Audio-visual combination emphasizes that the eyes and ears should feel each other in the senses, and describe from different angles such as visual hearing, so that readers can combine the state of things seen by the eyes with the sounds heard by the ears, and feel the pictures and sounds by listening to them, so as to achieve visual and auditory communication and sensory synchronization.
Take Du Mu, a poet in the Tang Dynasty, as an example: "Your Excellency, Shui Ge, Kaiyuan Temple in Xuanzhou, and Jiaxiju in Wanxi";
Birds go to the mountains, and people sing and cry.
In late autumn, a thousand rains fall on the curtain, and the balcony plays the flute at sunset.
Birds fly between Cangshan Mountains, and people have lived in villages and farmhouses for generations. Thousands of people outside the curtain bear the autumn rain, and the melodious flute in the western hills enters the cold wind of the sunset.
These two sentences adopt the method of audio-visual combination. The poet grasped the state of birds coming and going in Shan Ye, the shape of natural rain curtain hung by every household in autumn rain, the sound of people crying by the green water, and the sound of bamboo flute shining on the balcony, organically combined vision and hearing, so that the shape and sound complement each other and painted a peaceful picture of lakes and mountains.
Extended data:
In addition to audio-visual combination, the expressive skills of appreciating poetry include the combination of reality and reality, the combination of motion and static, and the combination of various senses.
1, the combination of reality and fiction: the scenes and events in reality and the imaginary scenes and events set off each other and interweave to express the same emotion. In poetry appreciation, emptiness and reality are relative. "Imagination and reality are interrelated, infiltrated and transformed, reaching the realm of virtual reality, thus greatly enriching the images in poetry, opening up the artistic conception in poetry and providing readers with a broad aesthetic space.
2. The combination of static and dynamic: the dynamic and static description of things and scenery, set off each other, constitute a kind of interest. Or static driving, or static driving, so that the characteristics of the set-off side are more distinct, highlighting the agility and beauty of the set-off side.
3, a variety of sensory combinations: describing things can not be separated from sensory feelings such as audio-visual, smell, touch color, sound, taste, smell and touch. In the description of ancient poetry, many senses are often used to describe the characteristics of things from multiple angles, so that the scenery and things can get concrete feelings, so as to achieve vivid expression with both form and spirit.