is no definite number of strings, which has the characteristics of China traditional opera music. In order to facilitate the mastery of tonality, the application of techniques and the presentation of music content, music is divided into "soft set", "hard set" and "anti-line". Most of the traditional calligraphy scripts and printed books record the "bone-tuning" of the melody trunk, while fingering, "variation" and "flower-adding" are arranged according to the player's understanding of the music and the accomplishment of Hakka music.
Zhejiang Zheng: Wulin Zheng, also known as Wulin Zheng, is popular in Zhejiang and Jiangsu. It is said that the Zheng was introduced to Jiankang (Nanjing) in the Eastern Jin Dynasty, which was more common in poetry and writing in the Tang Dynasty.
tone colour
Erhu: Different processing materials and shapes of various musical instruments will affect their timbre. Erhu is soft and lyrical, and its voice is very singing, just like human voice. On the one hand, it depends on whether the pitch and tension of the internal and external tuning strings are appropriate, and on the other hand, one side of the piano barrel is made of python skin. Therefore, in general, when playing, you can make a peaceful and feminine sound without pressing the strings or lifting the bow vigorously.
Banhu and Jinghu are higher in tune than erhu. Because of its high string tension, the left and right hands use more force than the erhu when playing, thus obtaining the magnificent timbre of this instrument. In the traditional banhu playing method, especially in the accompaniment of traditional opera music, we often see that the fingers of the player's left hand have iron hoops, which is to increase the strength of the fingers to press the strings, so as to obtain the sound of their strength. In order to increase the friction between bow hair and strings when playing Jinghu, rosin is directly dripped on the piano barrel to make it make a loud and clear sound. Of course, the reason why Jinghu can play such a timbre is related to its small bamboo piano barrel and thin snake skin.
Although Gao Hu's piano barrel is relatively small, and its tuning is higher than that of erhu, because it is made of wood and python skin, you can get melodious and soft timbre without using as much force as when playing Jinghu or Banhu.
The lever and drum of Zhonghu are longer than Erhu, bigger than Erhu, the tuning is four degrees lower than Erhu, and the strings are thicker than Erhu. When playing, the strength of the left and right hands is relatively greater than that of the erhu. Because the barrel is also made of python skin, the sound is rich and round.
While learning techniques and mastering styles, we should also understand the connotation of music. Only with a deep understanding of music can we reveal and express music more deeply. This is the essence of music learning, and it is also the highest realm that we pursue in learning music.