Ba Shenggan Liu Zhouyong
Facing the rain from the sky, a piece of washed autumn scenery on the river is particularly cold. The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings. Red flowers wither everywhere, and all the beautiful scenery gradually disappears. Only the gushing water of the Yangtze river flows eastward without sound.
Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home. Sighing where these years have gone, why do you have to stay in a strange land for a long time? If you want a beautiful woman to look at the building, you will miss it a few times and return to the boat. Try to know me, lean on the dry place, carefree.
Make an appreciative comment
This famous book, which has been celebrated for a hundred years, integrates scenery description and lyricism. By describing the suffering of travel and service, it expresses strong homesickness with simple words and deep feelings. It is the highest artistic achievement of Liu Yong's similar works, among which the famous sentence "Don't lower the height of Tang people" (Su Dongpo).
The first two sentences say that the river is crystal clear after the rain. A word "right" writes the realm of looking at the horizon. It was getting late at that time, and it began to rain at dusk, all over the country, thousands of miles away. Among them, the words "rain", "sprinkling" and "washing" are read aloud, which is refreshing and unparalleled. From the sentence of "gradually frosty wind", with a word "gradually", four words, three sentences and twelve words are derived. The word "gradually" inherits the previous sentence. When this clear autumn was washed away by rain, the scenery of time changed again. In this way, the poet used a "gradual change word", which seemed ready. Autumn is getting deeper and deeper, and the rain washes the dusk, but I feel that the cool wind is suddenly coming, and its breath is tragic, which makes the clothes list irresistible. The word "tight" was also used in the upper voice, and the atmosphere was full of sad autumn. Next, the word "cold" is pressed up layer by layer in sound. Moreover, "sadness and coldness" and "coldness and coolness" are both double voices, which have strong artistic appeal, and there is also a saying "residual photos are buildings" behind them, and the realm has come out. The beauty of this sentence lies in the word "Danglou", which seems to hit the whole universe with the sadness of autumn.
"It is a decline, and it is a decline." The meaning of words has changed from tragic to thoughtful, from looking up to looking down, and there is a scene of decline everywhere. "Red decline and green decline", in the words of Yuxi poets, is a romantic experience. The word "horizontal" and "gradual" are exactly the same. The word "Hugh" contains endless feelings and sorrows, and then "only the Yangtze River flows eastward without words", which writes the philosophy of life in the universe between fleeting and eternal, changing and unchanging, and directly makes poets think through the ages. The word "speechless" means "heartless". This sentence contains complex psychology and mixed feelings.
"I can't bear it" ends with the background of climbing high and looking far, and the cloud "I can't bear it" is more tortuous and sentimental. At this point, ci is mainly about writing scenery and feeling in the scenery. But the beauty of the next part is that the poet is good at pushing himself and others, because he is looking far away, but he is partial to the people in his hometown, so he should also look far away and look forward to the return of the wanderer. The word "several mistakes" is more clever. At the end of the sentence, point out the problem. Rely on dry, upright, for the building, climb far, look, sigh and think, all of which are interrelated and reflect each other. The scenery of climbing to the top of the poem is to lean on the boudoir and look at it; Homesickness is born of "sadness"; And the word "try to know me" has become a reality, which makes the expression of homesickness more tortuous and moving.
This poem has a fine structure, the scenery and lyrics are integrated, and it is good at telling stories. Between the lines, homesickness and homesickness are vividly displayed. Simple drawing techniques and popular language make this complicated idea clear. In this way, Liu Yong's "Klang Ganzhou" has finally become a monument in the history of Ci, which can be sung through the ages.