Appreciation of Li Shangyin's Two Untitled Poems (Ⅰ)
The stars last night and the wind last night are in the west of the studio and the east of the cinnamon room (2).
Although my body doesn't have bright wings like a phoenix, I can feel the harmonious heartbeat of the sacred unicorn.
Through the spring wine, when it warms me, I remind you how to bet, where we roll dice in groups under the crimson lamp.
Alas, it was not until the drums called me to perform my duties that I got on my horse and left like a cut water plant.
Precautions:
1, Cailou, Guitang: They are all metaphors for rich people's houses.
2. Linxi: It is said that rhinoceros has miraculous effects, and there is a white line on the corner, which goes straight to both ends.
3. Hook delivery: also known as Tibetan hook. A game in ancient December was divided into two Cao to compare the outcome. After sending the hook to the other party, it is hidden in one person's hand, which makes people guess.
4. Divide Cao into several groups.
5. Shooting: There is something to guess under the cover. Dividing Cao and shooting Fu may not really mean it, but it is a metaphor for the excitement at the banquet.
6, drums: refers to more drums.
7, it should be an official: I am still at work.
8. Lantai: that is, the secretary province, which is in charge of book cheats. Li Shangyin used to be a secretary. Literally, this sentence means riding to Lantai immediately after attending the banquet, which is similar to the flying of grass, but it also implies self-injury and falling.
Rhyme translation:
Last night, the stars were shining, but there was a cool breeze blowing in the middle of the night;
Our banquet is located on the west side of the painting building and on the east side of Guitang.
Without Cai Feng's wings, you can't compare with Qi Fei;
The heart is like a soul, and the feelings are closely linked.
Guess and play with each other, and drink spring wine every other seat to warm your heart;
Let's make a toast in groups. The candles are red.
Alas, when you listen to the five drums, you should go to court;
Riding to Lantai is like Artemisia capillaris floating in the wind.
(1) "Poetry" was written in Tang Wenzong Chenghua for four years (839), when the poet served as the provincial proofreading secretary in Beijing. This is a small official, a poet in politics.
Politically, this is still a failure. The original title is * * * two songs, and the other one is four lines. Among them, there is a sentence "I am a guest in the building, and I have a glimpse of the flowers in the Royal Garden all night", which shows the poet's nostalgia for the past.
You should be the woman in your family when you eat. In the Qing Dynasty, Cha thought it was "the prostitute of Wang Maoyuan" ("Lian Po's Poems"), and Zhao thought it was "his boudoir" ("The Mountain is Full of Buildings").
Explain the seven-character law of Tang dynasty) can be used for reference.
(2) Painting the building, Guitang, refers to your gorgeous building.
Linxi, a spiritual rhinoceros horn. According to legend, there is a white stripe on the horn of rhinoceros, which goes straight to the brain from the corner end. It is extremely sensitive, which means the telepathy and code communication between lovers.
(4) Sending a hook, an ancient banquet game, also known as Tibetan hook, is to guess who the hook is hidden in. Divide Cao into several groups. Shooting is also a game between banquets, placing items.
Let people guess under the towel bowl, etc. Those who can't guess will be fined.
⑤ Listen to the drums. At five or two o'clock in the Tang Dynasty, drums would come from inside and the streets would be shaken. All the shops and doors will open and drums will ring at dawn, that is, they will go to work. Keywords Lantai, the palace view of the secret realm of book collection in Han dynasty,
In Tang Gaozong, the secretary province was changed to Lantai. Turning to the crown of the tree, the grass has no roots and floats with the wind, which is a metaphor for involuntary situation.
This is a love poem. The poet recalled a banquet in your backyard last night and expressed his nostalgia and melancholy when he met the right person at the banquet.
The first couplet was triggered by tonight's scene, which is a good memory of the time together at last night's dinner. In this starry and breezy spring night, the air is filled with intoxicating fragrance. Everything seems to be the same as the banquet in your backyard last night, but the scene of meeting the right person during the dinner can only be an unforgettable memory. The poet did not directly describe last night's events, but with the help of beautiful stars, painted buildings, Guitang and other external scenery, set off the beautiful environment and atmosphere last night, with gorgeous words and full of sighs, bringing readers into warm and romantic memories. This couplet expresses the thoughts of the right person tonight. Although I don't have Cai Feng's wings at the moment, I can fly over many obstacles to meet the right person, but I believe that my attachment to each other is like a magical rhinoceros horn. "Being in the body" and "being in the body" reflect each other, which is an agreement and communication in the interval, a joy and comfort in the disappointment, and shows the poet's treasure and confidence in this beautiful love. The two metaphors are novel and appropriate, and they are profound and meticulous, showing the poet's superb ability to express subtle and contradictory psychological feelings.
The necklace especially recalls the scene of a grand meeting with the right person last night. The poet's loneliness and depression are self-evident. The poet recalled how warm and intoxicating the scene between the banquets last night was, with colorful lights, flowers blooming and laughter! "Warm Spring Wine" and "Candle Lamp Red" not only vividly depict the warm and harmonious joyful atmosphere between banquets, but also remind readers of women's blushing cheeks under candlelight. The intention of each other is self-evident. It's really wine that doesn't make people drunk! William recalled the scene and feelings when he left the meeting this morning. Last night's feast lasted until dawn, the music in the building didn't stop, and the drums were still ringing outside. The poet sighed, like a scattered grass floating in the wind, had to go to the secretary to save a job and started another lonely and boring school life, but it was difficult to meet the right person in the table later. Have you ever missed each other alone and lamented that you have not achieved your career? The frustration of love barrier and the sigh of life experience sinking meet in the poet's chest, which expands and deepens the connotation and implication of this poem, and there is a sense of self-injury and sadness in the beautiful and elegant style of writing.
The whole poem is deeply emotional, free from vulgarity and colorful, beautiful and beautiful. The poet combines the feelings of life experience with eroticism, and contrasts the feelings of hardship and frustration with the gorgeous lyrics to create a colorful and elegant artistic realm. The intricate jumping of images in the poem makes its theme ambiguous and ambiguous. The depth and breadth of the poet's exploration of the spiritual world are indeed far ahead of his predecessors, and his position in the history of literature largely depends on the great and lasting influence of such untitled poems.
Untitled
Li shangyin
In ...
You said the meeting was empty talk, after we didn't see its trace; Wake up in the oblique moonlight upstairs and listen to Xiao Zhong Chuming.
The dream in the wound is far from being called; When I woke up, I began to write a letter.
The blue candle burns its jade feather lamp, and the musk deer embroiders the hibiscus slightly.
But what I can't reach is the magic mountain. You are over there, beyond Wanfeng.
The second is.
The wind in the east wind, the rain in the wind, the rain in the wind, the sound of light thunder came from the other side outside the lotus pond.
There is also a locked golden toad incense burner. Cigarettes are elegantly wrapped, like pulleys in a jade pot, and the traction rope is pumped into the well water.
Wang Wei dreamed that she was a beautiful young girl. Wang Wei had a pillow dream and wrote a poem.
Never mind the flowers, even this bright flame of love, is it only ashes? .
To annotate ...
According to legend, Liulang, Emperor Yongping of the Eastern Han Dynasty lived for five years. Liu Chen and Ruanzhao went into the mountains to collect herbs, but they couldn't get out. When I meet two women, I invite them to live at home for half a year and then pay them back. Later generations used this as a metaphor for an affair.
Pengshan and Penglai Mountain refer to fairyland in general.
Han Shou, a native of Jin Dynasty, was a subordinate of Sikong Jia Chong. Every time at home, Jia's daughter peeks from the pane, sees that she is beautiful and loves her, and has an affair. After she found out, she celebrated her birthday.
Fu Fei left a pillow: Cao Zhi's Preface to the Ode to Luoshen: "For three years, he was the capital of the dynasty and returned to Luochuan. The ancients said that the name of water god was Fu Fei. I felt Song Yu's concern for the goddess Chu and wrote a poem. " When I was planting waterinfo, I suddenly saw a woman come and give me a pillow. Rich legendary daughter.
Untitled
The third is.
The stars were bright last night, but there was a cool breeze at midnight. Our banquet is on the side of Hualou Temple and the east of the county.
Without Cai Feng's wings, it is impossible to be Qi Fei in fly with me; The heart is like a soul, and the feelings are the same.
Send a hook for spring wine every once in a while, where we roll dice in groups under the crimson lamp.
Alas, it's time to call the roll in the morning when you hear the drums of the fifth watch; Riding to Lantai is like the wind in the wind.
Li Shangyin's "untitled poems" are mostly vague and vague, and their expressions are implicit and euphemistic, so they are vague and uncertain, and there are different opinions about Li Shangyin's "untitled poems". For example, this poem "Untitled Poetry" is considered by some as a political poem, while others as a love poem.
Take the third song as an example. The word "last night" appears twice in the first sentence of the poem, which shows that the poet is reminiscing about the past today. The word "last night" has a large emotional content, which shows that the poet's memory is unforgettable. "Stars" and "Wind", "Painting Buildings" and "Guitang" imply the happy times and life scenes experienced by the poet.
The second link is the experience and understanding of love. Cai Fengfei and I are symbols of a happy love life; The center of rhinoceros horn has a texture running through both ends, so it is also called Tong Xi. The poet uses this as a metaphor to show the emotional connection between the two sides and the connection between the two hearts. Although they are on the same side, their hearts are closely linked. The profound connotation contained in these two poems endows them with more philosophical significance and life connotation.
The sending hook and shooting cover written in the third part are all games at ancient banquets, similar to guessing boxing. Two sentences describe the scene of warm and cheerful, warm wine and red light in extremely gorgeous language.
However, just as the poet was immersed in the memories of last night's beautiful scenery, drums came in the distance and the poet was going to court again. "Being an official" means dealing with official business, which contains a helpless and boring mentality. "Peng" is a very small and light grass, which floats around with the wind. Therefore, in ancient poetry, it is often used as a metaphor for wandering life, and Li Shangyin also reveals his living situation here through this image.
Li Shangyin's "Untitled Poetry" is not only a poem with the title of "Untitled", but also some poems with the first two words of the poem as the title, such as Jinse.
Responder: Wenyu Pig-Magician Level 4 3-25 08: 16
Untitled
Author: Li Shangyin Age: Tang Style: Seven Laws Category: Boudoir Love
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing, and a hundred flowers are blooming.
Silkworms in spring will weave until they die, and candles will drain the wick every night.
In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! .
Untitled
Author: Li Shangyin Age: Tang Dynasty Style: Five Ancient Categories: Unknown
The eight-year-old girl likes to look in the mirror secretly and has been able to raise her eyebrows.
At the age of ten, I went for an outing and imagined the clothes that Lotus made for myself.
I began to learn to play the guzheng at the age of twelve, and the silver nail on my finger has never been pulled out.
At the age of fourteen, she avoided seeing men, even the closest ones. At this time, she may be thinking about when to get married.
At the age of fifteen, she was crying in the spring breeze on the swing, fearing the disappearance of spring.
________________________________________________
Two songs without titles
Author: Li Shangyin Age: Tang School: Seven Laws Category: Unknown
Lingluo of Pteris, thin; Never put off till tomorrow what you can, I chased it late into the night.
It's too late to cover up the encounter with a fan; But you drove by, speechless.
Once lonely and sleepless, I missed candles; But I haven't heard from you until the pomegranate blossoms.
I will tie my horse to a willow tree by the river and stay in the southwest.
The curtains were drawn deeply, and I was in Mochow's house. Sleeping alone makes the night even longer.
Fairy's life is a dream, if they don't bring lovers into their rooms? .
I am a weak lingzhi, biased by storms; I'm Lingfang, but I don't have any fragrant leaves.
Although fully aware of lovesickness, there is no good health; I am infatuated with it to the end and fall in love for life.
Two songs without titles
Author: Li Shangyin Age: Tang School: Seven Laws Category: Unknown
You said the meeting was empty talk, after we didn't see its trace; Wake up in the oblique moonlight upstairs and listen to Xiao Zhong Chuming.
The dream in the wound is far from being called; When I woke up, I began to write a letter.
The blue candle burns its jade feather lamp, and the musk deer embroiders the hibiscus slightly.
But what I can't reach is the magic mountain. You are over there, beyond Wanfeng.
The wind in the east wind, the rain in the wind, the rain in the wind, the sound of light thunder came from the other side outside the lotus pond.
There is also a locked golden toad incense burner. Cigarettes are elegantly wrapped, like pulleys in a jade pot, and the traction rope is pumped into the well water.
Wang Wei dreamed that she was a beautiful young girl. Wang Wei had a pillow dream and wrote a poem.
Never mind the flowers, even this bright flame of love, is it only ashes? .
Untitled
Author: Li Shangyin Age: Tang School: Seven Laws Category: Unknown
The stars were bright last night, but there was a cool breeze at midnight. Our banquet is on the side of Hualou Temple and the east of the county.
Without Cai Feng's wings, it is impossible to be Qi Fei in fly with me; The heart is like a soul, and the feelings are the same.
Guessing and intrigue, wine warms the heart; This group of people came to the bet of drinking friends, and a win-lose red in candlelight.
Alas, it's time to call the roll in the morning when you hear the drums of the fifth watch; Riding to Lantai is like the wind in the wind.
Four songs without titles
Author: Li Shangyin Age: Tang School: Seven Laws Category: Unknown
( 1)
You said you would come, but you didn't come, you didn't leave me any clues,
Better than the moonlight on your tower at five o'clock.
I cry for you to leave forever, I can't wake up yet,
I tried to read your hasty note, but I found the ink was too weak.
Blue burns your candle in its kingfisher feather lantern,
A sweet smell slipped away from your hibiscus curtain.
But what I can't reach is the magic mountain,
And you're on the other side, 10 thousand peaks away
(2)
The wind is blowing from the east, misty and rainy,
There was a faint thunder from the wheels on the hibiscus pool.
Jin Chan locked the lock and burned incense.
The jade tiger tells the story of the water it is drawing on its rope.
A great lady once stood behind a screen, favoring a poor young man.
Once, a fairy girl, a prince from Weiyi Wang, brought a bridal mat and disappeared.
Spring is not in full bloom,
Even this bright flame of love will only have ashes? .
(4)
Mourning politics is followed by urgent treatment,
Cherry blossoms are always hanging on the banks of Yang.
Whether the old lady in the host is married or not,
Three and a half months a day.
Princess Liyang is fourteen years old.
Look at the same wall after Tomb-Sweeping Day.
Back to the exhibition, turn to the fifth watch,
Liang Zhongyan smells a sigh.
Brother Wang visited him with the terrorists and saw that he had a drink, so he mourned for it.
Don't go, because send.
Fu Xie's family is the end of the ancient family,
At present, the management right of Song belongs to.
There is no place to hang curtains,
I fell on the bed when I wanted to dust.
Ji's little boy is still poor,
How can a charming girl in the left family have hope?
It's hard to get rid of sadness and illness,
The west wind in Wan Li is long at night.
Responder: シソソ-Magic Apprentice Level 1 3-25 09:04
Two songs without titles
Li shangyin
Lingluo of Pteris, thin; Never put off till tomorrow what you can, I chased it late into the night.
It's too late to cover up the encounter with a fan; But you drove by, speechless.
Once lonely and sleepless, I missed candles; But I haven't heard from you until the pomegranate blossoms.
I will tie my horse to a willow tree by the river, where will I stay in the southwest?
The curtains were drawn deeply, and I was in Mochow's house. Sleeping alone makes the night even longer.
The Wushan goddess of Chu was originally a dream; Qingxi is the residence of my sister-in-law, and there is no lang here.
Storms make nut horns ecstasy, and the moon dew sweetens cinnamon leaves?
Although fully aware of lovesickness, there is no good health; I am infatuated with it to the end and fall in love for life.
Li Shangyin's Seven Laws Untitled is the most mature in art, which can best represent the unique artistic style of his untitled poems. These two poems are both untitled, and both express the bitterness of young women's frustrated love and the hopeless depression of lovesickness, and both adopt the way that the heroine recalls the past late at night. Therefore, the heroine's psychological monologue constitutes the main body of the poem. Her life experience and some specific events in her love life are expressed through memories, either implicitly or explicitly.
The first song, the heroine sews the bill late at night. Phoenix-tailed fragrant Luo is a thin Luo woven with phoenix patterns; Biwen dome refers to the dome with blue patterns. Li Shangyin pays special attention to hints in his poems, and even in the connection of metrical poems, he is often reluctant to write too clearly and directly, leaving some content for readers to appreciate. Like this couplet, it only writes what the protagonist does in the middle of the night, without revealing what it means, and even the gender and identity of the protagonist are not explained clearly. We can infer from the literal meaning of "phoenix tail" and "Biwen dome" and the action of "night sewing" that the protagonist is probably a quiet and lonely boudoir woman. In ancient poetry, Luo Zhang was often used as a symbol of good cooperation between men and women. Quietly sewing Luo Zhang's heroine on a lonely night is probably immersed in reminiscence of the past and deep expectation of meeting each other.
The following is the memory of the heroine, the content of which is an accidental meeting between her and the right person-"Will your shy face stare at a moon-shaped fan, and will your voice drown out the rattle of my carriage?" "The other person drove by in a hurry and covered his face with a round fan because of shyness. Although he met, he didn't say a word From the context, this meeting is not like the first meeting, but the last meeting before "no news". Otherwise, it is impossible to sew Luo Zhang late at night and look forward to meeting you. Just because it was the last unspoken meeting, it reminded me of the past when I didn't hear from each other for a long time, and I felt more and more sorry for losing that opportunity, and the scene of that meeting was more clear and profound in my memory. Therefore, this couplet not only depicts an unforgettable episode in the heroine's love life, but also expresses her complex psychology of regret, disappointment and affection when recalling the past. There is a great leap in the plot between couplets, and there are many things before the last meeting (such as how she met and fell in love with each other, etc.) ) all omitted.
Write down the loneliness of lovesickness after bidding farewell to the neckline. Unlike "Part One", which expresses instant feelings through dramatic fragments, this couplet generally describes life and feelings for a long period of time through the artistic technique of scene blending, which has a stronger lyrical atmosphere and symbolic meaning. In a word, I haven't heard from you since that hasty meeting. How many times have I spent a lonely sleepless night alone with the fading residual lamp? Now is the season when pomegranate blossoms. "Every night, the candle will cry and put out the wick." "Even this bright fire of love will only have ashes?" The dim residual lamp not only exaggerates the lonely atmosphere in the long night, but also seems to be the externalization and symbol of the heroine's hopelessness. In the season when pomegranate flowers are in full bloom, spring has passed. In the lonely expectation, pomegranate bonus may bring her fleeting disappointment and sadness of wasting her youth. "Dark gold embers" and "pomegranate red" seem to inadvertently dye the scenery, but they contain rich emotional connotations. It is indeed a sign of artistic perfection to use the expressive technique of symbolic suggestion so naturally and skillfully without revealing traces.
The end of the couplet is still affectionate expectation. The sentence of "embellishment" implicitly uses the sentence of "Lu Lang embellishment" ... and doesn't want to go home. "In Yuefu's Children's Songs of the Fairy and the Chivalrous Man, it probably implies that the right person she has been missing for a long time is not far away from her. Maybe she is on the shore of Ma Chuiyang at the moment, but she is too far away to meet each other. The last sentence of Cao Zhi's "Seven Sorrow" is very poetic, "I wish to be a southwest wind and die in your arms", hoping that a good wind will blow me to the other side. Most of Li Shangyin's excellent love poems are about the pain of lovesickness and the difficulty of meeting, but even hopeless love always runs through a persistent pursuit and a sincere and affectionate "spring silkworms die, and the candle at night is all wick". Hope burns in loneliness, which is what we feel in this poem. This is an important difference between his excellent love poems and those colorful poems that lack deep feelings, and it is also an important reason why these poems can still impress people even if they are branded with the times and class to varying degrees.
Compared with the first song, the second song focuses more on describing the heroine's life experience and feelings, and the writing is more general. From the beginning, put aside the specific situation and write from the environment and atmosphere in which the heroine lives. Curtains are hung deeply, and the silent room is shrouded in silence at night. The heroine, alone in a quiet room, thinks about life, tossing and turning, and feels that the quiet night is long. Although there is no positive description of the heroine's psychological state here, we can almost touch the heroine's inner world through this quiet and lonely environment and feel that the room with deep curtains is filled with a layer of nameless bitterness.
Zhuanlian went on to write the heroine's review of her love experience. The first sentence of Wushan Goddess dreamed of meeting the King of Chu, and the next sentence used Yuefu's "Fairy Song Qingxi Sister-in-law Song": "Sister-in-law lives alone and has no lang." In retrospect, although I had my own fantasies and pursuits in love, like the goddess Wushan, it was only a dream in the end; Until now, just like sister-in-law Qingxi, Lang has no one to live on. Although this couplet uses two allusions, it hardly makes people feel the traces of useful classics, and really reaches the level of taking the classics as their own. In particular, although it is very general, it is not abstract, because the myths and legends contained in these two allusions can arouse readers' rich imagination and association. The words "original" and "original" in the two sentences are quite obvious. The former implies that she had not only pursued in love, but also met briefly, but they all became dreams in the end, so she said "it was a dream"; The latter seems to imply that although she still lives a life without any support, people talk a lot about her, so saying "no lang" seems to contain some meaning of self-defense. But the two meanings mentioned above are vague, and it is not easy to find body odor without careful consideration.
The necklace changed from an unfortunate love experience to an unfortunate life experience. This couplet uses two metaphors: it is like a weak diamond branch, but it is partially destroyed by the storm; It is also like a fragrant and beautiful laurel leaf, but there is no moon dew to nourish it. The implication of this couplet is obscure, which seems to imply that the heroine is destroyed by the evil forces in her life on the one hand, and she can't get the sympathy and help she deserves on the other. "Unbelief" refers to the destruction of rhombic branches because they know that they are weak, and the fierceness of "storm"; Who teaches could have moistened the laurel leaves, but it didn't. See the ruthlessness of Moon Dew. The wording is euphemistic, but the meaning is extremely painful.
Love and dreams meet, life experience is so unfortunate, but the heroine has not given up the pursuit of love-"I know this kind of love will not have any result, but it can comfort my soul!" "Even if lovesickness is completely useless, you might as well be infatuated and disappointed for a lifetime. In the case of near disillusionment, we still insist on pursuing, and the unforgettable "acacia" can be imagined.
Since the middle Tang Dynasty, poems describing love and pornography have gradually increased. This kind of works are characterized by more narrative elements, stronger plots and detailed descriptions of characters and scenes. Li Shangyin's love poems, on the other hand, focus on the subjective feelings and psychological activities of the protagonist and show her (his) rich and complicated inner world. In order to strengthen the vividness and vividness of lyricism, it is often necessary to weave some plot fragments into poems and incorporate certain narrative elements into lyricism. This greatly increases the content density of poetry, forming a contradiction between short system and rich content. In order to overcome this contradiction, he had to greatly strengthen the leap between poems, and use metaphor, symbol, association and other means to strengthen the suggestibility of poems. This is an important reason why his love poems are not obvious and difficult to read. But because of this, his love poems often have the characteristics and advantages of profound meaning, profound artistic conception and delicate writing, which can stand repeated chewing and playing.
Whether untitled poems are entrusted or not is a complicated problem. It is completely against the law of artistic creation to leave the overall artistic image of poetry, grasp a few words in it, and add some concrete people in real life to make a speculative explanation. Feng Hao, for example, interprets "Chuiyang Temple" at the beginning of "Feng Wei" as "Liu Yushi" (referring to Liu Zhongying, the poet's curtain master) and "Southwest" as "Shu land", thus saying that these two poems are the poet's "Go to Dongchuan, go there, spend the night, have an elegy", that is, to wear a chisel. But this does not prevent us from starting from the overall image of poetry, linking the poet's life experience with other works, distinguishing different situations, and discussing some untitled poems in this respect. As far as these two untitled poems are concerned, the first chapter of Chongwei focuses on the tragic life experience of the heroine, which is dreamlike, helpless and devastated. The brushwork is ethereal, and the meaning is beyond words, which may contain or permeate the author's own sense of life experience. Readers who are familiar with the author's life experience can easily appreciate the poet's infinite disappointment in reviewing the past. The connection between The Storm, such as simply writing about women's sufferings, seems irrelevant; However, from the perspective of metaphor and sustenance, it is easy to understand. The author's position is humble, "there is no strong proximity inside, and there is nothing to rely on outside" ("Sacrifice to Sister Xu"). Not only did he not encounter strong assistance in his official career, but he was destroyed by factional forces. Therefore, he was destroyed by the storm, and the laurel leaves were not moistened by the moon dew. He said in a poem "Deep Palace" expressing his resentment against the palace: "I don't hesitate to be thin in shade, but I know that laurel leaves are thicker than dew." The metaphor is similar to "storm" (only the meaning of "clear dew" is just the opposite of "moon dew"), which can also prove that "storm" is indeed entrusted. He Chao said that this untitled song "Tell the Truth" is more realistic. Compared with the poem Chongwei, the trace of the poem Fengwei is not obvious, because some specific situations in the heroine's love life are described in detail in the poem (such as Fan Jianyue), and the characteristics of realism are more prominent. But whether these two untitled poems are excuses or not, they are first and foremost successful love poems. Even if we read them completely as love poems, their artistic value will not be reduced.