Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun. A moment that should last forever has come and gone before I know it.
This song "Jinse" is Li Shangyin's masterpiece, and all people who love poetry are happy to sing it. It is the most famous. However, this is the most difficult poem to explain. Since the Song and Yuan Dynasties, there have been many speculations.
The poem Jinse uses the first two words of the first sentence. In the old theory, this poem was originally thought to be a poem about objects, but recently it seems that all commentators claim that this poem has nothing to do with the use of musical instruments, but it is actually an "untitled" work that uses musical instruments to hide topics. In my opinion, it is really different from the general chanting of things, but it is not just an untitled poem that simply "intercepts the first two words" and begins with a metaphor, which has nothing to do with the literal. What it writes is obviously related to Joseph.
There are many misunderstandings in couplets. According to this, the poet is "fifty years old" or "nearly fifty years old", so he is so happy. Actually, it is not. "For no reason" means "for no reason" and "for no reason", and it is also the poet's idiotic dream. There are so many strings in Jinse, neither "wrong" nor "wrong"; The poet stubbornly complained: Jinse, why do you have so many strings? In fact, there is no need for "textual research" on how many strings are in the original work and how many strings are actually in Li Shangyin's era. The poet only uses words to see the meaning. According to records, there are fifty strings in ancient musical instruments, so the number of "fifty" is often used in writing musical instruments, such as "rain hits Xiangling fifty strings" and "because of fifty strings, the middle of the road is divided into palaces", which can prove that there is no special intention in the poet's original work.
The key to "each has its own flower-like troubles and a period of youth" lies in the word "New Year". A string, a column or a sound. There are 50 strings in a stringed instrument, and the syllables are the most abundant, and its numerous sounds promote the festival, which often makes the listener difficult to conceive. Poets never want to let people die and dig for "numbers". He said: Listen to the complicated strings of Jinse and think about China's past; The sound is complicated and confusing, so it's hard to say. The 50-string aims to "create an atmosphere" to see the weight of the past and the feelings of the nine songs. To appreciate Yuxi's poems, we must first understand the main idea, but we should not stick to the drum and column instruments. He Zhu, a poet in the Song Dynasty, said, "Who is the degree of golden flowers?" ("Jade Case") Yuan Hao, a poet in the Yuan Dynasty, asked: "Beauty is a golden instrument, complaining about the years!" (On Poetry) Chinese New Year is the so-called beautiful youth. The tightest "main eye" of Yuxi's poems lies in the splendor of the New Year, so it is just a pedantic view to recall "forty-nine years" with "fifty years' trip".
The intention of the alliance is clear. Let's see how he undertakes it.
The last sentence of Zhuan Xu uses an allegorical allusion from Zhuangzi, saying that Zhuang Zhou dreamed that he turned into a butterfly and flew vividly ... forgetting that he was "Zhuang Zhou"; Later, when I woke up, it was still Zhuang Zhou at home, and I didn't know where the butterfly had gone. Yuxi gave birth to this sentence to write a beautiful woman, a complicated string, which awakened the poet's dream and stopped sleeping. Lost, gone, does not mean. Let's see what he said in "Autumn Night Thoughts": "The butterfly in the cold village is resting on its pillow and left". Went and left, dead. His so-called fans are also good. Although Meng Xiao butterfly was born in Zhuangsheng, once it was used in Yuxi, it was not only a "lifelike" problem, but also an illusory dream.
The king of the next sentence in this couplet is the legendary monarch of Shu in the late Zhou Dynasty, named Du Yu. Later, the Zen position retired, and unfortunately the country died. After death, the soul turned into a bird. As for the bleeding in the mouth, its voice is sad and touching, named Du Fu. Du Yu's spring, what does this have to do with Jinse? It turned out that the complicated strings and plaintive songs of the golden harp aroused the poet's infinite sadness. His unspeakable grievances, such as Du Fu's plaintive voice, sent him home in the spring. The word "Tuo" not only wrote Du Yuzhi's entrustment to Du Fu, but also wrote the entrustment of beauty to brocade, the waving of hands, the interest of flowers falling into the water, and the poet's wonderful pen, which reached a climax.
It seems that Yuxi's "Love Du Fu" expresses hatred for birds, while the word "resentment" put forward in "Beauty Jinse complains about the New Year" is true. Yuxi's poem eulogizes the golden harp, which is extraordinary and carefree, and has a strange love and hate in it.
After the couplet, the poem has been "started" and "closed", and it is time to "turn" the pen. When the pen comes here, the previous situation has reached a very small level, which seems to be a knot, meaning to be applied. Here, touching the pen and ink, it seems to be "getting up" again. His brushwork is like a towering mountain peak, or a broken line, or pushing the pen down, or slow and tight, and his technique can be different, and his spiritual context always focuses on the turning point. At this time, Yuxi wrote the famous sentence "Mermaids shed pearl-like tears down a moon-green sea".
Beads are born in mussels, and mussels are born in the sea. Whenever the moon is bright and quiet, mussels will open their mouths to the moon to raise their pearls, and pearls will get moonlight and aurora will shine. This is a beautiful folk tradition. The moon is a pearl in the sky, like a bright moon in water; Tears, like beads, are natural since ancient times. Jiao Ren's tears turned into pearls, which is also a strange sight in the sea. In this way, the bright moon falls between the seas, and pearls are bathed in tears. The moon, pearls and tears are three votes in favor and one vote against. Three is one? In the poet's pen, an indistinguishable fairyland has been formed. We read Tang poetry. It is rare to have such rich connotations and wonderful associations in one stroke.
So, what is the relationship between Haiyue, Tears and Jinse? Qian Qi's famous "Qin Fu" doesn't say that "25 strings play jathyapple, and you can't clear your grievances and fly away"? Therefore, the moonlit night is appropriate, and the grievances are particularly deep. In this way, the sea and moon territory related to color can't be peeped?
For the poet Yuxi, the realm of the sea and the moon has a particularly strong feeling. Once, due to illness, he couldn't bow to the meeting with Hedong Gong at the end of the year. He wrote the sentence "Only the sea and the bright moon will be high-pressure". From this perspective, on the one hand, he appreciates this situation, on the other hand, he is very sad and lonely: a complex and unspeakable disappointment. Si Kongtu, a poet in the late Tang Dynasty, quoted a passage from Dai Shulun who was earlier than him: "The beauty of a poet, such as the warmth of Lantian and the essence of jade, cannot be placed in front of us."
The eight words used for metaphor here are exactly the same as the seven words in the next sentence of this poem, which shows that this metaphor has another source. Unfortunately, the ancient books were lost later, and it was difficult to find the source again. The explanation of this sentence has no reference today, and it is hard to say whether it is appropriate or not. Lu Ji, a writer in the Jin Dynasty, has a famous sentence in his "Wen Fu": "Stone is like jade, mountains are only light, and water is like pearls." Lantian Mountain is a famous jade-producing place in the southeast of Lantian, Shaanxi Province. This mountain is sunny and jade-rich (the ancients thought that treasures have phosgene that ordinary eyes can't see), and Ran Ran rises, but the plum rains are far away, and myopia is absent, so it is out of reach, representing an extremely beautiful ideal scenery, but it is certain and out of reach. Here in Yuxi, inspired and associated by "the Jade Mountain is bright, the pearl is bright, and Sichuan is charming", the warmth of Lantian is used to make a confrontation with the previous sentence, which has a sharp contrast.
Literally, Lantian is very neat, because the original meaning of Cang is cyan. Yu Xi's exquisite rhetoric can also show his talent and skills.
Neck couplet, yin and yang are warm and cold, jade is beautiful. Although the realm is different, regret is one. The poet loves and insists on this lofty feeling, but he dare not blaspheme and lament.
The couplet is a masterpiece of the whole article, and clearly puts forward the word "this feeling", which echoes the beginning of "China Year" and does not flash at the end. The poem says: Don't wait until today to recall such feelings before you begin to feel endless regret, then it will already be embarrassing. "Don't wait for memories" means: If you look back at the present, is it regret? The poet expressed several layers of twists and turns in two sentences, and several layers of twists and turns were just to illustrate that kind of distressed mood. This is why poets are poets, and this is why Yuxi poems are Yuxi poets.
Yuxi's life experience, unspeakable pain, bitter feelings, stagnant life.