1, original check
-Song Ouyang Xiu
Last January night,
The flower market is as bright as day.
On the moon, willows sprout,
People date after dusk.
On the night of January this year,
The moon and the lamp remain the same.
I didn't see it last year,
Tears wet the sleeves of the spring shirt.
The most prominent feature of this poem is its ingenious conception and outstanding contrast. In the interweaving and reflection of today and the past, sadness and joy, it skillfully expresses the unbearable feeling that things have been changed. The first one recalls the happy party last year, and the next one describes returning to the old place this year without the sadness of Iraqis. The artistic conception of the whole poem is similar to that of Cui Hu's "Traveling South of the City" (this door was opened last year), but it is more obvious than Cui's poem.
2. The title city is Nanzhuang
-Cui Hu
On this day last year, in this door,
Peach blossoms set each other off in red.
People don't know where to go,
Peach blossoms are still smiling in the spring breeze.
The title of Nancheng Village is the work of Cui Hu, a poet in the Tang Dynasty, which is included in the 368th volume of Complete Tang Poetry. There are two scenes in this poem, "Seeking for Spring and Meeting Beauty" and "Seeking Again". Although the scene is the same, things are different. The first two sentences recall the scene of "today last year", first point out the time and place, then describe the beautiful scenery, and set off the beauty of "human face" with the red color of "peach blossom"; At the end of the two sentences, write "Today of this year". At this time, there are similarities, differences, continuity and discontinuity with "today last year". Peach blossoms are still there, but people are not. The reflections of these two scenes express the poet's infinite disappointment in twists and turns. This poem is well known, especially the sentence "People don't know where to go, but peach blossoms are still smiling in the spring breeze".
The past is empty and still like a dream.
-Li Yu's "Midnight Song, How Can I Avoid the Sorrow and Hate of Life"
Midnight Song: How Can I Avoid the Sorrow of Life is a word written by Li Yu, a poet of the Southern Tang Dynasty in the Five Dynasties. This poem was written after Li Yuguo's death. His family broke up and he became a prisoner. In the first part, the author writes about the sadness of the old country, while in the second part, he laments the emptiness of the past, expressing the poet's infinite yearning for the old country and the past, and his extreme sadness about life in prison. This word means sadness, and there is infinite sadness and hatred between the lines.
4. It's no problem to cross the gate.
-He Zhu
Overcoming the door is wrong, what is the difference? Wutong was half dead. After first frost, the white-headed mandarin duck lost her partner.
The grass is on the grass, exposed on the grass, and the old one lives in Xinling. Who will mend the clothes when lying in an empty bed at night listening to the rain from the south window?
The Partridge Crossing the Gate was written by He Zhu, a poet in the Song Dynasty, in memory of his wife Zhao. The whole poem is very painful and touching, and it is a rare masterpiece in mourning poems after Tang and Song Dynasties. At that time, He Zhu felt great pain when he was about to leave Suzhou, where the couple lived. He was full of bitter water and had nowhere to talk. He can only lament, "What is he doing here?" Listening to the rainy night in the south window and recalling the time when his wife sewed clothes for herself in the middle of the night, the author sadly reveals his deep nostalgia and sympathy for his dead wife's suffering. In terms of expression, the word combines sex with consideration, enriching the means of emotional expression and enhancing the appeal of art.
5. Jianglou feels old.
-Zhao Wei
The color of flowers has changed this year.
Who will blossom next year?
Where are the people who come to play with the moon,
The scenery is vaguely like last year.
Feeling Old in Riverside Buildings is the work of Zhao Wei, a poet in the Tang Dynasty. This is a poem that misses the past of an old friend. The whole poem is elegant in language, affectionate in scenery and sincere in emotion. Writing old stories, mixed with reality, gives people infinite reverie and meaningful charm.
6, Wulingchun, the wind has lived and the dust has been exhausted.
-Li Qingzhao
When the wind stops, the dust is fragrant and the flowers are exhausted, and the hair is tired at night.
It is said that Shuangxi Spring is still good, and I plan to go boating. I'm afraid the double happiness can't be carried. I'm worried.
"Five Ling Chun, the dust is exhausted" is a word created by Li Qingzhao, a poetess in the Song Dynasty. The first part of this word vividly shows the unsightly scenery and extremely miserable mood in late spring; The following film further shows the depth of his sadness, and expresses his sadness with a novel artistic technique of rowing without moving. The whole poem is full of the pain of "things are wrong" and worries about the old country and the old people. It is novel and ingenious, deep and sad, natural and appropriate, without the slightest suspicion of affectation, and full of characteristics. This word uses the scene of late spring to write the poet's deep depression and sorrow, and creates an image of a talented woman wandering in a lonely and desolate ring.
Today, people can't see the ancient moon. This month, they used it to see the ancients.
-Li Bai's Drinking for the Moon
Asking for the moon in 1989 is a poem about the moon written by Li Bai, a great poet in the Tang Dynasty. With bold and unrestrained brushwork, the poet described the lonely image of the bright moon in many ways and at many levels, and through the description of the sky and the sky and the lament of the passing of the world and the short life, he showed the author's broad-minded, elegant and chic personality. The whole poem is from wine to month, from month to wine; Feel the sense of time from space. Among them, the contrast between man and the moon is repeated, and the scenery description and myths and legends are interspersed, which shapes a lofty, eternal, beautiful and mysterious image of the moon and reveals the self of a lonely poet. Although the artistic conception is full and enthusiastic, the latent energy turns inward, the context is well connected, and the cycle is intricate and natural; In addition, the four sentences rhyme, are even and flat, and are cadenced, which makes them feel more coherent. There is the Voice of the Palace Merchants, which is excellent in sound, reason and interest and has always been appreciated by people.
Life is endless from generation to generation, and Jiang Yue is only similar year after year.
-Zhang's "Moonlit Night on a Spring River"
Moonlit Night on the Spring River is the work of the Tang Dynasty poet Zhang. This poem * * * 36 sentences, every four sentences change rhyme, with a beautiful pen full of life breath, creatively reproduces the scenery of Jiangnan spring night, like a picture of the Yangtze River in the moonlight, and at the same time contains the pain of wandering homesickness. Poetry is ethereal and clear, lingering, washing away the thick fat powder in the six dynasties palace, and the words are beautiful. It is a masterpiece through the ages and is known as "an isolated piece covering the whole Tang Dynasty".
9. Life has been hurt several times, but Taiwan Province is still cold. Today, every sea is home, so it rains and falls.
-Liu Yuxi's Random Thoughts on "Old Times of Xibao Mountain"
Xibao Mountain Nostalgia is the work of Liu Yuxi, a poet in the Tang Dynasty. This poem misses the past and hurts the present. The first four sentences, writing the historical story of the destruction of Wu in the Western Jin Dynasty, show that national unity is a historical necessity, and clarify that the rise and fall of things depends on people's thoughts; The last four sentences write about Mount Cisse, pointing out that Mount Cisse is famous because it used to be a military fortress, but today the mountain shape remains the same, but the personnel are completely different, which opens the theme of the poem. The content of the whole poem is historical facts, the scenery described is the real scene in front of us, and the exclamation expressed is the true feelings revealed in the poet's chest. The poet skillfully combines history, scenery and emotion perfectly, making them set each other off and grow together, creating a meaningful desolate artistic conception and a sense of depression and frustration.