Paper Keywords: Green Pearl Tang Dynasty beauty double suicide
Abstract: There is only one green bead in history. The green beads written by different writers in different times are "various explanations" for the story of green beads. From the Jin Dynasty to the Northern Dynasties, poets mostly praised Lvzhu's beauty and talent, and there were many works praising Lvzhu's beauty and talent in Tang poetry. However, people gradually viewed Lvzhu's story from a moral point of view, either praising or derogating, and made their own "own" according to their own interests and experiences. The prototype of the story of the Green Pearl also provides a possible factor for future generations to explain different views on the Green Pearl.
Green pearl, beauty, fell to her death. Her early death is a pity. After the Jin Dynasty, Lvzhu became the object of praise by many poets and poets. From the Jin Dynasty to the Southern and Northern Dynasties, poets mostly praised the beauty and talent of Lvzhu, but did not rise to the level of moral judgment. After the Tang Dynasty, there were also many works praising the beauty and talent of Lvzhu. For example, in Wang Bo's Poem on Lotus Picking, he said, "The demon couple live in Shicheng and entertain their friends in Jingu. Therefore, the story of the Green Pearl has been praised and refined [1], but people gradually look at the story of the Green Pearl from a moral point of view, either praising or derogating, and the story of the Green Pearl, which was accepted and recreated by the Tang Dynasty, has a special and profound significance.
Compared with the Jin Dynasty and the Southern and Northern Dynasties, the text of Green Pearl presents diversity. In addition to historical biography, poetry and other traditional literary styles, the number of "The Green Pearl" in literary styles such as notes and novels has increased significantly. Let's sort it out one by one.
First, the former beauty was the best monarch-Lvzhu died for her chastity.
Lvzhu fell from the building and was passed down as an eternal story. After a lapse of half a century, a love tragedy happened in the Tang Dynasty under the direct inspiration of the violent behavior of Green Pearl falling from a building, which is strikingly similar to that of Green Pearl falling from a building. The Book of Old Tang Dynasty (190) records that Joe had a maid-in-waiting, saying that she was beautiful and could sing and dance, and Wu took her away. Because she wrote green beads, she gave them to the maid-in-waiting, who was very angry and committed suicide. Great anger, because of the irony cruel Luo Zhi [2]. It is worth noting that when the story was recorded in the ninth volume of Song Dynasty Local Records Novels, it was obviously derogatory to include it under the title of "confusion and drowning" instead of the sympathy and lament of the predecessors for this love tragedy.
The book "Tai Ping Guang Ji" (KLOC-0/77) records that Cui Jiao scholar had an affair with his aunt, who was poor and married Lian Shuai, and even Shuai loved him. Cui Jiao longed for nothing and vowed to be honest when he went out to attend the Cold Food Festival. He also wrote a poem saying: "The prince and grandson followed in his footsteps, and the green beads shed tears and dripped towels. As soon as Houmen entered the sea, Xiao Lang was a passerby. " Later, even the handsome servant came back with Cui Jiao. Moreover, "the urn shines brightly, which shows that it is an ornament and the small mound is full of vitality" [3]. Cui Jiao inherited the sad image of green beads dancing with tears described in Jiang Zong's poems, and outlined the image of a tearful beauty who wiped her tears with a towel. Therefore, the tragic image of Green Pearl was widely accepted by people in the Tang Dynasty. The poet's "Green Pearl Complaint" in the Tang Dynasty and Quan Deyu's "Sending General Zhang to His Old Job" both described a cold and sad atmosphere with the theme of green pearl resentment. The sadness of the green pearl is the sadness that the beautiful flower of love is destroyed by evil forces. Therefore, poets in the Tang Dynasty expressed sympathy and regret for Lv Zhi's martyrdom in Shi Chong, and highly praised Lv Zhi's heroic behavior. Wang Zun's Green Pearl, for example, never looked like a monarch, but refused to degenerate like a monarch. "
Second, Lvzhu still wins Shi Chong's pity-I hope that the monarch and his subjects will forge ahead in adversity.
As a geisha, Lvzhu's fate is in the hands of Shi Chong. Whether she is happy or not, whether she agrees or not, is also decided by Shi Chong alone. The relationship between men and women is very similar to the relationship between monarch and minister in feudal society, and the status of male and female servants and handmaiden in marriage is also very similar. Luo, one of the "four outstanding figures in the early Tang Dynasty", wrote in "Love for Guo and Answer for Lu": "Mo Yan is poor, no one is heavy, but Mo Yan wants to be rich. The green beads were pitied by Shi Chong, and the swallows were once favored by Emperor Xian of Han Dynasty. Where the lover is drunk, it is as straight as keeping an empty name "[4]. As a geisha, Lvzhu met and fell in love with the beautiful Shi Chong in Jingu Garden, and even died for Lvzhu. Green beads are beautiful, can sing and dance, and can be loved by their owners. The talented four masters in the early Tang Dynasty are full of confidence in the ultimate realization of the literati represented by themselves. These poems by the four masters in the early Tang Dynasty show the self-awareness and self-expectation of the middle and lower classes in society, as well as their life ideals and enthusiasm for making contributions. It is often used as an allusion to compare the encounter between monarch and minister with Shi Chong's love. Shi Chong thanked Green Pearl, but Green Pearl didn't blame Shi Chong. Shi Chong was killed and died in his arms to repay Shi Chong's appreciation and love. In the eyes of scholars who are eager to get to know each other, Green Pearl is a model and a model of gratitude.
Third, the stage of singing in the past has become the nest of foxes and rabbits-expressing nostalgic sentimentality.
Poets in the Tang Dynasty saw that the Jingu Garden, embroidered with brocade and covered with exotic flowers and grasses, is now a desolate place where autumn grass remains and weeds reflect the moon. Shi Chong, as rich as an enemy, finally lost his personal wealth, even his beloved concubine could not be saved. Green beads are as beautiful as flowers, but as difficult to bloom as spring flowers. Although Shi Chong dotes on him, things are changeable, and good flowers are easy to fall, just as Su Zheng, a poet in the Tang Dynasty, wrote in "Golden Valley Garden": "Gold accumulates into mountains, and the mountains are not as high as the address. Planting flowers is similar to falling flowers "[4]. It also makes people feel prosperous and rich, such as passing clouds, and things are unpredictable. Such as Liu Xiyi's "Luochuan nostalgia":
The Kim family are all here, and there are many close ministers in the court. The word genus, prosperity is called Jilun. Zi Ze Cao Chunfei, the river and the sun fly wildly. The green beads can't be taken away, and the bald heads return to their original places. High-rise buildings are destroyed, and Maolin is destroyed for a long time. The stage where singing used to be turned into a nest for foxes and rabbits. How sad the world is when people die of each other. Beimang is my home and Dongyue is my hometown. Looking at Beimang Road, you can see creeping grass [4].
Facing the "bustling valley", Liu Xiyi felt the silence and sadness after the decline from the growing spring grass, weeping Chinese Pulsatilla, the sudden disappearance of high-rise buildings and creeping grass. The once prosperous singing stage of Jinguyuan has now become a desolate fox and rabbit cave, which makes the poet depressed and sad. Li Bai, an unruly person, wrote in "Antique"
In Tianjin in March, there are many peaches and plums. Dawn is a heartbreaking flower, and dusk flows eastward ... It has been a great honor since ancient times. The yellow dog sighs, and the green pearl becomes the enemy. What is like a scorpion, send a boat [4].
Tianjin Bridge, Luoyang, has seen the prosperity of the past, and has seen the princes and nobles throw their weight around today and will be beheaded tomorrow. It has become a witness of personnel ups and downs, and naturally it has become a symbol of personnel ups and downs. Li Bai lamented that since ancient times, success should be timely and unscathed, otherwise things will change and fortunes will be unpredictable. It's better to send ships. Li Bai also expressed this kind of life sigh and emotion in "Lu Junyao Temple sent Dou Mingfu Bohua back to Xijing (after a long illness)":
Don't you see that the green pearl pool flows into the East China Sea, and the green pearl is bright red. The green beads downstairs are full of flowers, but there are none today [4].
The complexity of politics, the pressure of competition and the sharp conflict between personal ideal and social consciousness are the choices that Li Bai faces, that is, the choices of two different life attitudes and value orientations, namely, joining the WTO and being born. Due to social status, lifestyle, personality formation and other reasons, these people are always in a situation where their talents are not satisfied or their mood is low. Their heart of using the world is often seriously bruised, thus being in a painful and hopeless psychological imbalance. So I devoted myself to the countryside, enjoying the scenery and seeking a kind of comfort and relief in nature.
Lvzhu enjoyed all the splendor in Jingu Garden, but in the end she could not escape the tragic ending of falling to her death. The Green Pearl and the Golden Valley where she lives have become the best examples for Buddhist people to explain emptiness. For example, the famous poet Tiantai Hanshan in the Tang Dynasty wrote "Three Hundred and Three Poems, Send a Message to Children" [4], which means "sticking out your head and infatuating with the green beads". In their view, all methods are empty, so people are advised not to be stubborn about the originally empty wealth. Guan Xiu, another eminent monk in the Tang Dynasty, also expressed the emptiness of Buddha's nature in his poems about bamboo. He wrote in "My Five Poems" and "Luoyang Paper Expensive" respectively: