The horizontal lines in the sentence are staggered, and the horizontal lines in the couplet should correspond. Stick two couplets together, and the rhyme should be flat. Rhyme began to take over the merger, and the two couplets in the middle were opposite. One, three, five, whatever, two, four and six are distinct.
In ancient Chinese, syllables were divided into four tones: flat, rising, going and entering. The flat tone is the first and second tone, the rising tone is the third, the falling tone is the fourth and the entering tone is the fifth. In poetry creation, even tone refers to the tone level of each word. Ping means flat voice, it means three times.
In a sentence, parallelism should be staggered, and there should be no multiple parallelism or multiple parallelism in succession. For example, "the mountains cover the day, and the ocean drains the golden river." In this sentence, "Bai", "Yi" and "Jin" are all flat sounds, and "Huang", "He" and "Jin" are all single vowels, but there are no continuous flat sounds or single vowels.
In the whole poem, every two sentences are a couplet, and the internal level of each couplet should correspond. For example, "in the spring morning, I wake up easily and birds are singing everywhere." The words "spring", "no" and "sleep" in this sentence are all flat sounds, and the words "place", "smell" and "crow" are all purring sounds, but they respectively correspond to the words "sleep", "dawn" and "bird" in the previous sentence.
Two couplets should be connected by bonding. Sticking refers to that in two adjacent couplets, the first word of the latter couplet is the same as the last word of the previous couplet. For example, "on a quiet night, when I think of such bright light at the foot of my bed, will there be frost already?" Looking up, I found that it was moonlight and sank again, and I suddenly remembered home. " In this sentence, the words "bed", "Ming" and "moon" appear in two couplets respectively, and they are all glued together.
The whole poem should end in a flat voice. For example, "I climbed to the top. I investigate that the whole world is too big to return. " The words "empty", "ambiguous" and "return" in this sentence are all flat tones, which meet the requirements of the whole poem ending in a flat tone.
There are two forms of rhythmic poetry: five-character rhythmic poetry and seven-character rhythmic poetry. Five-character verse has five words in each sentence, and seven-character verse has seven words in each sentence. In metrical poems, in addition to the rhyming rules mentioned above, there are also requirements for inheritance and transformation. Transition refers to four parts of metrical poetry: the first sentence, the second sentence, the third sentence and the fourth sentence.
The first sentence leads to the theme, the second sentence further expands the theme, the second sentence turns or changes the theme, and the last sentence summarizes the full text. The two couplets in the middle should be antithetical to enhance the expressive force. Duality means that two sentences or two words correspond or react in meaning. For example: "If life is just like the first sight, the autumn wind will draw a fan sadly." In this sentence, "If life is just like first sight" and "What is a sad autumn wind painting fan" are a pair of antithetical sentences.