Poetry about beauty 1. What poems describe beauty?
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
I drift thousands of miles, where there is no moon by the river! The river flows around Fangdian, and the moonlight shines on the flower forest like graupel. Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion. There is no dust in the sky on the river, and there is a lonely moon in the sky.
Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year? Life is endless from generation to generation, and Jiang Yue is similar year after year. I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss. Who will go boating tonight? Where do you miss Mingyue Building? Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.
The jade curtain can't be rolled up, and the anvil refers to it. At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water. Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, and the pond falls in the moon and the west. The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.
I don't know how many people return home every month, and the moon is full of rivers and trees.
2. The poem "There is my realm"
"If you have my own environment, you can see things with me, so everything is my color."
The representative figures are: Ouyang Xiu in the Northern Song Dynasty, whose work "Butterfly Loves Flowers": "How deep is the courtyard?" The willow piles up smoke, but the curtain is not heavy. Yule carved an saddle to patrol the metallurgical department, and the building is not high on Zhangtai Road. March storm. It closes at dusk, and there is no plan to stay in spring. Tears ask flowers silently, and red flies over the swing. "is a typical" realm follows me "; Another example is Qin Guan's "Walking on the Sand": "The fog is lost, the moon is lost, and Taoyuan is nowhere to be found. The lonely pavilion closes the moon in Joan Hinton, and the cuckoo sounds in the setting sun. Plum blossoms are sent by mail, and fish live long. This hatred has no weight. Chen Qiang was lucky enough to go to Chen Shan. Who did he go to Xiaoxiang for? " This is also a typical "realm follows me". In fact, there were many people who wrote ci in ancient times, such as Liu Yong, whose works Lin Yuling (cold wind chimes), iris (looking at dangerous buildings) and crane to the sky (golden list) all belong to this type.
"Without me, we look at things in terms of things, so we don't know what is right for me and what is right for things." The representative figure of this realm is Tao Yuanming. His work "Under the East Hedgerow of Chrysanthemum Picking" says that "Under the East Hedgerow of Chrysanthemum Picking, you can see Nanshan leisurely." It is a typical "no self". Another example is Yuan Haowen's "Farewell to Ting Liu", "The cold wave is faint, and Bai Niao is long." It is also a representative of this type. Wang Wei is also good at writing Land Without Me, such as Birds in the Stream.
3. Poems describing this field
Wang Guowei talked about his academic experience in Ci Hua on Earth. He said: "Great undertakings and university questioners in ancient and modern times must go through three realms:
The first realm: "The west wind withered the green trees last night. Being alone in a tall building, looking at the horizon. " This sentence comes from Yan Shu's The Recent Flower. The original intention is that what I saw from the tall building is more like autumn scenery in "Little Sa", with yellow leaves in the west wind and wide mountains and long waters. What case is it? In Wang Guowei's words, a learned and successful person must first have persistent pursuit, climb high and look far, have a bird's eye view of the path, make clear the goal and direction, and understand the general situation of things.
The second realm: "I don't regret that my belt is getting wider and thinner for Iraq." This sentence is the last two sentences in Liu Yong's Dead Hua Lian in the Northern Song Dynasty. The original words show the author's hardships and regrets about love. It is also acceptable to understand the word "Yi" as the ideal pursued by the poet and the career he has been engaged in all his life. Wang Guowei has ulterior motives. These two sentences are compared to great career and university questioner. They are not easy to get, they must be firm. After some efforts, they forgot to eat and sleep until they lost bandwidth, and they regretted it.
The third realm: "the crowd looked for him for thousands of Baidu, and suddenly looked back, but the man was there, and the lights were dim." It is the last four sentences in Xin Qiji's Jade Case in the Southern Song Dynasty. Liang Qichao called this word "self-pity and loneliness, and sad people have their own arms." This is a metaphor, which has nothing to do with literary appreciation. Wang Guowei has already made it clear that "you can get involved without working". He regards the last four sentences of this word as the third "realm", that is, the ultimate highest realm. Although this is not Xin Qiji's original intention, it can also lead to a long-term vision. To reach the third realm, a scholar and a great career must have a dedicated spirit, pursue research repeatedly and work hard. Naturally, they will suddenly understand, discover and invent, and then they can enter the realm of freedom from the realm of necessity.
Wang Guowei described these three realms as "three categories" in the article "Literary Xiaoyan". He also said: "There is no one who can reach the third lesson without reading the first and second lessons, and so is literature. There is a literary genius, so it needs great cultivation. " The first sentence quoted by Wang Guowei is Yan Shu's Dead Hua Lian, the second is Liu Yong's Dead Hua Lian, and the third is Xin Qiji's Qing Yu Anyuan Xi.
4. Poems about endless learning
The ancients learned nothing, and the young were not old.
The efforts of youth are a good thing for a lifetime. For the fleeting time, don't relax your efforts at all.
A lazy youth, a lousy age.
Just as celestial bodies maintain vitality through movement, a gentleman should constantly pursue self-improvement.
Diligence is good at diligence, but not good at playing.
Elbow oil has the best polishing effect.
Don't be ashamed to learn from your subordinates.
Never get tired of studying.
Open-minded-very open/modest.
Have an insatiable desire to learn
Never too old to learn; Endless learning
There is a road to diligence in Qinshu Mountain, and there is no limit to learning the sea.
There is no end to learning and no end to knowing.
Never too old to learn. When the square pool is opened, the sun and the moon wander. Ask the canal to be so clear, because there is running water at the source. (Song Zhuxi's reading thought)
Last night, the river was full of water, and Meng Chong ships were a dime a dozen. It's been a waste of time. Today is Freedom Day.
5. Poems with and without me
Wang Guowei talked about the realm of self and the realm of non-self in "Words on Earth": "When I have my realm, I look at things, so everything is my color. I don't know what is for me and what is for things. "
1. The way to see things with me is to see things with me, and the result is a grand aesthetic feeling.
For example, "tears look like flowers without words, redder than swings", and there are "tears" of the author or protagonist.
Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate. Du Fu
There is nothing to do, flowers bloom and fall, and it seems familiar that Yan returns. Yan Shu
Free flying flowers are as light as dreams, and continuous rain is like sorrow. Qin Guan
Relying on dangerous buildings, study Liu Yong carefully.
The cynicism of Changting's late Liu Yong
2. The way of looking at things without self is to look at things with things, and the result gives people a good feeling. The so-called "realm without me" is not that the work has no subjective feelings and personality characteristics, but that the aesthetic subject has no desire and no desire, and has no interest in external things, and the aesthetic "realm of my heart" is completely immersed in external things, reaching the realm of harmony with things. For example, "Picking chrysanthemums under the east fence, you can see Nanshan leisurely", "The cold wave starts, and Bai Niao falls leisurely", "Flowers wither, red apricots are small, and swallows fly around the green water", purely for the purpose of writing scenery and creating an environment.
6. The poem "There is my realm"
Wang Guowei talked about the realm of self and the realm of non-self in "Words on Earth": "When I have my realm, I look at things, so everything is my color. I don't know what is for me and what is for things. "
1. The way to see things with me is to see things with me, and the result is a grand aesthetic feeling.
For example, "tears look like flowers without words, redder than swings", and there are "tears" of the author or protagonist.
Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate. Du Fu
There is nothing to do, flowers bloom and fall, and it seems familiar that Yan returns. Yan Shu
Free flying flowers are as light as dreams, and continuous rain is like sorrow. Qin Guan
Relying on dangerous buildings, study Liu Yong carefully.
The cynicism of Changting's late Liu Yong
2. The way of looking at things without self is to look at things with things, and the result gives people a good feeling. The so-called "realm without me" is not that the work has no subjective feelings and personality characteristics, but that the aesthetic subject has no desire and no desire, and has no interest in external things, and the aesthetic "realm of my heart" is completely immersed in external things, reaching the realm of harmony with things. For example, "Picking chrysanthemums under the east fence, you can see Nanshan leisurely", "The cold wave starts, and Bai Niao falls leisurely", "Flowers wither, red apricots are small, and swallows fly around the green water", purely for the purpose of writing scenery and creating an environment.
7. Poetry about the Kingdom
Hello, landlord, your question is rather general, and there is no way to provide you with a more accurate answer. There are many artistic conceptions in poetry, lofty, fresh, vast, far-reaching and desolate. For different readers, every artistic conception may have a comfortable effect. Comfort is not an artistic conception, but a human feeling.
About artistic conception:
Artistic conception refers to the artistic conception and realm expressed in literary and artistic works or natural scenery. Generally speaking, some words are often used to express artistic conception, such as: quiet and leisurely, gorgeous and magnificent, fresh and natural, quiet and quiet, magnificent and magnificent, gloomy and sad, bleak and desolate, vigorous and open, bright and noble, passionate, silent and solemn, and so on.
Usually when we read a poem, we often say that this poem is very artistic; When viewing paintings, people often say that a painting is very artistic; In the fields of music, movies and other arts, people often use artistic conception to describe it. But although everyone is using this word, many amateurs don't know what artistic conception is.
Artistic conception refers to the poetic space presented in lyric works, which is full of scenes, reality and reality, active in life rhythm and infinite charm. In other words, "meaning" and "realm" refer to the kind of image system in lyric works where scenes blend and reality coexist, and the aesthetic imagination space induced and developed from it. Like typical literature, he is also one of the advanced forms of literary image. (Literary Theory Course)
If the typical image is a single image, then the artistic conception is an image system composed of several images, and it is an advanced form of literary image as a whole image. Artistic conception is an important category of China's traditional aesthetic thought. In traditional painting, it is an artistic realm reflected by the depiction of time and space and the high integration of emotion and scenery.
The structural feature of artistic conception is the coexistence of reality and reality. Artistic conception consists of two parts: one part is a more realistic factor, called "reality"; Part of it is the virtual part of "reading between the lines", which is called "virtual environment". Virtual reality is the sublimation of the real world, which embodies the intention and purpose of creating the real world, embodies the artistic taste and aesthetic effect of the whole artistic conception, restricts the creation and description of the real world, and is in the position of soul and commander in chief in the artistic conception structure. However, the virtual environment cannot be created out of thin air, and it must be carried out in the concrete description of the real environment. In a word, virtual reality is represented by real reality, and real reality is processed under the control of virtual reality, which is the structural principle of the artistic conception of "virtual and real coexistence"
There is no comfortable artistic conception as the landlord said. As long as a work of art tastes artistic conception, it will naturally make people feel comfortable. Even though it may be mixed with very complicated emotions, even if it is bitter, the artistic conception is always comfortable and appropriate. This kind of "comfortable" artistic conception often has the following characteristics: first, express sincere feelings, among which there must be true feelings; Second, the interest of flying, the combination of static and dynamic; The third is to convey the spiritual interest of all things, vivid and vivid.
Here are two examples to illustrate. Their artistic conception is different, but they are all very comfortable:
For example, Li Bai wrote in his poem "Farewell to Meng Haoran on the way to Yangzhou": "An old friend left the Yellow Crane Tower in the west, and fireworks went down to Yangzhou in March. Lonely sails overlook the blue sky, but I can see the Yangtze River flowing in the sky. " This poem has the following images: Yellow Crane Tower, fireworks, solitary sails, the Yangtze River and so on. These images are combined to form a picture that melts in emotion: the poem does not directly express the thoughts of friends, but expresses the deep farewell to friends through the image that a poet's lonely sail disappears, the river grows and the river grows. Literally, every sentence describes the scenery, but in fact, every sentence is lyrical. It can be said that all landscape words are sentimental.
Another example is He Zhu's "Jade Case", "A stream of smoke, a city full of wind, plum yellow rain". These three images form a whole, which artistically answers "How much is leisure?" It is not a simple addition of three images, but a touching artistic realm: carefree sorrow, like endless smoke and grass, like sheep flying all over the city, and like rain when sad and confused.